The entire sound track consists of three …................ …...................s: the human voice, sound effects and music.

(a)  

These three tracks must be mixed and balanced so as to produce the necessary … (a)    which in turn create desired effects.

They include dialogue, …..................... and ….......................... sound effects, and music.

(a)  

When voice textures fit the performer's …................ and …..............s, a whole and very realistic persona emerges.

(a)  

When voice textures fit the performer's physiognomy and gestures, a whole and very realistic … (a)    emerges.

For example, in the highly successful …............-…................ film 2001, little dialogue was evident, and most of it was banal and of little intrinsic interest.

(a)  

For example, in the highly successful science-fiction film 2001, little dialogue was evident, and most of it was … (a)    and of little intrinsic interest.

For example, in the highly successful science-fiction film 2001, little dialogue was evident, and most of it was banal and of little …............... …..................

(a)  

In this way the film-maker was able to portray what Thomas Sobochack and Vivian Sobochack call, in An Introduction to Film, the '… (a)    of human responses when compared with the magnificent technology created by man and the visual beauties of the universe'.

The comedy Bringing Up Baby, on the other hand, presents practically non-stop dialogue delivered at ….................. …............

(a)  

This use of dialogue underscores not only the dizzy quality of the character played by Katherine Hepburn, but also the … (a)    of the film itself and thus its humor.

The audience is bounced from ….......... …... …............ and conversation to conversation; there is no time for audience reflection.

(a)  

The audience is caught up in a …................. ..... …............. in simply managing to follow the plot.

(a)  

This film presents pure … (a)    - largely due to its frenetic dialogue.

This film presents pure escapism - largely due to its …............ ….............

(a)  

However, if the 'click' of an opening door is part of an … (a)    action such as a burglary, the sound mixer may call attention to the 'click' with an increase in volume; this helps to engage the audience in a moment of suspense.

However, if the 'click' of an opening door is part of an ominous action such as a … (a)   , the sound mixer may call attention to the 'click' with an increase in volume; this helps to engage the audience in a moment of suspense.

However, if the 'click' of an opening door is part of an ominous action such as a burglary, the sound mixer may call attention to the 'click' with an increase in volume; this helps to engage the audience in a moment of … (a)  

Such sounds are included so as to provide an …................. …................ …................, and they may also add to the realism of the film.

(a)  

For example, a film-maker might opt to include the background sound of an ….................... …............... while the foreground sound and image portrays an arguing couple.

(a)  

The asynchronous ambulance siren underscores the ….............. …............... incurred in the argument; at the same time the noise of the siren adds to the realism of the film by acknowledging the film's city setting.

(a)  

We are probably all familiar with background music in films, which has become so … (a)    as to be noticeable in its absence.

In addition, background music often … (a)   s a change in mood.

For example, ….............. …............ may be used in film to indicate an approaching (but not yet visible) menace or disaster.

(a)  

For example, dissonant music may be used in film to indicate an approaching (but not yet visible) … (a)    or disaster.

For example, a particular musical theme associated with an individual character or situation may be repeated at various points in a film in order to remind the audience of … (a)    motifs or ideas.

Film sound comprises … (a)   s and innovations.

We have come to expect an … (a)   of music during car chases and creaky doors in horror films.

We have come to expect an acceleration of music during car chases and … (a)   doors in horror films.

The effects of sound are often largely subtle and often are noted by only our … (a)   minds.

We need to … (a)   an awareness of film sound as well as film space so as to truly appreciate an art form that sprang to life during the twentieth century - the modern film.

We need to foster an awareness of film sound as well as film space so as to truly appreciate an art form that … (a)   to life during the twentieth century - the modern film.