responsible for translating the script or project concept into a visual format

measurement of how much data a camera will record per second

three-legged stand designed to support a camera

responsible for microphone placement, ensuring good audio quality and

developing the final mix for production

technician who works closely with camera operators by assembling,

monitoring and maintaining camera support

responsible for designing graphics used during a production and implementing

them at the appropriate times during a broadcast

measurement of how much data a camera will record per second

responsible for organizing the shoot by relaying a director’s cues, providing

instructions to the crew and looking after talent

space within a shot in which the subject is looking or moving

responsible for arranging, monitoring and controlling all lighting equipment

stabilization system using moving parts in a lens

responsible for microphone placement, ensuring good audio quality and

developing the final mix for production

responsible for microphone placement, ensuring good audio quality and

developing the final mix for production

measurement of pixels in the footage

responsible for organizing the shoot by relaying a director’s cues, providing

instructions to the crew and looking after talent

oversees and manages all aspects of a production from developing the idea

through post-production and publishing

responsible for implementing production switchers and electronic effects live as

the director asks for them

responsible for arranging, monitoring and controlling all lighting equipment

responsible for setting up the camera equipment and operating the cameras in

accordance with the director

set of devices or equipment created for specific filming purposes

Director

Grips

Resolution

Gimbal

responsible for taking the captured video and creating the final product

through cutting footage, syncing audio, creating special effects or graphics and

preparing finals for publishing

measurement of pixels in the footage

Tripod

Look/Lead space

system for preventing the video from looking shaky

responsible for designing graphics used during a production and implementing

them at the appropriate times during a broadcast

stabilization system using moving parts in a lens

one-legged stand which must be supported by the camera operator

measurement of pixels in the footage

responsible for taking the captured video and creating the final product

through cutting footage, syncing audio, creating special effects or graphics and

preparing finals for publishing

SpongeBob SquarePants

elements in a shot which are clear and sharp

Silly goose

measurement of pixels in the footage

measurement of how much data a camera will record per second

technician who works closely with camera operators by assembling,

monitoring and maintaining camera support

Image Stabilization

system for preventing the video from looking shaky

SpongeBob SquarePants

tripod with an extended arm to pan over a large radius

Silly goose

Tripod

Depth-of-field

Electronic/Digital Image Stabilization

Mr. Krabs

system for preventing the video from looking shaky

tripod head designed to allow for fluid camera movement

super goofy

stabilization system using moving parts in a lens

tripod

gimbal

Director

focus

tripod

gimbal

monopod

director

Electronic/Digital Image Stabilization

Camera Rig

Depth-of-field

Monopod

Tripod

Camera Rig

Director

Silly goose

tripod with an extended arm to pan over a large radius

elements in a shot which are clear and sharp

system for preventing the video from looking shaky

Monopod

depth-of-field

Jib/Crane

Squidward

focus

software within a camera to correct shaking

depth-of-field

Bit Rate

Resolution

Look/Lead space

tripod

resolution

monopod

Silly Goose

technician who works closely with camera operators by assembling,

monitoring and maintaining camera support

oversees and manages all aspects of a production from developing the idea

through post-production and publishing

responsible for implementing production switchers and electronic effects live as

the director asks for them

One oversees and manages all aspects of a production from developing the idea

through post-production and publishing the other is responsible for translating the script or project concept into a visual format

silly goose

One technician who works closely with camera operators by assembling,

monitoring and maintaining camera support the other is responsible for implementing production switchers and electronic effects live as

the director asks for them

one stays still for the most part, the other moves to follow or allow fluid camera movement.

one measures the number of pixels in the footage, the other measures of how much data a camera will record per second

Graphic Designer

silly goose

technician who works closely with camera operators by assembling,

monitoring and maintaining camera support