He prepared the Metropolitan Thoroughfare Plan for Manila in 1945.

Consulting architect from the 1950s to 1970s, worked on the buildings at the Elliptical Road in Quezon City . Works: Quezon Memorial Monument

Architectural Style emerged as a result of industrialization. Concept of modernity and desire to exploit the latest materials and technology was expressed with simple forms, smooth finishes, minimal surface modeling, no applied or integral decoration and the use of white space.

Functional, smooth, efficient, minimally adorned, light, open-plan and affordable Architecture Style

Architectural Style that is massive and unrefined with coarsely formed surfaces, usually or raw and exposed concrete

Architectural Style includes recurring themes such as distortion and fragmentation to communicate emotion and use of symbols to inculcate an inner experience.

Architecture and design that was smooth and soft, rather than rigid and geometric; use of decorative elements and organic forms.

Architecture Style adapted to tropical conditions with the use of briese soleil and landscape to mitigate solar gain. Cubic, Horizontal orientations and low elevations, Flat roofs, steel, aluminum and concrete, Absence of ornamentation, Open-plan interiors

Architecture Style with dynamic and futuristic tendencies of the modernist strain.

Architecture Style where there is an imitation or depiction of aspects of cultures

ARCHITECT: Consulting architect from 1950s to 1970s

WORKS: Quezon Memorial Shrine, Veterans Memorial Building, Quirino Grandstand

ARCHITECT: First University Architect of UP. One of the architects selected by Pres. Roxas to study the trends in Architecture and Engineering.

WORKS: Baclaran Church, Insular Life Building, Melchor and Palma Hall in UP

ARCHITECT: Served as commissioner of the City Planning Office of Manila in 1947-1949.

WORKS: National Press Club Building, Picache Building, Roche Building, Petrona Apartments, Lopez Museum

ARCHITECT: He was at the cutting edge of Philippine Modernism in the late 50s and early 60s

WORKS: Menzi Building, Amon Trading Building, L&S Building, Fil-Oil Refinery Service Building, WHO Building, Ramon Magsaysay Building

ARCHITECT: Represented the Philippines in some International Expositions, Chosen by Imelda Marcos to restore the Metropolitan Theater

WORKS: 1953 Philippines International Fair, 1964 Philippine Pavilion for the World Exposition, Metropolitan Theater (1978 Restoration)

ARCHITECT: Worked as an apprentice to Andres Luna De San Pedro and Pablo Antonio, PRC Outstanding Architect, 1979, UAP Likha Awardee, 1990

WORKS: Central Bank of the Philippines Building Complex, Nikko Manila Garden, Manila Peninsula, Regent Hotel, Antipolo Valley Golf & Country Club, Alabang Golf and Country Club

ARCHITECT: Studied, Graduated, and Teach Architecture in UST.

WORKS: ABS CBN Broadcasting Center, Philamlife Homes, Philamlife Building, Manila Pavilion, Development Bank of the Philippines

ARCHITECT: One of the first graduates of architecture in UST. Opens office with Alfredo Luz after WWII

WORKS: INC in Cubao, INC Central Temple, INC Central Office

ARCHITECT: one of the most influential architects in the 20th century. Father of Neo-Vernacular Architecture

WORKS: Coconut Palace, San Miguel Corporation Building, 2019 SEA Games Cauldron, Bamboo Mansion

ARCHITECT: Known for using concrete, floating Volume, and simplistic design. National Artist of the PH for Architecture 1990\

WORKS: Cultural Center of the PH, Philippine International Convention Center, Folk Arts Theater

ARCHITECT: Father of Philippines Landscaping Architecture

WORKS: Nayong Pilipino, Manila Hotel, Paco Park, Rizal Park

ARCHITECT: One of the architects who made a remarkable structure during Marcos Regime. Started to get big projects in the 70s

WORKS: Philippine Heart Center, GSIS Building, Golden Mosque in Quiapo, Ifugao Fale in Baguio Convention

Architecture Style that express distinct national character, localizing architectureby alluding indigenous social, cultural, political, and historical Context.

Architecture Style originated from the west, too playful and representation. Freedom in terms of volume, color, and materials

Architecture Style that is distorted in shape or more likely shattered.