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CPAR MODULE 6 ASSESSMENT

Total questions: 15

Worksheet time: 8mins

Name
Class
Date
1.

Which of the following Republic Act known as the Manlilikha ng Bayan Act?

a)

R.A. Act. 7355

b)

R.A. Act. 11190

c)

R.A. Act. 7356

d)

R.A. Act. 10066

2.

______________________ is a tnalak weaver from the indigenous community of the Tboli in Lake Sebu, South Cotabato.

a)

Magdalena Gamayo

b)

Haja Amina Appi

c)

Darhata Sawabi

d)

Lang Dulay

3.

Which is among the following is the highest policy and coordinating body for culture and arts of the state?

a)

Philippine Commission on Culture and the Arts

b)

National Commission for Culture and the Arts

c)

Philippine Academic Arts and Culture

d)

Nation Expert for Talent and Skills

4.

Which of the following is NOT an idea of the Manlilikha ng Bayan Act?

a)

Create hindrances for popularizing their works locally and internationally

b)

Renew a community's artistic tradition thereby protecting a valuable aspect of Philippine culture

c)

Recognize the importance of traditional folk artists as a singular channel between skills of the past and the future

d)

Provide mechanisms for identifying and assisting qualified traditional folk artists to transfer their skills to the community

5.

________________ is kind of poem consisting of seven-syllable lines which most of the time contains of love and friendship.

a)

Ambahan

b)

Haiku

c)

Gangsa

d)

Tanaga

6.

Which of the following is a two-stringed lute made of wood, one string for the melody, one for the drone?

a)

Buktot

b)

Kudyapi

c)

Butting

d)

Pas-ing

7.

__________________ is a kind of fabric made up of fine abaca fibers weaved with different designs which reflect the tradition of the T’boli.

a)

Abel

b)

Musa

c)

Pis syabit

d)

Tinalak

8.

Which of the following artist worked on the documentation of the epics of Calinog, Iloilo, Panay Island?

a)

Ginaw Bilog

b)

Alonzo Saclag

c)

Uwang Ahadas

d)

Federico Caballero

9.

______________________ play Kalinga musical instruments dance patterns and movements associated with rituals.

a)

Alonzo Saclag

b)

Teofilo Garcia

c)

Masino Intaray

d)

Federico Caballero

10.

Who teaches Teofilo Garcia to make a tabúngaw hat and basket weaving?

a)

Auntie Elena

b)

Uncle Leolito

c)

Grandfather Hipolito

d)

Grandmother Imelda

11.

Which of the following is the master of abel weaving from Pinili, Ilocos Norte?

a)

Darhata Sawabi

b)

Magdalena Gamayo

c)

Ambalang Ausulin

d)

Yabing Masalon Dulo

12.

________________________ began weaving since fourteen (14) years old and continuously impart knowledge to younger generations of B’laan weavers.

a)

Lang Dulay

b)

Salinta Monon

c)

Yabing Masalon Dulo

d)

Estelita Tumandan Bantilan

13.

How does this short-term encounter with GAMABA awardees make you aware of who we are?

4 lines
14.

As an artist, what is our main responsibility in our society or country?

4 lines
15.

Identify the values we should possess as an artist. Explain.

4 lines