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20th century Music

Total questions: 20

Worksheet time: 15mins

Name
Class
Date
1.

He was a notable composer in the 20th century?

(a)  

2.

In the 20th century music he is also known by his musical piece "Bolero"?

(a)  

3.

Claire De Lune

a)

Claude Debussy

b)

Maurice Ravel

4.

What is the name or title of this art?

(a)  

5.

Who is the artist of this art or painting?

(a)  

6.

Impressionism is a French movement in the late 19th and early 20th centuries.

a)

TRUE

b)

FALSE

7.

He was born on August 22, 1852?

a)

TRUE

b)

FALSE

8.

He was known as the "Father of the Modern School of Composition"?

(a)  

9.

The compositional style of Ravel is mainly characterized by its distinctive, innovative but not atonal style?

a)

TRUE

b)

FLASE

10.

It is the sound quality, or tone quality, of a note played on a particular musical instrument?

a)

Harmony

b)

Form

c)

Texture

d)

Color

11.

A person who follows or adheres to the theories, methods, and practices of impressionism, especially in the fields of painting, music, or literature?

a)

Impressionist

b)

Expressionist

c)

Minimalist

12.

Extreme contrasts of dynamics in music, comprises of very soft and very loud?

a)

TRUE

b)

FALSE

13.

He experienced Triskaidekaphobia or also known as?

a)

Fear of number 14

b)

Fear of number 12

c)

Fear of number 13

d)

Fear of number 15

14.

He is established the use of twelve-tone scale?

(a)  

15.

It was originally used in visual and literary arts?

(a)  

16.

The way you feel about something, the way that something looks or seems or impression can describe the impact you have on others

(a)  

17.

He composed a total of more or less 227 masterpieces?

(a)  

18.

In the twelve-tone scale, what sofa syllable is used if C major is played?

a)

Mi

b)

So

c)

La

d)

Do

19.

Octave scale is used as a basis for creating songs today. What do you call the chords that are played on Re, La and Fa syllables?

a)

D, A and F

b)

D, B, and E

c)

A, F, and D

d)

G, D, and A

20.

He is an expressionist in the world of music. He taught himself music theory, but took lessons in counterpoint.

(a)