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AP Art History Unit 2 Review

Total questions: 20

Worksheet time: 20mins

Name
Class
Date
1.

The type of work is called a

a)

palette

b)

stele

c)

obelisk

d)

pylon

2.

The form of the columns in the hypostyle hall was intended to recall the

a)

dense clusters of papyrus reeds on the Nile

b)

statuesque figures of the pharaoh and his family

c)

palm trees that grow near desert oases

d)

celestial rays that emanate from the crown of Amun-Re

3.

A pharaoh progressing through the temple complex was intended to encounter

a)

spaces arranged at oblique angles, which culminated in a majestic, light-filled foyer

b)

spaces that were increasingly dark and mysterious, leading to the inner sanctum housing the cult statue

c)

a series of open courtyards and halls illuminated with clerestory windows that led to the pharaoh’s throne room

d)

narrow, serpentine walkways that mimicked the flow of the Nile River, terminating at a sacred pool

4.

The work shown can be identified as an ancient Sumerian sculpture because of which of the following visual characteristics?

a)

Rigid frontality with clasped hands

b)

Truncated body with naturalistic facial features

c)

Ideal male form with wide, staring eyes

d)

Contrapposto pose inscribed with cuneiform

5.

In the last judgment of Hu-Nefer, from his tomb (page from the Book of the Dead), the presence of the ibis-headed god Thoth demonstrates that the ancient Egyptians

a)

believed that truth and justice would prevail in the afterlife

b)

were obsessed about mummifying the remains of the dead

c)

placed great importance in written records and observations

d)

considered their pharaohs direct descendants of the gods

6.

The work shown can be attributed to which of the following ancient Mediterranean cultures?

a)

Egyptian

b)

Neo-Assyrian

c)

Greek

d)

Etruscan

7.

The image shows which of the following features of ancient Egyptian architecture?

a)

An obelisk

b)

A clerestory

c)

A hypostyle hall

d)

A pylon gate

8.

In the geographical region, the evolution in form from earlier tombs to the architectural complex shown most likely resulted from a desire to

a)

emulate the monumental tombs of foreign rulers

b)

innovate by using new materials to ease the process of creating such buildings

c)

provide space for an army to protect the ruler in the afterlife

d)

heighten the symbolic association with the Sun

9.

The form of the Code of Hammurabi is shaped as a

a)

palette

b)

pyxis

c)

stele

d)

frieze

10.

The mortuary temple of Hatshepsut originally included which of the following features as part of the complex?

a)

A pylon entryway flanked by large obelisks

b)

Outer courtyards with heavily ornamented fountains

c)

Grand stairways decorated with reliefs of important battles

d)

Terraces filled with exotic trees and plants

11.

The work was made in

a)

Egypt

b)

Assyria

c)

Persia

d)

Mycenae

12.

In the Egyptian stele shown, the imagery is organized in which of the following ways?

a)

As a diptych framed by an outline

b)

As composite figures placed in registers

c)

As a continuous narrative displayed in columns

d)

As multiple scenes presented in one-point perspective

13.

The two figures portray a

a)

king and his chief priest

b)

pharaoh and his scribe

c)

god and a king

d)

high priest and a warrior

14.

The work employs

a)

hierarchical scale

b)

continuous narrative

c)

one-point perspective

d)

aniconic representation

15.

The work serves to legitimize the

a)

invasion of neighboring city-states

b)

king's right to rule

c)

institution of monotheism

d)

authority of the priests

16.

The relief shown can be attributed to the Amarna period in Egypt based on which of the following typical characteristics?

a)

The depiction of Hatshepsut with the attributes of a male pharaoh

b)

The use of hierarchical scale to distinguish the ruler from conquered peoples

c)

The use of wet drapery to emphasize the sculptor's natural rendering of the body

d)

The depiction of the deified Aten as a sun disk with diagonal rays

17.

The visual organization of the work is meant to suggest a

a)

solemn procession as part of a civic ceremony

b)

sequence of successive events in an important narrative

c)

contrast between orderly control and chaotic drama

d)

strict hierarchy between the relative importance of the figures

18.

In its original function, the work is most similar to the

a)

Palette of King Narmer

b)

Great Pyramids (Menkaura, Khafre, Khufu) and Great Sphinx

c)

Temple of Amun-Re and Hypostyle Hall

d)

sculpture of Akhenaton, Nefertiti, and three daughters

19.

The stylistic innovations that are evident in the relief sculpture of Akhenaton, Nefertiti, and three daughters are a result of

a)

the introduction of a new monotheistic religion under the Pharaoh Akhenaton

b)

the introduction of Asian art to New Kingdom Egypt through the Silk Road

c)

the rise of a wealthy Egyptian merchant class who created a demand for new types of luxury objects

d)

the shift of the political system during the Amarna period from a kingdom to an oligarchy

20.

In the work shown, features of different animals were combined for the purpose of creating

a)

a symbolic representation of a kingdom that was made through uniting separate realms

b)

an imposing mythical creature that was meant to safeguard the entrance to a royal complex

c)

the personification of a multifaceted deity to be placed inside the shrine of a temple complex

d)

the symbolic portrait of a king as protector and defender of stability in the realm