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Worksheets

Listening for Form

Total questions: 14

Worksheet time: 4mins

Name
Class
Date
1.

What is musical form?

a)

An organising principle for music composition and comprehension

b)

Musical structure and compositional templates

c)

Indicator/determiner of genre

d)

Compositional structures of self-sufficiency and unity in music

2.

Who wrote that 'theory of form [is] a description of genres'?

a)

Carl Dahlhaus

b)

Arnold Whittall

c)

Arnold Schoenberg

d)

Susanne K. Langer

3.

What year was A.B. Marx's Die Lehre von der musikalischen Kompositions published?

a)

1817

b)

1827

c)

1837

d)

1847

4.

According to Marx, what makes sonata form superior to other musical forms?

a)

Facilitates dramatic contrast

b)

Highest example of musical organicism

c)

Adherence to narrative structures

d)

Favours development over contrast

5.

Which anti-Formenlehre scholar wrote that sonata form was 'dominated by active sense of movement, not architectural nor cosmically epic but dramatic’'

a)

Donald Francis Tovey

b)

Hugo Riemann

c)

Ernst Kurth

d)

Edward T. Cone

6.

According to Ernst Kurth, what is Erformung?

a)

The mental formation of form's spatial parameters

b)

The process of understanding form through multiple temporal strands or 'multi-track listening'

c)

The idea that music is only intelligible via formal processes

7.

Which two movement-based concepts did Kurth employ in his Erformung analyses?

a)

Bewegung (motion)

b)

Schwellung (swelling)

c)

Wellen (waves)

d)

Zurückweichend (receding)

8.

This piece of music is which movement from which Bruckner symphony?

a)

Symphony No. 7, Movement 1: Allegro Moderato

b)

Symphony No. 6, Movement 4: Bewegt, doch nicht zu schnell

c)

Symphony No. 3, Movement 4: Ziemlich schnell

d)

Symphony No. 8, Movement 4: Feierlich, nicht schnell

9.

Alban Berg's 1925 opera Wozzeck is organised under which tonal system?

a)

Atonality/free atonality

b)

Twelve-tone serialism

10.

Act 2, Scene I of Wozzeck (Marie sings her to child) is structured via which of these 'archaic' musical forms?

a)

Passacaglia

b)

Theme and Variations

c)

Sonata Form

d)

Fugue and Fantastia

11.

Why did Berg structure Wozzeck using such 'archaic' forms when the opera is otherwise so radical for the 1920s?

a)

Solution to dilemma of large-scale coherence without functional harmony

b)

Schoenberg discouraged formal innovation beyond tonality

c)

Ran out of time during planning stage of composition

d)

'Concealing' formal structures to enhance 'idea of the opera'

12.

Which postwar modernist composer described moment form as 'the concentration on the present moment [that] can make a vertical cut across horizontal time perception, extending out to a timelessness I call eternity'

a)

Roger Smalley

b)

Karlheinz Stockhausen

c)

Henri Dutielleux

d)

Franco Donatoni

13.

What are some of the key tenets of moment form?

a)

Strict succession

b)

Polyvalent/non-hierarchical approach

c)

Interpreter intention

d)

Autonomy

14.

Which of these songs are structured in 'AABA' form?

a)

Shake, Rattle and Roll (Bill Haley and the Comets)

b)

Surfer Girl  (The Beach Boys)

c)

Penny Lane (The Beatles)

d)

Every Breath You Take (The Police)