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Elements of Literature - Literary Criticism and Theory

Total questions: 64

Worksheet time: 32mins

Name
Class
Date
1.

Formalism originated in what two countries?

a)

Moscow and

St. Petersburg

b)

St. Petersburg and Paris

c)

Warsaw and Moscow

d)

Austria and St. Petersburg

2.

What decade did formalism become popular?

a)

1920s

b)

1930s

c)

1940s

d)

1950s

3.

Which theory/criticism is concerned with literariness?

a)

Formalism

b)

Marxism

c)

New Criticism

d)

Psychoanalytical Criticism

4.

At what university did New Criticism originate?

a)

Harvard

b)

Yale

c)

Vanderbilt

d)

University of Chicago

5.

“Organic unity” is important to what school of criticism?

a)

Formalism

b)

New Criticism

c)

Marxism

d)

Feminism

6.

“Close reading” of the text is a characteristic of literary theory?

a)

Formalism

b)

New Criticism

c)

Marxism

d)

Psychoanalytical Criticism

7.

Cleanth Brooks is an important figure to what school of criticism?

a)

Formalism

b)

New Criticism

c)

Marxism

d)

Psychoanalytical Criticism

8.

What is the artistic technique of presenting to audiences common things in an unfamiliar or strange way in order to enhance perception of the familiar?

a)

defamiliarization

b)

Intentional fallacy

c)

Affective fallacy

d)

literariness:

9.

Boris Eichenbaum is often associated with what literary theory?

a)

Formalism

b)

New Criticism

c)

Marxism

d)

Psychoanalytical Criticism

10.

Roman Jakobson is associated with what literary theory?

a)

Marxism

b)

Formalism

c)

New Criticism

d)

Psychoanalytical Criticism

11.

Definition: conflicts or tensions exist by the very nature of diction.

a)

Ambiguity

b)

Intentional fallacy

c)

Affective fallacy

d)

Tension

12.

Definition: the error of interpreting and evaluating a literary work by the author’s intended aims and meanings.

a)

Intentional fallacy

b)

Affective fallacy

c)

Paradox

d)

Tension

13.

Definition: the belief that the meaning or value of a work may be determined by its effect on the reader.

a)

Affective fallacy

b)

Intentional fallacy

c)

Ambiguity

d)

Paradox

14.

Definition: the integral unit of the poem which results from the resolution of opposites, often in irony or paradox.

a)

Tension

b)

Affective fallacy

c)

Intentional fallacy

d)

Ambiguity

15.

What is the social, cultural, ideological, or economic influence exerted by a dominant group not through overt means but by making its ideological views so pervasive that the subordinate class accepts its own oppression?

a)

Ideology

b)

Hegemony

c)

Reflection

d)

Proletariat

16.

What are the beliefs, values, and ways of thinking and feeling through which human beings perceive to be reality?

a)

Hegemony

b)

Ideology

c)

Reflection

d)

Bourgeoisie

17.

In Marxist theory, the dominant and exploitative class is the

a)

Bourgeoisie

b)

Proletariat

c)

Working class

d)

Government

18.

Definition: describes the way in which the dominant class shapes and controls an individual’s self-definition or class consciousness

a)

Hegemony

b)

Ideology

c)

False Consciousness

d)

Proletariat

19.

Marxist literary theory and criticism is a ____________century phenomenon.

a)

Nineteenth

b)

Twentieth

c)

Eighteenth

d)

Twenty-first

20.

Who wrote The Communist Manifesto?

a)

Marx and Engels

b)

Marx and Franks

c)

Marx and Muller

d)

Marx and Wagner

21.

Definition: workers or working-class people, regarded collectively (often used with reference to Marxism)

a)

Proletariat

b)

Bourgeoisie

c)

Hegemony

d)

False consciousness

22.

Definition: the ideologies that dominate a particular era, all that "men say, imagine, conceive," including such things as "politics, laws, morality, religion, metaphysics, etc."

a)

Base

b)

Superstructure

c)

Hegemony

d)

Ideology

23.

According to Elaine Showalter, what was the first phase historical phases of female writing?

a)

Feminist phase

b)

Feminine phase

c)

Female

24.

According to Elaine Showalter, what was the second historical phase of female writing?

a)

Feminist phase

b)

Feminine phase

c)

Female phase

25.

According to Elaine Showalter, what was the third historical phase of female writing?

a)

Female phase

b)

Feminist phase

c)

Feminine phase

26.

In gynocriticism, which model emphasizes how the female body marks itself upon a text by providing a host of literary images and a personal, intimate tone?

a)

Biological

b)

Linguistic

c)

Psychoanalytical

d)

Cultural

27.

In gynocriticism, which model asserts that women can and do create a language peculiar to their gender?

a)

Biological

b)

Linguistic

c)

Psychoanalytical

d)

Cultural

28.

In gynocriticism, which model emphasizes the flux and fluidity of female writing as opposed to male rigidity and structure?

a)

Biological

b)

Linguistic

c)

Psychoanalytical

d)

Cultural

29.

In gynocriticism, which model investigates how the society in which female authors work and function shapes women’s goals, responses, and points of view?

a)

Biological

b)

Cultural

c)

Psychoanalytical

d)

Linguistic

30.

Who is the father of psychoanalytic theory?

a)

Jung

b)

Freud

c)

Lacan

31.

In what century did psychoanalysis begin?

a)

Eighteenth

b)

Nineteenth

c)

Twentieth

32.

Definition: irrational part of the human psyche that receives and stores our hidden desires, ambitions, fears, passions, and irrational thoughts (governs large part of our actions) .

a)

Preconscious

b)

Unconscious

c)

Conscious

33.

Definition: the rational and waking part of the human psyche (the totality of the human mind, conscious and unconscious)

a)

Preconscious

b)

Conscious

c)

Unconscious

34.

Definition: storehouse of memories which the conscious part of the mind allows to be brought to consciousness without disguise.

a)

Preconscious

b)

Conscious

c)

Unconscious

35.

Definition: designates the irrational, instinctual, unknown, and unconscious part of the psyche

a)

Id

b)

Ego

c)

Superego

36.

Definition: •designates the rational, logical, waking part of the psyche

a)

Id

b)

Ego

c)

Superego

37.

Definition: designates the part of the psyche that acts like an internal censor.

a)

Id

b)

Ego

c)

Superego

38.

Definition: defense mechanism whereby a person directs their negative emotions and frustrations onto another object in order to get rid of the negative feelings

a)

Condensation

b)

Displacement

c)

Neurosis

d)

Id

39.

Definition: a single idea (an image, memory, or thought) or dream object stands for several associations and ideas

a)

Condensation

b)

Displacement

c)

Neurosis

d)

Unconscious

40.

Definition: a nervous disorder that has no known bodily or physical cause that leads to a variety of physical and psychological abnormalities.

a)

Neurosis

b)

Condensation

c)

Displacement

41.

A literary work written in dramatic form with dialogue and stage directions, but it is intended by the author to be read rather than to be performed.

a)

Closet drama

b)

Farce

c)

Satyr plays

d)

Satiric plays

42.

Definition: a type of comedy designed to provoke the audience to laughter; consists of highly exaggerated or caricatured types of characters

a)

Farce play

b)

Comedy play

c)

Satyr plays

d)

Romantic comedy play

43.

Definition: ancient Greek form of tragicomedy, similar in spirit to the bawdy satire of burlesque.

a)

Farce play

b)

Comedy play

c)

Satyr play

d)

Comedy of Manners play

44.
  • Definition: the main character of a literary work

a)

Protagonist

b)

Antagonist

c)

Round character

d)

Dynamic character

45.

Definition: a character or force against which another character struggles

a)

Protagonist

b)

Antagonist

c)

Flat character

d)

Static character

46.

Definition: a major character in a story who exhibits complex behaviors and understanding

a)

Protagonist

b)

Dynamic

c)

Round

d)

Static

47.

Definition: refers to a character who boasts no mental or emotional development

a)

Protagonist

b)

Antagonist

c)

Flat

d)

Static

48.

Definition: a character that experiences inner changes throughout the plot of a story.

a)

Antagonist

b)

Flat

c)

Dynamic

d)

Round

49.
  • Definition: characters that do not experience basic character changes during the story

a)

Static

b)

Flat

c)

Antagonist

d)

Foil

50.
  • Definition: a character in a story whose purpose is to bring out certain characteristics in either the main character or in other characters.

a)

Antagonist

b)

Foil

c)

Protagonist

d)

Dynamic character

51.

Definition: excessive pride.

a)

hubris

b)

anagnorisis

c)

abjection

d)

obsequiousness

52.

Definition: a representation of a smell

a)

Gustatory imagery

b)

Olfactory imagery

c)

Organic imagery

d)

Kinesthetic imagery

53.

Definition: a representation of a taste

a)

Olfactory imagery

b)

Gustatory imagery

c)

Organic imagery

d)

Kinesthetic

54.

Definition: Pertains to personal experiences of a character’s body, including emotion and the senses of hunger, thirst, fatigue, and pain.

a)

Kinesthetic imagery

b)

Organic imagery

c)

Gustatory imagery

d)

Olfactory imagery

55.

Definition: movement; physical tension

a)

Kinesthetic

b)

Organic

c)

Gustatory

d)

Tactile

56.

What kind of imagery is in the following sentence? The crimson apple glistened in her hand.

a)

Visual

b)

Olfactory

c)

Organic

d)

Kinesthetic

57.

What kind of imagery is in the following sentence? The trees swayed in unison to the wintry wind.

a)

Kinesthetic

b)

Olfactory

c)

Organic

d)

Gustatory

58.

What kind of imagery is in the following sentence? The roaring thunder frightened the little boy.

a)

Kinesthetic

b)

Auditory

c)

Gustatory

d)

Organic

59.

What kind of imagery is in the following sentence? The warm, salty broth soothed her sore throat as she ate the soup.

a)

Gustatory

b)

Olfactory

c)

Kinesthetic

d)

Organic

60.

What kind of imagery is in the following sentence? The gnawing of her stomach kept her awake to the wee hours of the morning.

a)

Organic

b)

Kinesthetic

c)

Gustatory

d)

Tactile

61.

What kind of imagery is in the following sentence? The birds flapped their wings in excitement, the promise of food so close.

a)

Kinesthetic

b)

Organic

c)

Gustatory

d)

Olfactory

62.

Who was the Father of New Criticism?

a)

John Crowe Ransom

b)

Boris Eichenbaum

c)

Karl Marx

d)

•Roman Jakobson

63.

Which of the following people was a New Critic theorist?

a)

Roman Jakobson

b)

Boris Eichenbaum

c)

F. R. Leavis

d)

Sigmund Freud

64.

Which of the following people was a New Critic theorist?

a)

Roman Jakobson

b)

Boris Eichenbaum

c)

Cleanth Brooks

d)

Carl Yung