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Harmonic Cadence Quiz

Total questions: 15

Worksheet time: 11mins

Name
Class
Date
1.

The dominant is notated by the Roman numeral...

a)

I

b)

IV

c)

V

d)

VI

2.

The tonic is notated by the Roman numeral...

a)

I

b)

IV

c)

V

d)

VI

3.

The subdominant is notated by the Roman numeral...

a)

I

b)

IV

c)

V

d)

VI

4.

Which type of cadence is also referred to as the "Amen" cadence?

a)

Authentic

b)

Half-cadence

c)

Plagal

d)

Deceptive

5.

Taking into account the final two chords ONLY, identify this chord progression.

a)

Imperfect Authentic Cadence

b)

Perfect Authentic Cadence

c)

Plagal Cadence

d)

Deceptive Cadence

6.

Which of the following is NOT a rule regarding Perfect Authentic Cadences?

a)

The chord must be in root position.

b)

The chord progression must go from I to V.

c)

The highest note in the chord is the tonic.

d)

The chord progression will go from V to I.

7.

Given the Roman Numerals and key signature, what type of cadence is this?

a)

Perfect Authentic Cadence

b)

Plagal Cadence

c)

Deceptive Cadence

d)

Imperfect Authentic Cadence

8.

T or F: A Half Cadence ends on the V chord.

a)

True

b)

False

9.

A plagal cadence is made up of Roman numeral chords...

a)

IV - I

b)

V - I

c)

I - V

d)

ii - V

10.

What cadence is used at the end of the first phrase (the half note chord in m. 3)?

a)

HC

b)

PAC

c)

IAC

d)

DC

11.

What cadence is used at the end of the second phrase (the final two chords)?

a)

PAC

b)

HC

c)

IAC

d)

DC

12.

What is the Roman Numeral analysis that corresponds to the first chord?

a)

V

b)

i

c)

I

d)

ii

13.

What is the strongest type of cadence?

a)

Perfect authentic

b)

Imperfect authentic

c)

Plagal

d)

Deceptive

14.

Which type of cadence ends on the tonic?

a)

Perfect Authentic

b)

Half-cadence

c)

Phrygian Half- Cadence

d)

Deceptive

15.

Viewing the yellow section ONLY, what is the name of this chord progression?

a)

Imperfect Authentic Cadence

b)

Perfect Authentic Cadence

c)

Plagal Cadence

d)

Deceptive Cadence