It's the conscious use of skill, craft, and creative imagination in the production of what is beautiful, appealing.

The branch of Philosophy that deals with the nature of art, beauty, and taste, with a view to establishing the meaning and validity of critical judgements.

The aggregate of qualities in a person or thing that gives intense pleasure to the senses or deep satisfaction of the mind or spirt.

A high degree of pleasure or enjoyment.

It's the critical judgement, discernment, or appreciation of what is fitting, harmonious

or beautiful prevailing in a culture or personal.

The aspect of architecture and interior design that deals with the planning, layout. design, and furnishing

of spaces within a proposed or existing building.

The art, business, or profession of planning the design and supervising the

execution of architectural interiors.

The aspect of architecture and city planning that deals with the design

of urban structures and spaces.

The ordering of the physical environment by means of architecture, engineering, construction,

landscape architecture, urban design, and city planning.

A branch of knowledge dealing with a body of facts or truths obtained by direct observation, experimental

investigation, and methodical study, systematically arranged and showing the operation of general laws.

Applied science: the branch of knowledge that deals with the creation and use of technical methods and materials,

and their Interrelation with life, society, and the environment.

The art and science of applying scientific principles to practical ends in the design and

construction of structures, equipment and systems.

Any of the sciences, as sociology and anthropology, that seek to discover general truths

from the observation of human behavior in society.

It's the Greek word for architecture.

A purposeful activity aimed at devising a plan for changing an existing situation into a future preferred state.

Which does this fall under?

Determining client needs, preferences, operations and aspirations

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Determine project constraints, parameters

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Problem definition

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Concept getting towards solution

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Collaboration of different disciplines as demanded by the design

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Formulating schemes with client involvement

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Production of working drawings, estimates and specifications

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Making the scheme definitive and realistic

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Decision making on specific concerns

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Preparation of bid documents and selection of contractors

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Application of various government permits

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Design implementation

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the architects' role vary depending on the demand of the project and client

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Management and administration of construction

It is a form that is proportionally similar in all dimensions (base or plinth).

It is a form that is proportionally similar in two dimensions and significantly smaller in the third (wall).

A system for the way generic forms are assembled in order to define the space.

the Greek word "tektonikos" meaning what?

It refers to the physical character of architecture. It defines the limits of space and determines ways it might be inhabited.

It is a form that is proportionally similar in two dimensions and significantly longer in the third (beam).

It is any formal element that acts as a focal point.

The characteristic outline or surface configuration of a particular form. It's the principal

aspect by which we identify and categorize forms.

It is the physical dimensions of length, width, and depth of a form.

It is a phenomenon of light and visual perception that may be described in terms

of an Individual's perception of hue, saturation, and tonal value.

It is the visual and especially tactile quality given to a surface by the

size, shape, arrangement, and proportions of the parts.

It is the location of a form relative to Its environment or the visual field within which it is seen.

It is the direction of a form relative to the ground plane, the compass points,

other forms, or to the person viewing the form.

It is the degree of concentration and stability of a form.

It refers to any figure having only two dimensions, such as a flat plane. It can also allude to a curved two-dimensional locus of points defining the boundary of a three-dimensional solid.

A form can be transformed by subtracting a portion of its volume.

A form can be transformed by the addition of elements to its volume.

This type of relationship relles on the close proximity of the forms or their sharing of

a common visual trait, such as shape, color, or material.

In this type of relationship, the forms share a common edge and can pivot about that edge.

This type of relationship requires that the two forms have corresponding planar

surfaces which are parallel to each other.

In this type of relationship, the forms interpenetrate each other's space.

Our perception of the shape, size, scale, proportion, and visual weight of a plane is

influenced by its surface properties as well as its visual context.

Which categories of concern in concept getting does this fall under?

space organization, space relationship and arrangement; Client operations.

Which categories of concern in concept getting does this fall under?

Quality of space, interiors. Provision of comfort and enhancement of function and experience.

Which categories of concern in concept getting does this fall under?
exterior façade, roof, fenestrations, materials and utilities involved.

Which categories of concern in concept getting does this fall under?

Building character, accessibility, efficiency of layouts and utilities

Which categories of concern in concept getting does this fall under?

site planning, pedestrian and vehicular circulation, landscape concerns, environmental and ecological considerations

It's moving in or forming a straight line and is characterized by straight lines.

The arranging of parts or elements into proper proportion or relation so as to form a unified whole.

volume is the largest element, the most interesting and dramatic in character.

complements the dominant in character.

makes the design still more interestingly by introducing a third visual element and axis.

It refers to the proportion within a form: length to width to thickness.

They are the proportions of one form in relation to another, think of a tall, thin person

compared with a short, stocky one.

It refers to the character or overall configuration of a group of forms.

It refers to an imaginary line through the center of the longest dimension of the

form and indicates the strongest movement of form.

It describes a situation in which the axis of a volume, plane, or line need the axis (axes) of other volumes.

It refers to the condition in which a line or volume in a static composition is independently

related to the vertical and or the horizontal axis.

It describes the situation in which one gets the feeling of balance but ever so slightly-