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Pro Tulz 210 M

Total questions: 108

Worksheet time: 1hrs 21mins

Name
Class
Date
1.

Una nota de octavo tiene:

a)

120 tics

b)

240 tics

c)

480 tics

d)

960 tics

e)

1920 tics

2.

Para escribir audio en un sintetizador o modulo de sonidos externo puedes usar

a)

A

Una pista Master

b)

B

Una pista MIDI

c)

C

Una pista auxiliar

d)

D

Una pista de Instrumento

e)

Respuestas C Y D

3.

Para mover el inicio de la Canción (Song Start) puedes:

a)

A

Arrastrat el marcador en la regla de Tempo

b)

B

Ir al menu Evento: Operaciones de tiempo: mover el inicio de canción (Even: time operations: Move song start)

c)

C

No se puede mover el inicio de la canción, debe estar siempre al inicio de la sesión

d)

D

Seleccionar el inicio de la Cancion y entrar al menu EDIT: Shift

e)

E

Respuestas A Y B

4.

El MIDI Beat Clock es código de tiempo SMPTE que se expresa en Horas:Minutos:Segundos:Cuadros

a)

Cierto

b)

Falso

5.

Para indicarle a Pro Tools aqui inicia el compas 5|1|000 usas:

a)

A

Agregar un evento de Tempo

b)

B

Identify Beat (Command+i)

c)

C

Step Input

d)

D

Move song start

6.

De las siguientes opciones seleccione el MIDI Continuos Controller:

a)

Velocity

b)

Note ON

c)

Multitimbral

d)

Modulation Wheel

7.

MIDI Continuos Controller: Modulation Wheel

a)

1

b)

7

c)

10

d)

64

8.

MIDI Continous Controller: Paneo

a)

1

b)

7

c)

10

d)

64

9.

MIDI Continous Controller: Volumen

a)

1

b)

7

c)

10

d)

64

10.

MIDI Continous Controller: Pedal de Sustain

a)

1

b)

7

c)

10

d)

64

11.

Los mensajes MIDI CC quedan grabados como parte de cada clip MIDI (Igual que las notas MIDI) por lo que cada playlist puede tener sus propios datos de MIDI CC

a)

Cierto

b)

Falso

12.

Para Grabar los mensajes MIDI CC en una segunda toma (ej Grabar mod wheee después de haber grabado las notas) tienes que:

a)

Grabar usando Loop Playback

b)

Cambiar la base de tiempo de la pista a ticos antes y luego grabar los mensajes MIDI CC

c)

Grabar usando MIDI Merge

d)

Grabar usando el filtro MIDI (MIDI input filter)

13.

Para escuchar la entrada a un canal durante la reproducción sin grabar usas el modo:

a)

Input Only Monitoring

b)

Auto Input Monitoring

14.

TrackPunch te permite

a)

Activar la grabación en cualquier momento al vuelo en todas las pistas armadas al grabar

b)

Activar la grabación en cualquier momento al vuelo en pistas diferentes en momentos diferentes

c)

Grabar solo un archivo de audio borrando cualquier material grabado previamente de manera destructiva

15.

El atajo para poner las pistas seleccionadas en Solo es _ y la tecla S

a)

CONTROL

b)

OPCION

c)

COMMAND

d)

Shift

16.

El atajo para agregar una Calificación (Rating) a un clip es presionar la(s) tecla(s) modificadora(s) ___ y el numero del 1 al 5 en el teclado numérico:

a)

CONTROL

b)

OPTION

c)

COMMAND

d)

SHIFT

17.

Activas el transporte dinamico con el atajo __ y la tecla "P"

a)

Control

b)

Option

c)

Command

d)

Shift

18.

Una nota de dieciseisavo tiene:

a)

120 tics

b)

240 tics

c)

480 tics

d)

960 tics

e)

1920 tics

19.

En el caso de que una sesión de un tema que se grabo en vivo sin metrónomo, puedes hacer que Pro Tools Calcule el tiempo en cada sección del tema usando:

a)

Identify Beat (Command+i) al inicio de cada frase

b)

Step Input

c)

Agregar un evento de Tempo al inicio del tema

d)

Move song start

20.

Cuando grabas en pistas usando QuickPunch y TrackPunch todo el audio entrante queda grabado aun en las partes no hayas hecho un punch:

a)

Cierto

b)

Falso

21.

Al crear un TrackPreset puedes:

a)

Guardar los Plug-ins insertados en el track

b)

Guardar los envios asignados en el track

c)

Incluir clips de audio y/o MIDI (o solo de los clips de la selección)

d)

Crear Tags para que después encontrar fácilmente ese preset

e)

Todas las anteriores

22.

Solo puedes Borrar Playlist que no estes ocupando (unused)

a)

Cierto

b)

Falso

23.

El atajo para poner las pistas seleccionadas en Record es _ y la tecla R

a)

Control

b)

Option

c)

Command

d)

Shift

24.

Los mensajes MIDI CC quedan grabados como parte de cada clip MIDI. Por lo que cada playlist puede tener sus propios datos de MIDI CC

a)

Cierto

b)

Falso

25.

Pro Tools te puede mostrar los clips con mejor calificación (Rating). Si haces clic derecho sobre el nombre de la pista y seleccionas que te muestre los playlist que contengan calificación >=4. El resultado será que te muestre las pistas con clips con calificaciones de:

a)

1 2 o 3

b)

1 2 3 o 4

c)

4

d)

4 o 5

26.

Al activar el Dinamyc Transport

a)

Se desactiva Vincular selección de linea de tiempo y edición (Link Timeline and Edit Selection)

b)

Se activa era modo de reproducción en bucle (Loop Playback)

c)

Puedes iniciar la reproducción sin depender de las selecciones de edición y de la linea de tiempo (Timeline)

d)

Se activa la Grabación en bucle (Loop Record)

e)

Todas las opciones anteriores

27.

Usas crossfades de igual ganancia (Equal Gain) Para dos secciones de audio que están en fase entre si:

a)

Cierto

b)

Falso

28.

En Pro Tools|Ultimate el atajo para activar la función "Replace Clip" es sostener las teclas _ mientras arrastras un Clip de la lista de clips sobre un clip de la pista.

a)

Control

b)

Option

c)

Command

d)

Shift

29.

Al editar las pistas de una batería que se grabo en varias pistas (Bombo, tarola, toms, etc) es importante realizar los cortes y edición de los clips al mismo tiempo en todas las pustas

a)

A

Para que pro tools las pueda reproducir con mayor facilidad

b)

B

Para evitar problemas de fase entre las pistas

c)

C

Para poder usar la función "Undo" (Deshacer)

d)

D

Por que Pro tools no te permite editarlas por separado

e)

E

A Y C

30.

En la ventana Notation Display Track Settings al seleccionar un valor de cuatizacion para mostrar la notación se modifican los datos MIDI, Es decir estas cuantizando las notas MIDI que escuchas tal como cuando usas Event Operations Quantize:

a)

Verdadero

b)

Falso

31.

La ventana de Notation Display Track Settings te permite:

a)

A

Seleccionar la clave para cada pista (sol, fa do Grand staff)

b)

B

Ajustar intervalo de instrumentos transpositores

c)

C

Escoger un valor de cuantizacion para mostrar la notación sin afectar los datos MIDI

d)

D

Mostrar o esconder los acordes de las partituras

e)

E

A B Y C

32.

Para crear un efecto de crescendo o diminuyendo en una interpretación MIDI Usas

a)

Randomize

b)

Step Input

c)

Change velocity

d)

Input Quantize

33.

Para Cuantizar clips de audio en Beat Detective usarías la opción

a)

Bar|Beat Maker Generation

b)

Groove Template Extraction

c)

Clip Separation

d)

Clip Conform

e)

Edit Smoothing

34.

En Bear Detective us arias la opción : para crear un mapa de tempo para material que no se grabo contra el metrónomo:

a)

Bar|Beat Maker Generation

b)

Groove Template Extraction

c)

Clip Separation

d)

Clip Conform

e)

Edit Smoothing

35.

Bear Detective te permite extraer el groove de una interpretación para aplicarlo a otros clips de audio con notas MIDI

a)

Verdadero

b)

Falso

36.

Puedes usar Beat Detective para editar markers del Audio Elástico

a)

Cierto

b)

Falso

37.

Para ver la ventana de (standalone) del Editor MIDI vas al menu

a)

Edit

b)

View

c)

Track

d)

Window

e)

Event

38.

Para ver el Editor MIDI dentro de la parte inferior de la ventana de edición (docked MIDI Editor)vas al menu

a)

Edit

b)

View

c)

Track

d)

Window

39.

Se puede ver Bar/Beats Markers y eventos de tempo simultáneamente en la regla de Tempo?

a)

Si

b)

No

40.

To add silence at the beginning of a song across all tracks the _ function can be used

a)

Identify Beat

b)

Elastic Audio on all Tracks

c)

Time Adjuster plug in

d)

Insert Time in the Event/Time Operations Menu

e)

All of the above

41.

Which of the following statements about automation is true?

a)

Pro Tools automation has higher resolution than CC automation

b)

Different CC automation can be written on different playlists a single track

c)

CC dta is not affected by a tracks automation MODE

d)

All of the above

e)

None of the above

42.

MIDI Merge can be activated when recording MIDI data to an existing MIDI or Instrument track to ensure that

a)

Continuous Controller Data is written to separate tracks by type

b)

Existing MIDI data is overwritten

c)

Continuous Controller data is not recorded (Preview Mode)

d)

Existing data is not overwritten

e)

MIDI Data is automatically converted to audio and Merged with the adjacent Audio Track.

43.

Which of the following is an advantage of using mirrored outputs in the Hardware Setup dialog box over routing a track to multiple destinations from the Output Path Selector?

a)

A

Mirroring outputs lets you monitor or record from the source track even when it is muted

b)

B

Mirroring outputs is required for destructive record workflows

c)

C

Mirroring outputs lets you include processing applied using a Master Fader at each hardware destination

d)

D

Both A an B

e)

E

A B and C

44.

Wich of the following is NOT an option in the Replace Clip Dialog Box?

a)

Replace Original clip only

b)

Fit clip using: Replacement clip length

c)

Fit clip using: Original clip length

d)

Fit clip using: Selection length

e)

Fit clip using: TCE to original clip length

45.

Beat Detective can be used to _

a)

A

Conform existing Audio Material to a sessions tempo map

b)

B

Conform a sessions tempo map to a existing Audio or MIDI material

c)

C

Adjust the pitch of audio drum hits by up to two octaves

d)

D

A and B only

e)

E

A B and C

46.

Witch of the following can be filtered out using the MIDI input filter Dialog Box?

a)

A

The audio spectrum above a given cutoff frequency

b)

B

The audio spectrum below a given cutoff frequency

c)

C

Pitch Bend messages

d)

D

Aftertouch messages

e)

E

Both C and D

47.

Which of the following operations can be used to create either pre-fader or post-fader seems files for use outside of pro tools

a)

A

Freeze Tracks

b)

B

Track Bounce

c)

C

Bounce to disk

d)

D

Both A and B

e)

E

Both B and C

48.

Which pencil tool mode is NOT available when editing tempo?

a)

Freehand

b)

Line

c)

Triangle

d)

Parabolic

e)

S-curve

49.

The CC in MIDI CC data stands for

a)

Continuous Commands

b)

Command Control

c)

Continuous Controller

d)

Control Commands

e)

Combined Controller

50.

Choosing VIEW>OTHER DISPLAYS>MIDI EDITOR will do with of the following?

a)

Show the MIDI Tempo Ruler

b)

Open a separate MIDI editor windor

c)

Open the MIDI Editor docked in the Edit window

d)

Display the MIDI editor Options Submenu

e)

Open the MIDI Event list

51.

When using Pro tools Replace Clip Function you can replace all instances of a clip:

a)

True

b)

False

52.

MIDI Beat Clock is _

a)

an Absolute form of time code

b)

able to be sent or received by Pro Tools

c)

Based upon HOURS:MINUTES:SECONDS:FRAMES

d)

based upon your session tempo

e)

a form of SMPTE

53.

MIDI beat clock is a synchronization signal that contains _ pulses per 1/4 note

a)

12

b)

18

c)

24

d)

30

e)

36

54.

Which of the following is true about Destructive Record mode

a)

Recording replaces the original audio in the parent file on the disk

b)

You can use the undo command to reverse an unsuccessful record pass

c)

Each record take is stored on a separate Edit playlist

d)

Rerecording with pre-or post-roll requires you to first use the Prepare DPE Tracks Command

e)

All of the above

55.

The Timeline Status Indicator (Marked by the red arrow) shows:

a)

A

When green, all audio files used in track playlists are available for playback

b)

B

When red, one or more audio files in track playlist are offline, being processed or are otherwise available for playback

c)

C

Green= Pro Tools has enough CPU power to playback the current session

Red=Pro Tools does not have enough CPU Power to blayback the current session

d)

D

Green= No clipped audio

Red=Clipped audio

e)

E

A and B above

56.

Some Plug-ins virtual instruments, and other devices can use MIDI Beat Clock to playback in time with the session tempo

a)

True

b)

False

57.

What is the maximum number of running punches available in QuickPunch mode?

a)

99

b)

100

c)

200

d)

256

58.

Operation when Dynamic Transport Mode is Active

a)

The Playback can be set independently of the edit or timeline selections

b)

The playback position is always pinched to the timeline selection

c)

The playback position always returns to the same place when playback is stopped regardless of preference setting

d)

Tansport operation is locked out on any connected control surface or worksurfacr

59.

Which of the following shorts can be used to assign cascading sends to all selected tracks

a)

Command+C

b)

Command+Option+Shift while assigning a send on one of the tracks

c)

Command+Option+1 assigning a send on one of the tracks

d)

Commang+Option+G while clicking the track nameplate of a selected track

60.

Which of the following is/are true about the write commands in the Automation window

a)

A

They can be used to write flat parameter settings troughout a section o selection

b)

B

They apply to parameters that are currently writing automation

c)

C

They apply to currently displayer automation playlist Online

d)

D

All of the Above

e)

E

A and B only

61.

A meter (Time Signature) change may be inserted by clicking in the meter ruler while

a)

Holding option using the selector

b)

Holding option using the grabber

c)

Holding command using the selector

d)

Holding control using the grabber

e)

Non, there is no way to insert a meter directly on the timeline

62.

The Score Editor Window can display MIDI data in both Piano Roll view and notation view

a)

True

b)

False

63.

Why is it important to use the earliest Beat Triggers when applying Beat Detective to Multitrack Drum Performances?

a)

To ensure that edits are smooth and without gaps

b)

To make sure the same hit on another track does not get cut in half

c)

To make sure edits fall on the grid

d)

To mantain phase between tracks

e)

To prevent rushing of the tempo

64.

To punch in and punch out of different tracks independently within a single record pass which record mode would be used?

a)

QuickPunch

b)

LoopRecord

c)

Destructive Punch

d)

Normal

e)

TrackPunch

65.

Which of the following statements is TRUE?

a)

A

Continuos controller data can be recorder by moving a virtual instrument parameter with the mouse

b)

B

Continuos Controller data is stored in MIDI clips and can be different for alternative Edit Playlists

c)

C

Continuos Controller data has better resolution than Pro Tools Automation

d)

D

Continuous controller data can be recorded using a MIDI controller

e)

E

Both B and D above

66.

Which session feature cannot be imported using the Import Session Data Dialog box

a)

Tempo/ meter map

b)

Key signature map

c)

Markers/Memory Locations

d)

Windows Configurations

e)

Auto input/input only monitoring settings

67.

What is the effect of Option-Clicking on a temo event?

a)

The tempo Change dialog box will appear

b)

The tempo change event will be deleted from the tempo ruler

c)

The tempo change event will be made inactive and the tempo value will be displayed in italic font

d)

Changes made to the tempo will be proportionally applied to all tempo events in the session

68.

Changes made in the real time properties floating window may be applied to

a)

A

Selected audio tracks

b)

B

Selected MIDI-Bassed tracks

c)

C

Selected MIDI regions

d)

D

All of the above

e)

E

B and C only

69.

Automatic Delay Compensation can be made active from the _ menu

a)

File

b)

Edit

c)

Event

d)

Options

e)

Setup

70.

When drawing tempo changes, changing settings in the tempo density button allows you to determine __

a)

The shape of the line that will be drawn

b)

The spacing of the tempo events that will be drawn

c)

The note value that BPM rates are based on when tempo is drawn

d)

The range of scaling allowed by the trim tool on any drawn tempo line

e)

The scale of the tempo map as it is viewed in the Tempo Editor Ruler

71.

Which of the following tracks will be unaffected by any type of key change events?

a)

A

MIDI Tracks

b)

B

Sample-based Instrument Tracks

c)

C

Audio Tracks

d)

D

Non-Pitched tracks

e)

E

C and D

72.

Manually dragging a sessions song start marker will effect the timing of the clips on _

a)

A

Sample-based Tracks

b)

B

Tick-based Tracks

c)

C

Video Tracks

d)

D

Both A and B

e)

E

None of the above

73.

What modifier Key was held to show the Tempo Ruler pop up menu?

a)

Option

b)

Command

c)

Control

d)

Option+Shuft

e)

Command+Control

74.

The Import Session Data feature can be used for:

a)

A

Importing Tracks with existing audio, MIDI, and automation data

b)

B

Importing blank tracks with input, output, and plug-in assignments in place

c)

C

Toggling a sessions sample rate and or bit depth between preset configurations

d)

D

Importing Mix and Edit Groups

e)

E

A B and D

75.

Given a meter of 9/8 time, which click value should you choose to hear three clicks per measure?

a)

Eighth Note

b)

Dotted Eighth Note

c)

Quarter Note

d)

Dotted Quarter Note

e)

Half Note

76.

When playback begins at the beginning of the timeline, breath control automation will be played back

a)

True

b)

False

77.

What is the area outlined in red?

a)

Am automation playlist lane

b)

A MIDI Velocity lane

c)

The empty playlist lane (for creating new edit playlists)

d)

The clipboard view (for copying pasting saved clips)

e)

The elastic Ruler (For applying warps and pitch bends)

78.

In order for identify Beat feature to be available, what must be enabled?

a)

Tick-Based Session Linearity

b)

Insertion Follows Playback

c)

Conductor Track/Tempo Ruler

d)

MIDI Merge

e)

Relative Grid Mode

79.

Settings for Delay Compensation are made in the _ Window

a)

Session Setup

b)

Hardware Setup

c)

Playback Engine

d)

Even Operations

e)

Pro Tools Preferences

80.

What is true regarding Bounce to Disk versus Recording your mix to a Track Within your session?

a)

Internal Layback allows you to choose a different sample rate

b)

Bounce to Disk can be write a new file 4x times faster than real-time

c)

Internal Layback allows you to use POW-r Dithe, Bounce to Disk allows you to change

d)

Bounce to Disk allows you to change file format bit-depth and sample rate

e)

None of the above

81.

Which of the following best describes the effect on tempo when the Bar|Beat Marker indicated in the image is dragged to the left or the right?

a)

A

A new tempo will take effect at the indicated Bar|Beat marker

b)

B

A new Tempo will take effect previous Bar|Beat Marker

c)

C

Tempo will not change

d)

D

A and B

e)

E

None of the above

82.

Open MIDI editor Window

a)

Control+=

b)

Control+Option+=

c)

Control+Command+=

83.

Score Editor Window

a)

Control+=

b)

Control+Option+=

c)

Control+Command+=

84.

Commit tracks Dialog Box

a)

Option+Shift+C

b)

Control+Option+Shift+C

c)

Control+Command+C

85.

Press _ Up/Down arrow to cycle audio in from the previous/next playlist within a selected Range

a)

Control

b)

Option

c)

Command

d)

Shift

86.

Press _ and T to move selected audio to the target playlist

a)

Control

b)

Option

c)

Command

d)

Shift

87.

Press _ Up arrow to copy selected audio to the target playlist

a)

Control

b)

Option

c)

Command

d)

Shift

88.

Press _ Up/Down arrow with the edit cursor on a track to switch to the previous or next playlist while in Loop Playback

a)

Control

b)

Option

c)

Command

d)

Shift

89.

Hold _ to duplicate selected MIDI notes while Transposing

a)

Control

b)

Option

c)

Command

d)

Shif

90.

Hold _ while pressing the Up arrow or Down Arrow keys transpose up or down an octave at a time

a)

Control

b)

Option

c)

Command

d)

Shift

91.

Hold _ while pressing the Up and Down arrow keys to transpose up or down in scale steps

a)

Control

b)

Option

c)

Command

d)

Shift

92.

Press _ And O to Open te event operations>Quantize dialog box

a)

Control

b)

Option

c)

Command

d)

Shift

93.

Press _ To snap an audio clip start to the cursor in Commands Keyboard Focus Mode

a)

G

b)

H

c)

J

d)

K

94.

Press _ to snap an audio clips sync point to the cursor in Commands Keyboard Focus Mode

a)

G

b)

H

c)

J

d)

K

95.

Press _ to snap an audio clips end to the cursor in Commands Keyboard Focus Mode

a)

G

b)

H

c)

J

d)

K

96.

Hold _ while right clicking on a clip to open a pop up menu for aligning the clip start, sync point or end to the selection start.

a)

Control

b)

Option

c)

Command

d)

Shift

97.

Press and F to access the Scroll To Track Command

a)

Control

b)

Option

c)

Command

d)

Shift

98.

Press _ and / to execute the Write to All Enabled Command

a)

Control

b)

Option

c)

Command

d)

Shift

99.

Press and B to access the Track Bounce Dialog Box

a)

Control

b)

Option

c)

Command

d)

Shift

100.

Press _ and B to open the Bounce to Disk Window

a)

Control

b)

Option

c)

Command

d)

Shift

101.

Press __ and right arrow with the Edit Cursor on a track to set the currently displayed playlist as the Target Playlist

a)

Control

b)

Option

c)

Command

d)

Shift

102.

What process adjust locations, velocities and durations of MIDI notes or location of events in an elastic audio region, according to a groove template rather than a strict grid?

a)

Beat Detective

b)

Groove Quiantize

c)

Elastic Audio

d)

Identify Beat

103.

What is the Command to Open the Quantize Window?

a)

Option+0

b)

Control+2

c)

Option+6

d)

Option+7

104.

What is the command to open the tempo operations window?

a)

Option+0

b)

Control+2

c)

Control+3

d)

Option+2

105.

What is the command to open the event operations Window?

a)

Option+7

b)

Control+2

c)

Option+3

d)

Control+1

106.

What is the command to open the time operations window?

a)

Option+5

b)

Control+1

c)

Option+1

107.

What is the command to show the window configuration list?

a)

Command+Option+J

b)

Option+Control+C

c)

Command+Control+w

d)

Shift+Command+G

108.

Docked MIDI Editor _ y =

a)

Control

b)

Option

c)

Command

d)

Shift