(a)   is designed to meet the needs of a broader range of customers in terms of fit and shape.

In developing the pattern, it is necessary to trace off shapes from the master plan for further development these are called (a)   .

(a)   relates to the stability of the fabric and is measured by the amount of movement in the fabric generated through the manufacturing process.

(a)   is used to copy a pattern or garment shape through layers of fabric, card, or paper and is made with a wooden or plastic handle that is attached to a circular wheel with pointed needles.

(a)   is the space taken (in terms of length and width) by the various pattern pieces between these lines and their relationship to each other.

(a)   is the act of physically recording the body’s surface by taking measurements.

Menswear line refers to the structural seam lines, also called (a)   , that separate the component parts that make up the garment—sleeves, yokes, collar, and front and back body panels.

In the early 1920s, jackets had heavily padded fronts with stiff built-out chests referred to as (a)  

(a)   indicates the direction in which you want the pattern shape to be placed on the fabric.

(a)   is the most lateral aspect of the acromion

(a)   is the production of patterns from a set of industry average measurements.

(a)   is a band that raises the collar from the neckline to the point at which the collar rolls over.

(a)   the position at which the arm joins the body under the arm.

(a)   are made in the edge of the pattern for seam alignment, panel placement, or to indicate an area of ease.

(a)   is designed to replicate the shape from the lower body, it is used to draw side seams on skirts and pants and also to draw hems. It is usually made from metal, plastic, or wood.

(a)   is the technical language placed on the pattern to communicate information about the pattern, garment, or its construction to the manufacturer.

(a)   is measured between the points at which the arms are connected to the body, where a crease is formed by the armpit.

(a)   runs across the fabric from selvage to selvage.

(a)   this cut is still used by some establishments today by widening and padding the shoulders and cutting the chest with extra cloth so it draped before the armhole, the figure seemed to have the fuller chest of an athletic person.

(a)   refers to the physical manner in which the body frame is carried.

(a)   these lines pass horizontally through the body at right angles to the median and coronal planes, dividing the body into upper and lower portions.

(a)   are used to indicate pocket placements, button positioning, and dart lengths.

(a)   used to hold and position patterns when drafting.

(a)   is a fit-adjusted but detail free, utility garment pattern used as the starting point for creating detail-rich fashion patterns with the same underlying shape and fit as the block

(a)   is created by tracing around the shape of the sloper onto pattern drafting paper following the instructions.

(a)   is a sharp tool used to mark holes in fabric and card.

Using a mathematical formula and a size chart to map out a flat shape on paper or card which represents a section of the human body—the chest, arm, or leg—in a basic two-dimensional form without any style lines. These shapes, known as (a)   .

(a)   is the measurable difference between the dimensions of the human body and the garment, a difference that allows the body to move in the garment without restraint.

(a)   is generally used on womenswear but can be adapted with good results for men’s clothing. It has a similar construction method to the sailor collar except that the shoulder seams are overlapped.

(a)   is the term used to describe the ratio between the circumference of the chest and that of the waist.