THE AUTHOR OR SPEAKER’S ATTITUDE TOWARD A SUBJECT, EVIDENT THROUGH DICTION OR THE VIEWPOINT OF AN AUTHOR OR SPEAKER ON A PARTICULAR SUBJECT. IT CAN BE FORMAL, INFORMAL, SERIOUS, COMIC, SARCASTIC, PEDANTIC, SAD, CHEERFUL, OR ANY OTHER ATTITUDE.

WHAT IS THE HUSBAND'S NAME?

HOW MANY LAYERS OF MEANING ARE THERE?

STYLE HELPS TO CREATE THE _________.

TOTALLY OR DEFINITELY; WITHOUT QUESTION

CHOPIN’S NOVELS AND STORIES WERE ALL WRITTEN IN THE ______, A TIME WHEN WOMEN WERE EXPECTED TO FULFILL DOMESTIC ROLES.

IN LITERARY TEXTS, THE TYPE OF NARRATION USED; A WAY OF LOOKING AT OR THINKING ABOUT SOMETHING

WHAT TYPE OF CONDITION DOES THE MAIN CHARACTER HAVE?

LAYER 3 REFERS TO ______________.

THE FORMATION OF SENTENCES AND THE ASSOCIATED GRAMMATICAL RULES

TO TAKE PREVENTATIVE ACTION

SHE RAISED HER CHILDREN WITH WHO? DID SHE EVER REMARRY?

THE TIME, PLACE, AND CIRCUMSTANCES IN WHICH SOMETHING OCCURS

WHO IS THE PROTAGONIST OF "STORY OF AN HOUR"?

THE LITERAL LEVEL, WHAT THE WORDS ACTUALLY MEAN

THE WAY IN WHICH THE WRITER USES TECHNIQUES FOR EFFECT

A LIQUID OR OTHER SUBSTANCE THOUGHT TO HAVE SPECIAL, OFTEN MAGICAL POWERS.

CHOPIN CHALLENGED SOCIAL NORMS IN HER WRITING BY CREATING STRONG _______ PROTAGONISTS AND EXPLORING THEMES CONCERNING _______, ENNUI (A FEELING OF CONTINUED DISSATISFACTION), DESIRE, AND SELF DISCOVERY.

THE UNDERLYING MESSAGE OR BIG IDEA OF A TALK, BOOK, FILM, OR OTHER WORK

WHO IS THE AUTHOR OF "STORY OF AN HOUR"?

THOSE FEELINGS THAT ARE EVOKED IN THE READER.

THE CHOICE OF WORDS OR PHRASES IN SPEECH OR WRITING

REPEATED AND ANNOYING REQUESTS OR DEMANDS

CHOPIN’S STORY ABOUT AN INDEPENDENT-MINDED WOMAN WHO HAD THEIR OWN PERSONAL WANTS AND NEEDS—A CONTROVERSIAL CONCEPT AT THE TIME—ANTICIPATED THE TWENTIETH-CENTURY _______ LITERARY MOVEMENT.

A STRUGGLE BETWEEN TWO OPPOSING FORCES, USUALLY RELATED TO THE PROTAGONIST IN SOME WAY

HOW WAS THE ENDING IRONIC?

THE MODEL WE USE IN THIS CLASS FOR LOOKING AT LAYERS OF MEANING IS THAT OF _______.

DICTION, SYNTAX, GRAMMAR, AND USE OF FIGURATIVE LANGUAGE ARE THE COMPONENTS OF

IN A LOUD OR EMOTIONAL MANNER

In the "Story of an Hour" the wife's reactions to the husband's death is NOT: “storm of grief”; “physical exhaustion”; “dull stare”

In the "Story of an Hour", the wife's reaction to living without her husband is: “feverish triumph”; “pulses beat fast”; “keen and bright”