WorksheetsDCA2123 - Audio Mixing & Mastering
Total questions: 22
Worksheet time: 44mins
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A mix is the combination of all your recorded/edited tracks reduced to ____tracks (for stereo playback) or ____ tracks (for surround playback).
2, 6-8
1, 2-4
2, 2-4
1, 6-8
The following are the purpose of mixing, except for:
To enhance the sound quality and the style of the existing audio tracks.
To fix microphone problems.
To balance levels.
To establish aural perspective.
True of false. You have to consider the sonic requirement of the media when mixing for various medium.
True
False
Take a checks-and-balances approach: after attending to a detail, listen to it within the context of the overall mix.
This is the considerations for ____________.
Mixing for various media
Surround Mixing
Maintaining aesthetic perspective
Rough mixing.
When hearing in 3-dimensions, you can simulate the height position of the audio signal using which technique?
Fader
Panning
Reverb or Delay
Equalization
The following are the process of mixing, except for:
Arrange the tracks
Use balanced cables.
Create a rough mix.
Check mix(es) on different speakers.
The standard for a stereo mixing speaker layout is ___ angle from the left speaker to the right speaker.
90°
45°
60°
30°
What does the "point-one" stands for in a 5.1 surround speaker setup?
Center channel.
Surround Channel.
High Pass Filter Channel.
LFE channel.
The characteristics of a good mix stated that the _______ for the bass, midrange, and treble frequencies should be balanced; no one octave or range of octaves should stand out.
tonal balance
spatial balance and perspective
dynamic range
clarity
"It makes sense that if there is narration, dialogue, or song lyrics, the words must be clear and understandable."
This is the description for:
Clarity
Airiness
Definition
Intelligibility
The foremost considerations in doing a mix for radio are the __________of the medium (AM or FM), dynamic range, whether the broadcast is in analog or digital sound, and the wide range of receivers the listening audience uses, from the car radio to the high-end component system.
equalization
amplitude range
broadband requirement
frequency respponse
In surround mixing for a TV production, the dialogues are usually positioned to the _________.
front L-R speakers.
center speaker.
surround L-R speakers.
subwoofer.
In mixing for film, a _____ of dialogue, music, and sound effects is done first, and final adjustments are made later.
premix
pre-rendered
postmix
post-rendered
The following are the factors when approaching mixing for digital discs, except for:
Digital edge
Distortion
Total playing time
Musical genre
One of the most important factor when mixing for a multimedia medium such as computers and mobile devices is ______.
Dynamic range
Frequency response
Tonal Balance
Playback environment.
_______ can display, in real time, waveforms, spectrograms, and scopes with attendant alphanumeric information and keep a history of an event.
Metering
Transitioning
Stereo miking
Sampling
A device that can deal with the problem of evaluating mixes on various types of loud-speakers is called ________.
Virtual Reference Monitoring
Visual Effects Monitoring
Virtual Reality Monitoring
Visual Reference Monitoring
The best approach to mix for radio is to use loudspeakers that
are ________ in terms of frequency response, dynamic
range, size, and cost and to keep the essential sonic
information within the frequency range of most radio receivers.
average
low quality
high quality
cheap
expensive
_________ are the delivery requirements that specify the technical standards for which the networks, studios or broadcast station have published.
Stereo & surround
Digital & analog
Specifications & formats
Timing and durations
Which of the following technical specifications are the deliverables for RTM?
PCM, 24-bits, 44.1kHz, Stereo
PCM, 16-bits, 48kHz, Stereo
PCM, 16-bits, 44.1kHz, Stereo
PCM, 24-bits, 48kHz, Stereo
