Characterized by strong colors and fierce

brushwork

An art movement formed during 1916-1924 as a negative reaction to the First World War in Zurich, Switzerland.

It was largely influenced by Dadaism, creating artworks with strange creatures from everyday objects as if you are looking into a dream.

Here, artists used their works to protest against the injustices, inequalities, immorality and ugliness of the human condition.

A revolutionary art movement developed in Europe around the 1920s to the 1950s after World War I by its leader Andre Breton.

It includes visual, literary, and sound media, such as collage, sound poetry, cut-up writing, and sculpture.

What kind of artwork is this?

What kind of artwork is this?

Which of these are part of the issues addressed by social realists in hope of raising people's awareness and pushing society to seek reforms?

Has the same spirit of freedom of expression and openness that characterized life in the 20th century but it differed from Expressionism in certain ways.

It does not attempt to represent an accurate depiction of a visual reality or the natural appearance of objects.

The resulting works ranged from _____________ depicting still

recognizable subjects, to ______________ where no recognizable subject could be

detected.

Derived its name from the cube, a three-Dimensional geometric figure composed of strictly measured lines, planes, and angles.

He often chose dynamic or disturbing subject matter, frequently depicting rabid dogs, crucifixions, and screaming figures in an abstracted geometric style.

Consistently tackling issues of social injustice and the plight of the working classes.

Was an artistic and social movement that originated in Italy in the early 20th century.

It aimed to capture in art the dynamism and energy of the modern world emphasizing speed, technology, youth,

violence, and objects such as cars, airplanes, and the industrial city.

This style is characterized by recurring interchangeable geometric elements—among them, the cone, the cylinder, and the disk —that seemed suspended in a completely flat or shallow, relief-like space.

They did not refer to recognizable objects or forms in the outside world.

Lines shapes and colors were used aiming for balance, unity, and stability.

It is often characterized by gestural brushstrokes or mark-making, and the impression of spontaneity.

They attack their canvases with expressive brush strokes

They fill their canvases with large areas of a single color.

A spontaneous improvisatory manner

often using large brushes to make

sweeping gestural marks.

They were deeply interested in religion and myth and created simple compositions with large

areas of intended to produce a contemplative or meditational response in the viewer.

Also known as the "art of today"

It reflects the complex issues that shape our diverse, global, and rapidly changing world.

Concepts and ideas of the artists are the most important aspects. The meaning and message of the artwork may vary from one person to another.

It may also differ in art form (mostly sculptures or arrangement of objects) depending on the concept of the artist.

It emerged as a formal movement in the 1960s and remains a major contemporary art movement today.

A drama-inspired approach to art.

While the art form is performed by artists, it is not solely intended as entertainment. Instead, its goal is to convey a message or idea.

Three-dimensional constructions that transform their

surroundings and alter viewers' perceptions of space.

Often, they are largescale and site-specific, enabling artists to transform any space or place into a customized, interactive environment.

Aimed to create hyper realistic drawings

and paintings.

What kind of art is this?