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GAMABA

Total questions: 22

Worksheet time: 22mins

Name
Class
Date
1.

English of Gawad sa Manlilikha ng Bayan

(a)  

2.

Preserve the Hanunuo Mangyan script and Ambahan (poem consisting of seven syllable lines) and promote it on every occasion so that the art will not be lost but preserved for posterity.

(a)  

3.

In April 1992, the award was institutionalized through

(a)  

4.

He is an artist who has devoted his existence to developing religious and secular artwork in silver, bronze, and wood. His intricately detailed retablos, mirrors, altars, and carosas are in church buildings and non-public collections. A range of these works are quite large, some exceeding forty feet, whilst some are very small and feature very nice and refined craftsmanship.

(a)  

5.

What year is Ginaw Bilog, Masino Intaray and Samaon Sulaiman awarded?

(a)  

6.

She is credited with preserving her people’s traditional T’nalak using abaca fibers as fine as hair which traditionally has three primary colors, red, black, and the original colors of abaca leave recreated by her nimble hands-the crocodiles, butterflies, and flowers.

(a)  

7.

He achieved the highest level of excellence in the art of kutiyapi or kudyapi (two-stringed lute) playing and also proficient in kulintang, agong (suspended bossed gong with wide rim), gandingan (bossed gong with narrow rim), palendag (lip-valley flute), and tambul.

(a)  

8.

An outstanding master of the basal (gong music), kulilal (highly lyrical poem) and bagit (instrumental music played on the kusyapi), also played the aroding (mouth harp) and babarak (ring flute) and above all, he was a prolific and pre-eminent epic chanter and storyteller.

(a)  

9.

She was awarded for fully demonstrating the creative and expressive aspects of the Bagobo abaca ikat (to tie or bond) weaving called inabal (traditional textile of Bagobo) at a time when such art was threatened with extinction.

(a)  

10.

He referred to for his ability and mastery in playing different Yakan instruments (made of bamboo, wood, and metal) and for imparting his insight to the youngsters of his locale. He keeps on performing and instruct despite his diminishing visual perception, keeping the Yakan melodic custom alive and thriving.

(a)  

11.

His lifestyle work is to paint a portrait of his people to record a tradition of opposites and dualities, a peoples’ character recorded in cadences each aggressive and gentle. Play Kalinga musical instruments dance patterns and moves related to rituals.

(a)  

12.

What year did Lang Dulay and Salinta Monon awarded?

(a)  

13.

What year di Uwang Ahadas, Federico Caballero and Alonzo Saclag was awarded?

(a)  

14.

He continuously works for the documentation of the oral literature, in particular the epics, of people. These ten epics, rendered in a language that, though related to Kiniray-a, is no longer spoken.

(a)  

15.

She was recognized as the master mat weaver. Her colorful mats with their complex geometric patterns showcased her precise sense of design, proportion, and symmetry and sensitivity to color.

(a)  

16.

What year is Ambalang Ausalin awarded?

(a)  

17.

What year did Hajja Amina Appi, Eduardo Mutuc and Darhata Sawabi awarded?

(a)  

18.

She remained devoted and persevered with her mission to teach the artwork of pis syabit weaving. Her strokes firm and sure, her color sensitivity acute, and her dedication to the best of her products unwavering.

(a)  

19.

When he finishes fieldwork as a farmer, he focuses on the cultivation and development of tabúngaw (Ilokano term for úpo). At the age of fifteen (15) he learned the art of Kattukong or tabúngaw hat making and basket weaving from his grandfather.

(a)  

20.

She has been a master in abel weaving from Pinili, Ilocos Norte. She is not only weaving traditional Ilocano textiles but also designs new patters. One of her designs employs a difficult weaving technique called pililian meaning partially. The weave produces a one of a kind design that takes after a string of flowers thus its name, inubon a sabong. She did not formally study such traditional art. Instead, she watched closely as her aunt made and imitated the patterns.

(a)  

21.

Apuh Ambalang, is significantly respected in all of Lamitan. Her ability is regarded unique: she can bring forth all designs and actualize all textile categories ordinary to the Yakan community, who are known to be among the finest weavers within the Southern Philippines. She can perform the suwah bekkat (cross-stitch-like embellishment) and suwah pendan (embroidery-like embellishment) techniques of the bunga sama category. She has the complex knowledge of the whole weaving process, mindful at the same time as the cultural significance of each textile design or category.

(a)  

22.

What year did Magdalena Gamayo and Teofilo Garcia awarded?

(a)