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Rajasthani School of Miniature Painting (NCERT)

Total questions: 26

Worksheet time: 15mins

Name
Class
Date
1.

In the paintings of gods and goddesses ,_________ were used by mixing it with glue as binding medium.

a)

red mineral colour

b)

yellow ochre

c)

precious metals like gold and silver

d)

brown

2.

The brushes used for miniature painting were made of

a)

Camel and squirrel hair

b)

Hog hair

c)

Synthetic hair

d)

none of the above

3.

MIniature paintings were made by a

a)

a single artist

b)

master artist and his pupils

c)

a group of artisans

d)

all of the above

4.

In 16th century, during the bhakti movement, krishna was idealized not only as a god but also as a

a)

All of the below

b)

symbol of supreme beauty and bliss of life

c)

Leader

d)

Ideal lover

5.

"Rasikapriya" is translated as

(a)  

6.

Rasikapriya explores various emotive states like ________ that are common between lovers represented through the characters of Radha and Krishna

a)

anger and disgust

b)

pride and glory

c)

love, togetherness , jealousy

d)

none of the above

7.

Bihari satsai was constituted of ____ verses

a)

900

b)

700

c)

600

d)

660

8.

Bihari Satsai was constituted by

(a)  

9.

Ragamala paintings are pictorial interpretation of

a)

Ragas and Raginis

b)

Krishna and Radha

c)

Radha as a devotional lover

d)

None of the above

10.

Who's reign is recognized as a reformulated period of pictorial aesthetics of Mewar school of painting?

a)

Jagat singh- I

b)

Raja Aniruddh Singh hara

c)

None of the above

11.

Mewar artists generally preferred a bright coloured palette with prominent

a)

blues and greens

b)

gold and black

c)

reds and yellows

d)

None of the above

12.

Painting in the 18th century, slithered from textual representation to

a)

poetic narration

b)

courtly activities and pass time of the royals

c)

storytelling

d)

none of the above

13.

Pichwai are lyrical paintings on cloth which hang as a_-_____to the idol of Srinathji in Nathdwara Temple of Udaipur and the Krishna deities of other temples

a)

At the back

b)

backdrop

c)

None of the above

14.

Picchwai paintings emerged around the late

a)

15th century

b)

16h century

c)

17th century

d)

18th century

15.

Pichwai paitings were painted on

a)

palm leaves

b)

paper

c)

cloth

d)

all of the above

16.

Bundi Ragmala dated

a)

1491

b)

1591

c)

1691

d)

1791

17.

The Bundi school blossomed under patronage of two rulers -

a)

Rao Chattar Sal—and his son Rao Bhao Singh

b)

Rao Bhao Singh and Bhagwat Singh

c)

Bhagwat Singh and Aniruddha Singh

d)

None of the above

18.

Bishen Singh was a

a)

ruler of mewar

b)

connoisseur of art

c)

all of the above

19.

Under Ram Singh (1821–1889), which palace was decorated with mural paintings of royal processions, hunting scenes and episodes of Krishna’s story.

a)

Bundi Palace

b)

Aniruddh sigh hara Palace

c)

Laxmi palace

d)

None of the above

20.

which sub-school depicts lush vegetation; picturesque landscape with varied flora, wildlife and birds; hills and thick jungles; and water bodies.

a)

Mewar

b)

Bundi and Kota School

c)

Kishangarh

21.

Baramasa is a popular theme of ________ paintings?

a)

Bundi

b)

Kota

c)

Kishangarh

d)

Mewar

22.

Which school of paintings are distinguished by their exquisite sophistication and distinct facial type exemplified by arched eyebrows, lotus petal shaped eyes slightly tinged with pink, having drooping eyelids, a sharp slender nose and thin lips?.

a)

Jodhpur

b)

Bikaner

c)

Kishangarh

d)

Jaipur

23.

Krishna Lila themes became personal favourites for the rulers of

a)

Kishangarh

b)

Bikaner

c)

Mewar

d)

Bundi

24.

One of the earliest sets painted in Pali is -

a)

Ragamala

b)

kalpasutra

c)

Krishna-leela

d)

None of the above

25.

Documentary painting through portraiture and depiction of court life started under the patronage of

a)

Ajit Singh

b)

Anirudh Hara Singh

c)

Maharaja Jaswant Singh

d)

None of the above

26.

The Jaipur School of painting originated in its former capital

(a)