According to Coleridge the immediate object of prose is to give ----- and that of the poem is to please.

In Chapter 14, Coleridge calls imagination a ---- and synthetic power.

----- imagination makes artistic creation possible.

To Coleridge mere super addition of --- doesn't make a poem.

---- is able to reconcile opposite or discordant qualities.

---- is the origin of the famous critical concept of "the willing suspension of disbelief".

Biographia Literaria was published in the year ----

Who coined the word 'esemplastic'?

----- of the highest kind may exist without meter or without rhyme.

Esemplastic means -----

The phrase 'willing suspension of disbelief' was first used in ----?

Secondary imagination is the echo of ---

---- is a mode of memory, free from space and time.

ST Coleridge examines Wordsworth's theory of poetic diction in ---- of Biographia Literaria.

Biographia Literaria was intended to be a short preface to a collection of Coleridge's poem ----

Use of ---- is an aid to memory.

Coleridge said that ---- is the body of poetic genius.

Biographia Literaria contains the celebrated distinction between imagination and -----

----- is the false parallel of secondary imagination

Coleridge himself called Biographia Literaria as -----

------ imagination exists with the conscious will

An ideal ---- would bring the whole soul of man into activity

To Coleridge, the true poet is characterized by ----

----- sustains and modifies the images, thoughts and emotions of poet's mind

According to Coleridge, a poem contains the same elements as in ----

Biographia Literaria is a critical examination of ----

---- propounded the theory of fancy and imagination

In the 22nd chapter of Biographia, ---- of Wordsworth is discussed

Imagination is more active than ----

Fancy is a ------ process