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ACA vocabulary Final

Total questions: 44

Worksheet time: 22mins

Name
Class
Date
1.

a scale or full-size model of a design or device, used for teaching, demonstration, design evaluation

a)

comp mock up

b)

comp

c)

design

2.

a type of intellectual property that protects original works of authorship as soon as an author fixes the work in a tangible form of expression

a)

comp mock up

b)

copyright

c)

design analytics

3.

a thing able to be provided, especially as a product of a development process

a)

deliverable

b)

copyright

c)

comps

4.

a legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances

a)

deliverable

b)

copyright

c)

Fair Use Doctrine

5.

a work or invention that is the result of creativity, such as a manuscript or a design, to which one has rights and for which one may apply for a patent, copyright, trademark, etc.

a)

Intellectual Property

b)

copyright

c)

Fair Use Doctrine

6.

a detailed outline of all aspects of a project, including all related activities, resources, timelines, and deliverables,

a)

Project Scope

b)

copyright

c)

Fair Use Doctrine

7.

to how a project's requirements tend to increase over time.

a)

Project Scope

b)

Scope Creep

c)

Fair Use Doctrine

8.

a particular group at which a film, book, advertising campaign, etc., is aimed.

a)

Project Scope

b)

Scope Creep

c)

Target Audience

9.

the ratio of the width to the height of an image or screen

a)

Project Scope

b)

Aspect Ratio

c)

Target Audience

10.

a representation in which each item corresponds to one or more bits of information, especially the information used to control the display of a computer screen.

a)

Project Scope

b)

Aspect Ratio

c)

Bitmap

11.

an unprocessed photograph captured with a digital camera

a)

Camera Raw

b)

Aspect Ratio

c)

Bitmap

12.

color model (also known as process color, or four color) is a subtractive color model, based on the CMY color model, used in color printing,

a)

Camera Raw

b)

CMYK

c)

Bitmap

13.

To make a digital audio signal smaller by lowering its sampling rate or sample size (bits per sample).

a)

Camera Raw

b)

Downsampled

c)

Bitmap

14.

Dots per Inch, referring to the number of ink droplets a printer will produce per inch while printing an image.

a)

DPI

b)

Downsampled

c)

Bitmap

15.

the open, observable area a person can see through their eyes or via an optical device, such as a camera.

a)

DPI

b)

Downsampled

c)

Field of View (FOV)

16.

the part of a view that is nearest to the observer, especially in a picture or photograph

a)

DPI

b)

Foreground

c)

Field of View (FOV)

17.

the complete range or scope of something

a)

Gamut

b)

Foreground

c)

Field of View (FOV)

18.

is simply the range of the lightest tones to the darkest tones within a photo. Put another way — it's a measure of the light intensities from the highlights to the shadows.

a)

Gamut

b)

High Density Range

c)

Field of View (FOV)

19.

is simply the range of the lightest tones to the darkest tones within a photo. Put another way — it's a measure of the light intensities from the highlights to the shadows.

a)

Gamut

b)

High Density Range

c)

Field of View (FOV)

20.

how the elements of a photo are arranged.

a)

Image composition

b)

High Density Range

c)

Field of View (FOV)

21.

a process of determining the unknown values that lie in between the known data points.

a)

Interpolation

b)

High Density Range

c)

Field of View (FOV)

22.

acts as the skeletal support to build an application

a)

Image composition

b)

Application Frame

c)

Field of View (FOV)

23.

an effect you can add to a layer to change how the colors blend with colors on lower layers.

a)

Image composition

b)

Application Frame

c)

Blending Mode

24.

a piece of photographic paper featuring a set of thumbnail images

a)

Image composition

b)

Application Frame

c)

Contact Sheet

25.

taking the surroundings into consideration when making planning or infrastructure decisions.

a)

Context sensitive

b)

Application Frame

c)

Contact Sheet

26.

you're changing the original image—once you exceed the History panel's limit (Changing How Far Back You Can Go) and save your document, those changes are (gulp) permanent. Nondestructive editing means you're not changing the original file and you can go back to it at any time.

a)

Context sensitive

b)

Destructive Editing

c)

Contact Sheet

27.

a nondestructive way to hide parts of an image or layer without erasing them.

a)

Context sensitive

b)

Destructive Editing

c)

Layer Mask

28.

a method of converting colors from one ICC profile to another.

a)

Rendering Intent

b)

Destructive Editing

c)

Layer Mask

29.

adds management control to Internet servers, firewalls and proxy servers

a)

Rendering Intent

b)

Smart Filter

c)

Layer Mask

30.

uses a monitor to preview the outcome of the printout before printed

a)

Rendering Intent

b)

Smart Filter

c)

Soft proofing

31.

a path where the object clips out the contents of the layer. We can also use the Adobe Photoshop properties panel to refine the mask with the same options as the layer (pixel) mask.

a)

Rendering Intent

b)

Smart Filter

c)

Vector Mask

32.

technique used to add greater realism to a digital image by smoothing jagged edges on curved lines and diagonals.

a)

Anti-aliasing

b)

Smart Filter

c)

Vector Mask

33.

separate layers of color information

a)

Anti-aliasing

b)

Smart Filter

c)

Channels

34.

small "desktop" applications in Adobe Photoshop®, that automatically process files dragged onto their icon

a)

Droplets

b)

Smart Filter

c)

Channels

35.

a bright band of pixels outlining a high contrast edge.

a)

Droplets

b)

Edge halo

c)

Channels

36.

a way to soften the hard edges of an object in your image

a)

Droplets

b)

Edge halo

c)

feather

37.

an animation technique often found in selection tools of computer graphics programs. It helps the user to distinguish the selection border from the image background by animating the border. The border is a dotted or dashed line where the dashes seem to move slowly sideways and up and down.

a)

marching ants

b)

Edge halo

c)

feather

38.

selects shapes such as hair, branches, or any part of an image with edges, especially complex ones. It allows you to precisely select these areas of the picture you want to crop out, such as your friend or family member.

a)

Edge refine

b)

Edge halo

c)

feather

39.

a recipe for how to work out an answer from a problem, using very simple steps.

a)

Edge refine

b)

Edge halo

c)

Algorithm

40.

uses adjacent pixels of different colors to give the appearance of a third color. For example, a red color and a yellow color may dither in a mosaic pattern to produce the illusion of an orange color that the 8‑bit color panel doesn't contain. Dithering simulates continuous tones.

a)

Edge refine

b)

Edge halo

c)

Dithering

41.

Photoshop Elements builds a color lookup table (CLUT), which stores and indexes the colors in the image.

a)

Edge refine

b)

Edge halo

c)

Indexing

42.

a fancy way of saying what the length of one side of a pixel is in relation to the length of the other

a)

Pixel Aspect ratio

b)

Edge halo

c)

Indexing

43.

The number of pixels that make up an image as well as how many of those pixels are displayed per inch, both determine the quality of an image.

a)

Pixel Aspect ratio

b)

Resolution dependent

c)

Indexing

44.

those parts that won't be cropped out regardless of the size or shape of the screen on which they are read.

a)

Pixel Aspect ratio

b)

Resolution dependent

c)

Safe Zones