The second thing you need to do when designing lights is to ____________.

At 3 o'clock in the afternoon, the sun is on one side of the actor. That is where the ________________ comes from.

Lighting from the other side of the stage, the side from which the sun is not shining, is called the _______________________

A perfectly even light on stage using two warm lights coming in from opposite sides of the stage, and two cool lights, doing the same is called a ____________.

_________ light not only blinds the actor, but flattens out the actor's features and makes him or her look like a 2 dimensional cartoon character.

__________ light has you see the actor's silhouette, which can look kind of ominous.

Straight _______ light casts too many harsh shadows and highlights, and looks kind of eerie.

The most natural angle of light on stage is ___________ light.

To illuminate actors in the downstage areas, where do you hang the instruments?

To illuminate actors in the mid-stage areas, where do you hang the instruments?

To illuminate actors in the up-stage areas, where do you hang the instruments?

To illuminate cyc (cyclorama), where do you hang the instruments?

What kind of inustrment do we use from the FOH? It has a long throw that we can control and shutter off the proscenium wall?

What kind of inustrment can give us several different colors of light? It's often used from the third electric.

What kind of inustrment do we use from the first and second eletric to light the mid and up-stage acting areas?

If you have trouble with one leko being brighter, or habing a smaller or larger pattern on stage than the other, first try to adjust the ______________.

If you have enough lighting instruments, throw a little __________ light into the areas to make the silhouette of the actos jump out at the audience a little bit.

A plan of where all the instruments are poined, using a ground plan of the stage and a lighting template is called a ______________.

A chart that shows how we arrange the lighting instruments to give us the effects we want on stage is called the _________________

A chart showing the number of each instrument, where each instrument is hung, focused and plugged, what angle the instrument is aimed at the stage, and what color gel is used is call the __________________.

A chart that shows the ffects on stage and fade times is called a ________________.

As you put insturments from the hanging plot into your patching schedule, ________________ the instruments you have used.

A manual controller channel can control group lights, as long as the group of lights dosn't exceed the ______________.

To avoid hot patching a manual patch panel, make sure the ciruit breakers for each channel are _____________ before patching.

On newer, computerized lighting control systems, the patching is done ___________ (called soft-patching).

A _________ is a rehearsal with all the running crews present, but no actors.

If you have a manually controller, you probably have a _________ controller.

The first step to cueing your show on a computerized board is to set the levels for the cue, this can be done using the _____________.

Once you record and number a cue, enter a ____________ in seconds.

The first thing you do is pull out all the instruments you are going to use, according to the hanging plot an instrument schedule. Check with instrument to make sure the ________ is secure and the _______ is working.

One you have check your hanging plot, instruments schedule and instruments, hang the instruments according to your ______________.

Make sure every instrument is firmly plugged into its outlet, and you have a _____________ firmly around each instrument.

Once every instrument is firmly plugged in, do a rough focus into each area. This is done ___________ gels in the instruments

One you have patched the instruments, slide in the gels and make any adjustments that need to be done. This is called a _____________.

When something goes wrong, don't panic, but remember that the _______ of the audience, and anyone else in the building is the most important thing.

If a fire is found, pull a fire alarm and call 911. Immediately bring up the ________. contact your director or tech director

Make sure there are __________ at the dimmer rack(s). on the FOH and close to any other lighting position, in the control booth, near the asst stage manager's esk, in the auditorium, the shop, and anywhere else local ordinances require.

If there is a fire in the stage light dimmers, try to shut off the main power to where the stage light dimmers are as soon as possible, ______________

If the house light dimmers are on fire, turn off that main power switch, as long as that doesn't......

An override for the house light dummers (so if the dummer fail, or are turned off, electricity goes directly to the house lights to turn them on) is sometimes called a ____________

Make sure all your lighting equipment is _____________

When you have a lighting probem, always start with the ______________, and eliminate possible problems one by one.

When in doubt, check with _________