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Lighting, Costumes, and Stanislavski

Total questions: 30

Worksheet time: 16mins

Name
Class
Date
1.

What was the name of the theatre established by Stanislavski?

a)

The Berliner Ensemble

b)

The Moscow Arts Theatre

c)

The Munich Theatre

d)

The Chekhov Theatre

2.

What nationality was Stanislavsky?

a)

German

b)

Russian

c)

Finnish

d)

French

3.

What did Stanislavski believe the actors main responsibility is?

a)

To engage the audience

b)

To entertain

c)

To be believable

d)

To show emotions

4.

What is the technique called in his system that requires actors to draw on their own experiences in order to emotionally feel their characters?

a)

Meditation

b)

Memorising Lines

c)

Memory Train

d)

Emotional Memory

5.

What is the techniques called that requires an actor to ask 'What would I do?' when developing a role?

a)

The Big Question

b)

The Magic If

c)

The Big One

d)

The Rule

6.

Given circumstances are:

a)

What the character says in the scene

b)

Information which you create about the character

c)

All of the information you know about the character from the play and the context

d)

The subtext of a scene

7.

Stanislavsky authored an acting manual for actors...

a)

True

b)

False

8.

Stanislavski was concerned with actors getting distracted by the audience while performing on stage. He sought ways to counteract this distraction by introducing what?

a)

The Circle of Theatre Life

b)

Circles of Attention

c)

Attention Deficit Circles

d)

Theatre Circles

9.

What is the 'magic if' sometimes used when referring to Stanislavski's work?

a)

What would happen to the performance if the set was to break

b)

The question of whether a role can be performed onstage or not

c)

The idea of the actor posing the question, "What would the character do in this situation?" and acting the role accordingly

d)

The actor research ideas for what to do if their character cried.

10.

___________ is the overall objective of the character.

a)

Emotional memory

b)

Given circumstances

c)

Beats

d)

Super objective

11.

What type of questions are Given Circumstances stated in?

a)

Who, What, Where, When, Why, How Questions

b)

Open Ended Questions

c)

Philosophical Questions

d)

Trick Questions

12.

Stanislavsky wrote a book titled "An Actor Prepares"

a)

True

b)

False

13.

What are the functions of lighting?

a)

Helps us understand the psyche of the characters.

b)

Creates a pretty environment.

c)

Helps the actors articulate their words.

d)

Creates mood, model the stage and tells the audience where to focus at specific times.

14.

In what ways can a lighting designer control the quality of lighting?

a)

Direction

b)

Intensity

c)

Color

d)

Movement

e)

All of the above

15.

Where would the lighting designer get information about the time and place that the play is set in to help him create a lighting design?

a)

The script

b)

The producer will tell him

c)

He will decide on his own

d)

The actors will tell him

16.

Based on the lighting design in the pictures below, which of the plays can you say is set in the night time?

a)
b)
c)
17.

The light board op runs the _______ ________ for a show

a)

Chicken Board

b)

Cardboard

c)

Mixer

d)

Lightboard

18.

Cues tell us where there is a ________in the lighting

a)

Food

b)

Safe Place

c)

Same Spot

d)

Change

19.

Which of the following is a tool used for lighting design?

a)

Script

b)

Cue Sheet

c)

Light Plot

d)

All of these

20.

Gels change the ________ of the light.

a)

Color

b)

Mood

c)

Range

d)

Gobo

21.

A blueprint used specifically by theatrical lighting designers

a)

Lighting Plan

b)

Gobo

c)

Lighting Plot

22.

What does costume to refer to?

a)

Every item the performer wears including hair and make up

b)

Everything the actor carries on stage

c)

Just the clothes the actor wears on stage

23.

Costume can be used to help communicate a characters status, what do we mean by status?

a)

Their social media update

b)

A characters position in society, usually defined by power

c)

A characters stance and posture

d)

If they are dead or alive

24.

Who is responsible for developing, creating and fitting the costumes?

a)

Costume Maker

b)

Costume Designer

c)

Wardrobe Master

d)

Wardrobe Designer

25.

The person who creates the costume must work closely with ____ to translate their vision.

a)

The actors

b)

The producer

c)

The front of house

d)

The director

26.

This is the final drawing of a costume design.

a)

Sketch

b)

Rendering

c)

Mock up

d)

Pattern

27.

Costumes.....

a)

Are clothes that actors wear in a play.

b)

Help portray the character.

c)

Help the audience understand the time and place of the story.

d)

Differ from everyday clothes.

e)

All of the above.

28.

The costumes in a play must reveal the character's _________

a)

Love

b)

Anger

c)

Personality

d)

Nothing

29.

The costumes must reflect the _____________

a)

Food

b)

Clothing

c)

Message

d)

Setting

30.

What is the first step of a costume designer?

a)

Read the play and Research images

b)

Sketch Costume Renderings

c)

Pick out fabric

d)

Do costume fittings with actors