It is created when a line becomes connected and encloses space.

Has HEIGHT, WIDTH and DEPTH--which is the 3^rd dimension.

It is the lightness or darkness of a color.

It is the way the surface of an object actually feels.

______ is basically divided into 3 parts: Foreground, Middle Ground and Background.

______ can add interest and reality to artwork.

Seem to be reaching, so they may seem inspirational like tall majestic trees or church steeples.

Tend to be disturbing. They suggest decay or chaos like lightning or falling trees.

Are generally restful, like the horizon, where the sky meets land.

Tend to be found in nature and are very organic.

They tend to appear to be man-made because of their precision.

Have smooth even edges and are measurable. It includes the square, the circle, the triangle and the rectangle.

Have more complicated edges and are usually found in nature. Leaves, flowers, ameba, etc.

It is the way the surface of an object looks like it feels.

It is the way the surface of an object actually feels.

The primary colors are;

The secondary colors are;

2 colors that are directly opposite each other.

When you use only one color plus its tints and shades.

It is a complimentary color and the two colors on either side of its compliment.

When you use irregular lengths of parallel lines that cross over each other diagonally.

It is the use of dots to create shade.

Is when you use your pencil to create soft gradual movements from one value to the next using full value range.

Forms that have specific names associated with them and are typically man-made.

Forms that not have specific names associated with them and are often associated with naturally occurring forms.

Is when the artist uses a vanishing point on the horizon.

Is used when the artist has objects very close to the viewer.

It is the area in and around the objects.

It is the actual object(s) within the artwork.

It is a principle of arts refers to the overall distribution of visual weight in a composition.

It is a principle of arts which refers to the relative size when compared with other objects to bring reality to the artwork.

The principle of art that helps the audience put the story of a painting together in their own minds. This principle is always having a focal point.

A principle of art that is repeated in a piece of work or an associated set of works.

It is a principle of arts refers to the movement within a piece of art that helps the eye travel through the to a point of focus.

The principle of art used to create the impression of action in a work of art.

It is a principle of arts that creates a sense of harmony and wholeness by using similar elements and placing them in a way that creates a feeling of “oneness.”

This principle of arts can add interest by using juxtaposition and contrasting elements within the composition. When an artist places different visual element next to one another, he/she is using ________.

____________ in which visual elements balance on both sides of the axis.

____________in which visual elements balance from top to bottom.

It is a type of formal balance in which two halves of an artwork mirror each other.

Is symmetry in several directions. Visual elements are arranged around a central point in the composition, like the spokes on a wagon wheel.

Is informal and seems less organized than symmetry. The two halves of a balanced asymmetric artwork do not look the same but have similar visual weights.

This type of proportion uses ideal or correct size and scale for different parts of the figure to the figure as a whole or sometimes the figure in relationship to other elements in the artwork.

____________ is when two or more elements in an artwork compared with each other are not in proportion to their relationship, in which it is supposed to be.

 This type of proportion that artist consciously changes the standard proportion of the rules of proportion to the other elements in the artwork.

_____________ is a straight-forward way to ensure the “main character” of a picture is noticed.

Using a bulls-eye as an example, the location of a compositional element contributes to our feelings about emphasis as well.

Lines and edges can work like arrows to indicate a focal point.

A fun way to create emphasis in a composition is to have one element stand-out because it is so different – a round object among angular shapes, a line of people with one facing the wrong way.

Pattern that found everywhere in nature, from the leaves on a tree to the microscopic structure of those leaves.

Pattern that tends to strive for perfection.

A piece of art conveys an underlying sense of motion. Drawing or painting lines in the direction of the moving object can convey this.

The way describes a work of art that the viewer’s eye moves around in it.

Contrastingly, the artist uses a freeze-frame approach to depict the subject.

Describes an artwork that contains a repetition of two or more components that are used interchangeably.

Describes an artwork that contains curved or circular elements that give the art movement.

Describes an artwork that contains repeating elements in a pattern that change either in size or color as they repeat.

Describes an artwork that contains repeating elements without a specified order or arrangement.

Describes an artwork that contains repeating elements with a specified order or arrangement that can be measured.