WHAT a character wants IN A SINGLE SCENE in a story; leads to overall goal.

EXAMPLE: Cinderella wants to go to the ball to meet the prince.

HOW a character chooses to approach their objective (the techniques, plans, strategies, and actions).

EXAMPLE: Cinderella tries to do all her chores so she can go to the ball.

Anything that PREVENTS your character from accomplishing their objective.

EXAMPLE: Cinderella's stepmother continually gives her new chores so she can't go.

The tongue and teeth are both organs of ____________

La lengua y los dientes son ambos órganos de ____________.

Tissue located in the larynx (voicebox) that:

1. Protect the airway from choking.

2. Regulate airflow into the lungs.

3. Produce sounds used for speech.

The prince arrives at Cinderella's house with the conveniently un-disappeared glass slipper. She puts it on and, of course, it fits perfectly, meaning they WILL BE married by the end of the story.

This moment changes Cinderella's fortune for better, so it represents the ______.

A royal page arrives at Cinderella's house. He announces that all of the single ladies in the kingdom are invited to the prince's ball, where he will attempt to find his bride.

This event "kicks off" the story and motivates Cinderella to go to the ball, so it represents the ________ ________.

AFTER Cinderella invites her stepmother and stepsisters to come live in the royal palace, she and the prince are finally married and everyone lives "happily ever after."

A character's ID attributed to their dialogue

a note or direction on how a particular line of dialogue or action is delivered by a character; written below the character's name

a written work for a film, television show, or other moving media; written in a specific format to distinguish between characters, action lines, and dialogue.

a technical note placed directly to the right of a character's name that denotes HOW the character's voice will be heard by the audience.

the text that helps the reader see the movie or short film in their mind's eye; the things characters do and their behavior.

oral speech between fictional characters

the general location headings that detail where we are in the script — outside or inside (EXT. or INT.) and at which LOCATION — and whether or not the reader is to envision daylight or darkness (DAY or NIGHT).

The hero LEAVES their ordinary world for the FIRST TIME and begins their adventure in the special world.

The hero encounters a MENTOR that can give them advice, wisdom, information, or items that ready them for the journey ahead.

Things go wrong and added conflict is introduced. The hero experiences more difficult hurdles and encounters their GREATEST OBSTACLE.

After the conflict is solved, we see HOW THE HERO ADAPTS to their ordinary world with their NEW KNOWLEDGE and/or SKILLS.

The portrayal of staged events within the industry as "real" or "true", specifically the portrayal of competition, rivalries, and relationships between participants as being genuine and not staged; _____ has also become a code word of sorts for maintaining this "reality" within the direct or indirect presence of the general public.

A fictional storyline. An angle usually begins when one wrestler attacks another (physically or verbally), which results in revenge. An _____ may be as small as a single match or a vendetta that lasts for years.

A wrestler who is heroic, who is booked to be cheered by fans.[1] Heels are the opposite of _____s and _____s commonly perform against heels.

To react to something in a way which makes it appear believable and legitimate to the audience. Typically refers to the physical action by a wrestler of making an opponent's moves look impactful, but it can be used to refer to any aspect of the worked presentation, notably including commentator reactions.

_____ refers to a wrestler's in-ring persona, character, behaviour, attire and/or other distinguishing traits while performing.