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Epic Theatre (Brecht)

Total questions: 10

Worksheet time: 6mins

Name
Class
Date
1.

In Brechtian theatre, Rational Thought is

a)

the character's reasoning when breaking up with another character

b)

the act of crying, throwing plates, lighting fires on stage in moments of high valence so the audience feels it too

c)

the message, idea, viewpoint, mission of the creating artist

d)

one of many themes explored in a narrative

2.

The Narrator/Guide/Host (NGH) is

a)

one of many similar devices in non-narrative theatre that perform in the allegory

b)

the only one who speaks directly to the audience

c)

the voice of the rational thought

d)

the same-same as the protagonist

3.

An allegory is

a)

a player/actor that performs in the play

b)

a moment of irony, or breaking character that reminds the audience about the message

c)

one of possibly many examples of the rational thought

d)

a metaphor that only uses humans in its comparison

4.

How many allegories can you use in one play?

a)

three

b)

From "none" to "however many it takes"

c)

one

d)

only 2

5.

How many different kinds of allegory am I allowed to use?

a)

From "none" to "many," as long as they understand and are provoked by my message

b)

only one

c)

six

d)

dadaists would answer "Pidgeon"

6.

Episodic structure...

a)

is connected by time; ex., you must see scene 1 to make scene 2 work

b)

contains a protagonist that undergoes a change in the middle of the scene

c)

is only found in television-show structures, has nothing to do with theatre

d)

is connected by message only; characters, actors, locations, GCs may change scene by scene

7.

Distancing Effect - or Verfremdungseffekt - is

a)

any moment, event, movement, sound, word, design magic that reminds the audience they're watching a play

b)

Brecht's middle name

c)

one of a group of Brecht's early plays called the Lehrstrucke Plays

d)

the greatest moment of empathy in any play

8.

Lehrstrucke Plays are

a)

soap-operas

b)

learning plays

c)

early animation

d)

Epic Melodramas

9.

The players in the ensemble are

a)

the voices of the Rational Thought

b)

Supporting roles, non-leads, extras in a movie

c)

one of many similar devices in non-narrative theatre that perform in the allegory

d)

actors only versed in the technique of realistic acting

10.

In Realistic Acting when the performer cries, the audience cries. In Brecht,

a)

when the performer cries, the audience laughs

b)

when the performer cries, the audience sleeps

c)

when the audience cries, the performer cries

d)

when the audience laughs, the performers wait until they're done