Worksheets🎬(✿) AVTF Engage
Total questions: 22
Worksheet time: 22mins
This entry-level position is often assigned to the production department. In this position, workers need to use professional film language on the walkie talkies, fetch coffee for other departments, and clean up the set at the end of the day.
Director
Production Assistant
Producer
Gaffer
There can be MANY types of these on a film set and throughout all stages of production. Their primary duties involve managing the budget, hiring the cast and crew, and distributing the finished film.
Camera Operator
Key Grip
Assistant Producer
Producer
The head of the camera department makes decisions about camera setup and placement. They also spend a lot of time directing the lighting and grip departments.
Director
Director of Photography
Producer
Best Boy/Girl
The leading creative artist on the film set that works directly with the actors on their performances. Often times, this position is involved in the production from start to finish.
Grip
Producer
Director
There are normally two or three of these on a film set. They are in charge of managing cast and crew on behalf of the director. They may also be involved in creating the production schedule.
Assistant Director (A.D.)
Key Grip
Producer
This job is second in command of the camera department. They spend most of their time setting up, controlling, and breaking down the camera.
Producer
2nd Assistant Camera
Camera Operator
1st Assistant Camera
This assistant is concerned with supporting the camera department. They will adjust the focus of the lens and help set up the camera
2nd Assistant Camera (2nd A.C.)
1st Assistant Camera (1st A.C.)
Camera Operator
Producer
This assistant is in charge of running slate during production to help keep track of scenes, shots, and takes. They also spend a lot of time placing marks using colorful tape.
Producer
2nd Assistant Camera (2nd A.C.)
Director
The head of the sound department is responsible for monitoring audio during production.
Colorist
Sound Mixer
Assistant Producer
The head of the grip department will adjust c-stands and scrims to diffuse and bounce light based on instructions from the D.P.
Key Grip
Best Boy/Girl
Producer
Also known as the chief lighting technician, this person is in charge of safely setting up lights while considering cables and power. They will set up lights based on instructions from the D.P.
Gaffer
Producer
Key Grip
The second in command for the grip department has the same name as the second in command for the lighting department.
Key Grip
Gaffer
Best Girl/Boy
The second in command for the sound department is in charge of positioning a long pole with a microphone on the end of it.
VFX
Sound Mixer
Boom Operator
The post production process of recreating every day sounds for a film or television show is a job for this position.
Foley Artist
Boom Operator
Sound Mixer
This post production department is responsible for compositing, rigging, rotoscoping, keying, tracking, and sometimes animation.
Editor
Visual Effects (VFX)
Colorist
The process of adjusting highlights, shadows, midtones, and color themes belongs to this post production position.
Colorist
Editor
Producer
The post production process of combining all shots and sounds together to create one cohesive movie or TV show is the job of one or more of these.
Producer
Best Boy/Girl
Editor
Get rid of something on set
"10-100"
"86 that!"
None of the Above
Camera is recording so everyone should be quiet
"86 that!"
"Rolling!"
"Cold Bricks!"
Secure the set by stopping people from walking into the scene
"Lock it Up!"
"Stop!"
"Cold Bricks!"
Using the restroom
"10-100!"
"78 that!"
"Stop!"
There is a distracting sound so we need to momentarily stop recording
"Hold for Noise!"
"Rolling"
"Cold Bricks!"
"Hold for Sound!"
