The correct proportioning technique will fit on the action you want to communicate with your audience.

Made of key positions that create the effect of action.

In animating a walk, there are key poses that you first need to define.

Make sure to animate all the connected parts of the character. _________ should be proportioned to the body.

For the half-cycle, you can already draw the half of the action including the hands, _____, _____, and feet.

For the jump, the legs are flung up to suddenly create momentum.

Key poses for walk and run are same.

A run should relay speed compared to a walk.

The gap of your character’s feet defines speed. The _____ the gap, the more it shows the action that will take place.

Basically, to animate a walk requires two _________ and in-betweening them in a logical way.

. The head, arms, body, and legs must move __________.

A walk is a continuous series of steps.

The main action in a walk stems from the legs and the lower body so starting with it would be ______.

Drawings in between the key positions.

inbetweening is usually done by an assistant.

What is the fundamental requirement of in-betweening?

To know how many in-betweens are needed, what is the animator must do?

These are the key drawings and are circled.

The in-between drawings in a walk animation.