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MUSIC_2

Total questions: 10

Worksheet time: 10mins

Name
Class
Date
1.

_______is used in speeches building up to an explosive climax in the aragoto (oversize, supernatural, rough hero) style, it requires an extra ordinary breath control that only few experts succeed in achieving.

a)

IPPONCHōSHI

b)

NORI

c)

YAKUHARAI

2.

_______technique adapted from chanting or jōruri. I

a)

IPPONCHōSHI

b)

NORI

c)

YAKUHARAI

3.

_______technique in the same way describes the subtle deliveryof poeticaltext written in Japanese metrical form of alternating seven and five syllables.

a)

IPPONCHōSHI

b)

NORI

c)

YAKUHARAI

4.

_______performed in Shinto shrines.

a)

Naugata

b)

Kagura

c)

5.

_______chant derives from shōmyō,( sophisticated and rich tradition of Buddhist chanting)

a)

Naugata

b)

Kagura

c)

6.

_______music is very flexible, can be performed by one shamishen or by an entire orchestra of twenty musicians of which ten are sham isen players, whileother playfue,kotsuzum i, otsuzum i and taiko.

a)

Naugata

b)

Kagura

c)

7.

_______two stinged violin-like instrument, held upright against theknee

a)

Hu-ch’in

b)

Bu-ch’in

c)

Yue-ch’in

d)

San-sien

8.

_______two stinged violin-like instrument that has more graceful sound

a)

Hu-ch’in

b)

Bu-ch’in

c)

Yue-ch’in

d)

San-sien

9.

_______is a guitar-like three-stringed instrument.

a)

Hu-ch’in

b)

Bu-ch’in

c)

Yue-ch’in

d)

San-sien

10.

_______is a guitar-like four-stringed moon guitar

a)

Hu-ch’in

b)

Bu-ch’in

c)

Yue-ch’in

d)

San-sien