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WorksheetsPrinciples of Design
Total questions: 26
Worksheet time: 14mins
Pleasing relationships among the parts of a composition or room
Harmony
Emphasis
Rhythm
Balance
The size relationships that can be found within an ojbect or design
Balance
Portion
Scale
Harmony
Refers to how the size of an object relates to human beings or other objects in a design
Balance
Portion
Scale
Harmony
Continuous, recurrent, or organized movement
Portion
Harmony
Emphasis
Rhythm
The quality of composition which requires the viewer to focus on a give point or points
Emphasis
Scale
Rhythm
Harmony
The resolution of interacting forces, attractions or weights
Portion
Scale
Balance
Harmony
Large objects appear heavier than small ones
True
False
Opaque materials appear heavier than transparent materials
True
False
Cool patterned colors appear heavier than warm patterns.
True
False
Objects above eye level appear lighter then those placed below eye level.
False
True
Symmetrical Balance...
sides of the room are a mirror image
gives a quiet restful feeling
informal balance
spaciousness effect
Asymmetrical balance...
visual weights are equal but elements are different
spaciousness effect
easiest balance to create
restful feeling
patterns are arranges in circular motion
asymmetrical
symmetrical
radial
Who discovered the golden mean?
Ancient Italians
Ancient Greeks
Ancient Romans
Ancient Spain
The golden mean is the division of a line anyplace between (a) and one-third of its total length.
placing three items asymmetrical to each other
two-thirds rule
golden rule
one half rule
one-third rule
The bonding together of all elements by organization and balance.
Harmony
Togetherness
Emphasis
Unity
The opposite of harmony is
Crazy
Discord
Unproportional
Opposite
Harmony is achieved through similarity among all of the elements of design
True
False
TVs should be the centerpiece of room
False
True
What three items should emphasis be put on?
View
TV
Artwork
Fireplace
Chair
Rhythm through repetition can be as simple as repeated shapes, colors, textures, or patterns
Repetition
Gradation
Transition
Contrast
Radiation
Completed by increasing or decreasing one or more qualities (color, size, or shape)
Repetition
Gradation
Transition
Contrast
Radiation
It leads the eye in a gentle, continuous, uninterrupted visual flow from one area or object to another
Repetition
Gradation
Transition
Contrast
Radiation
the direct placement of lines, firms, or colors to create an abrupt change
Repetition
Gradation
Transition
Contrast
Radiation
When all parts of a composition are balanced and repeated around a central axis
Repetition
Gradation
Transition
Contrast
Radiation
