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Baroque Era in Music

Total questions: 16

Worksheet time: 8mins

Name
Class
Date
1.

What were affections, in the Baroque?

a)

Love interests

b)

A desire for good music

c)

Another name for emotions

d)

The interaction between music and listener

2.

Performances of music by several spatially separated choirs of voices and/or instruments is knowns as what?

a)

A sonata

b)

Linear polyphony

c)

Polychoral music

d)

A round, or canon

3.

Giovanni Gabrieli:

a)

Created a great deal of polychoral music for instruments

b)

Wrote many compositions for St. Mark's basilica

c)

Was first to use written dynamics in his music

d)

All of these

4.

Appreciation for contrasts led to music compositions that consisted of semi-independent sections that are called:

a)

Movements

b)

Affections

c)

Stile antico

d)

None of these

5.

A system where every note of the major or minor scales bears a specific relationship to every other note, and all are related to tonic:

a)

The Doctrine of Affections

b)

The Tonal System

c)

The Piano Keyboard

d)

The First and Second Practice

6.

Claudio Monteverdi was known for which of the following:

a)

Articulating what stile antico and stile moderno was

b)

Wrote the first known musical drama called Opera

c)

Pioneered the use of recitative and aria

d)

All of these options

7.

The First and Second Practices were:

a)

The first two rehearsals (practices) of the very first opera

b)

A description of how music should be for both the church, and secular performances

c)

A description for how to create recitative and arias, in opera

d)

The idea that performances should take only two practices to prepare for

8.

What are librettos?

a)

Singers who had a very high range

b)

The dogmatic use of recitative and aria

c)

The text of an opera

d)

The Italian word for dancers

9.

Composers in the Baroque period recognized the need for two types of solo singing, specifically in operas. They were:

a)

the First and Second Practice

b)

Melody and Harmony

c)

Aria and Recitative

d)

Form and Analysis

10.

George Frideric Handel is best remembered for what type of composition?

a)

Oratorios

b)

Operas

c)

Sonatas

d)

Cantatas

11.

How were oratorios and cantatas different?

a)

Oratorios were in Latin, cantatas in the vernacular

b)

Cantatas were intended for church performance, while oratorios were secular

c)

Oratorios had religious texts, cantatas did not

d)

Cantatas were German, while oratorios were English

12.

A fugue is a polyphonic composition with two to six melodic lines. What was the basic form for a fugue?

a)

Subject / Answer / Subject / Answer

b)

Subject / Predicate / Subject / Predicate

c)

A B A C A

d)

None of these options

13.

A multimovement work, typical of sets of dance pieces is known as what?

a)

Sonata

b)

Cantata

c)

Suite

d)

Toccata and Fugue

14.

A type of shorthand for the basso continuo, placing numbers below the bass line, is known as what?

a)

Figured bass

b)

Jazz notation

c)

Concertato principle

d)

None of these options

15.

Which of the following is NOT a characteristic of chamber music?

a)

Pieces performed by a small instrumental ensemble

b)

One instrument per line of music

c)

Music intended for a smaller performance hall, or room

d)

Multiple instruments per line of music

16.

What is the main difference between a Concerto Solo and a Concerto Grosso?

a)

Concerto grossos are intended for the church, solos are not

b)

Concerto solos are intended for one soloist, grossos are multiple soloists

c)

Concerto solos are so low they are hard to hear, while grossos are just gross

d)

None of these options