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Theory of Architecture 1 Module 2A

Total questions: 37

Worksheet time: 25mins

Name
Class
Date
1.

It is the primary identifying characteristic of a volume. It is established by the shapes and interrelationships of planes that describe the boundaries of the volume.

(a)  

2.

The characteristic outline or surface configuration of a particular form.

a)

Shape

b)

Size

c)

Color

d)

Texture

e)

Position

3.

The Physical dimensions of length, width and depth of a form. While these dimensions determine the proportions of a form, its scale is determined by its size relative to other forms in its context.

a)

Shape

b)

Size

c)

Color

d)

Texture

e)

Position

4.

A phenomenon of light and visual perception that may be described in terms of an individual’s perception of hue, saturation, and tonal value.

a)

Shape

b)

Size

c)

Color

d)

Texture

e)

Position

5.

The visual and especially tactile quality given to a surface by the size, shape, arrangement, and proportions of the parts.

a)

Shape

b)

Size

c)

Color

d)

Texture

e)

Position

6.

The location of a form relative to its environment or the visual field within which it is seen.

a)

Shape

b)

Size

c)

Color

d)

Texture

e)

Position

7.

The degree of concentration and stability of a form.

a)

Visual Inertia

b)

Surface

c)

Sphere

d)

Hemisphere

e)

Orientation

8.

It refers to any figure having only two dimensions, such as a flat plane. The term, however, can also allude to a curved two-dimensional locus of points defining the boundary of a three-dimensional solid.

a)

Visual Inertia

b)

Surface

c)

Sphere

d)

Hemisphere

e)

Orientation

9.

The direction of a form relative to the ground plane, the compass points, other forms, or to the person viewing the form.

a)

Visual Inertia

b)

Surface

c)

Sphere

d)

Hemisphere

e)

Orientation

10.

A solid generated by the revolution of a semicircle about its diameter, whose surface is at all points equidistant from the center.

a)

Sphere

b)

Hemisphere

c)

Cylinder

11.

Cut horizontally in half. Cut portion forms an edge, circular in plan. The dome and the edge portion give the visual character.

a)

Sphere

b)

Hemisphere

c)

Cylinder

12.

A solid generated by the revolution of a rectangle about one of its sides.

a)

Sphere

b)

Hemisphere

c)

Cylinder

13.

A solid generated by the revolution of a right triangle about one of its sides.

a)

Cone

b)

Pyramid

c)

Cube

14.

A polyhedron having a polygonal base and triangular faces meeting at a common point or vertex.

a)

Cone

b)

Pyramid

c)

Cube

15.

A prismatic solid bounded by six equal square sides, the angle between any two adjacent faces being a right angle.

a)

Cone

b)

Pyramid

c)

Cube

16.

Four vertical planes encompassing a field of space is probably the most typical, and certainly the strongest, type of spatial definition in architecture.

(a)  

17.

A large space can envelop and contain a smaller space within its volume.

a)

Space within a Space

b)

Interlocking Spaces

c)

Adjacent Spaces

d)

Spaces Linked by a Common Space

18.

An interlocking spatial relationship results from the overlapping of two spatial fields and the emergence of a zone of shared space.

a)

Space within a Space

b)

Interlocking Spaces

c)

Adjacent Spaces

d)

Spaces Linked by a Common Space

19.

It is the most common type of spatial relationship. It allows each space to be clearly defined and to respond, each in its own way, to specific functional or symbolic requirements.

a)

Space within a Space

b)

Interlocking Spaces

c)

Adjacent Spaces

d)

Spaces Linked by a Common Space

20.

Two spaces that are separated by distance can be linked or related to each other by a third, intermediate, space. The visual and spatial relationship between the two spaces depends on the nature of the third space with which they share a common bond

a)

Space within a Space

b)

Interlocking Spaces

c)

Adjacent Spaces

d)

Spaces Linked by a Common Space

21.

A central, dominant space about which a number of secondary spaces are grouped.

a)

Centralized Organization

b)

Linear Organization

c)

Radial Organization

d)

Clustered Organization

e)

Grid Organization

22.

A linear sequence of repetitive spaces.

a)

Centralized Organization

b)

Linear Organization

c)

Radial Organization

d)

Clustered Organization

e)

Grid Organization

23.

A central space from which linear organizations of space extend in a radial manner.

a)

Centralized Organization

b)

Linear Organization

c)

Radial Organization

d)

Clustered Organization

e)

Grid Organization

24.

Spaces grouped by proximity or the sharing of a common visual trait or relationship.

a)

Centralized Organization

b)

Linear Organization

c)

Radial Organization

d)

Clustered Organization

e)

Grid Organization

25.

Spaces organized within the field of a structural grid or other three-dimensional framework.

a)

Centralized Organization

b)

Linear Organization

c)

Radial Organization

d)

Clustered Organization

e)

Grid Organization

26.

A state of equilibrium between contrasting, opposing, or interacting elements.

(a)  

27.

A unifying movement characterized by a patterned repetition or alternation of formal elements or motifs in the same or a modified form.

(a)  

28.

A line established by two points in space, about which forms and spaces can be arranged in a symmetrical or balanced manner.

(a)  

29.

The articulation of the importance or significance of a form or space by its size, shape, or placement relative to the other forms and spaces of the organization.

(a)  

30.

A line, plane, or volume that, by its continuity and regularity, serves to gather, measure, and organize a pattern of forms and spaces.

(a)  

31.

It is the oneness and indicates harmony Among the different building elements. It imparts coherence of the parts and integrity of the whole.

(a)  

32.

The pleasing arrangement of parts or combination of parts in a composition.

(a)  

33.

It is the emphasis of certain part of the building or highlight certain parts in the building. This creates visual interest and focus in the composition.

(a)  

34.

Dominance can be achieved by:

a)

By Contrast

b)

By Massing

c)

By Ornamentation

d)

By Color

e)

By Positioning

35.

Breaking the visual hierarchy using form to lay emphasis.

a)

Highlight

b)

Colour

c)

Size

36.

To distinguish between elements in a series of similar forms.

a)

Highlight

b)

Colour

c)

Size

37.

Elements of different sizes focus the viewers' attention accordingly.

a)

Highlight

b)

Colour

c)

Size