AM ORNAMENT OF UNDULATING WAVES, FLOWERS AND FLOWER STALKS DEVELOPED IN FRANCE AND BELGIUM

CREATIVE CENTER OF ARTISTIC EXPERIMENT DURING THE 1920.

REFERS TO THE WORKS OF VAN DE ROHE WHICH DISPLAYED THE USE OF GLASS AND STEEL; DISPLAY OF SERVICE SYSTEMS OF A BLDG. LIKE AIR CON DUCTS.

SET BY LE CORBUSIER AND S. GIDEOM REFERRING TO THE MODE OF ARCHITECTURE WORLDWIDE; CUBIC WHITE SURFACED, FLAT ROOF AND SET ON ARID LANDSCAPE.

A STYLE IGNORING THE CLASSIC APPROACH TO DESIGN INTRODUCED IN THE EARLY 60'S IN EUROPE.

JAPAN INTRODUCED THIS APPROACH TO DESIGN DISREGARDING FUNCTIONALISMS THAT HAVE FAILED IN MANY INSTANCES.

REFERS TO IRON CONSTRUCTION INITIATED BY JOSEPH PAXTON IN CRYSTAL PALACE. OTHER WORKS ARE: LIBRARY OF ST. GENEVA- LABORIST;EIFFEL TOWER-GUSTAV EIFFEL.

AN ALTERNATE TO THE MODERN MOVEMENT IDEAS LIKE REVIVALS OF PATTERNED BOOK PRINCIPLE OF THE 19TH CENTURY; A NEW INTEREST IN VERNACULAR FORMS ADOPTED TO MODERN NEEDS; MUCH MORE STRAIGHT INTERPRETATION OF THE THEATRICAL ELEMENTS IN MODERN MOVEMENT.

APPLIED TO ANY BUILDING INCORPORATING A MIXTURE OF PAST STYLES.

TERM DESCRIBING THE WORKS OF ARCHITECTS WHO FIGURED IN THE INTERNATIONAL AND FUNCTIONALIST PEROID OF THE MODERN MOVEMENT.

ARCHITECTURE OF CALCULATION OF AUDACITY(BOLD AND DARING) AND SIMPLICITY; AN ARCHITECTURE OF REINFORCED CONCRETE, IRON, GLASS AND SUBSTITUTES FOR STONE, WOOD, BRICKS WHICH MAKE POSSIBLE MAXIMUM ELASTICITY AND LIGHTNESS.

INITIATED BY THE WORLD DESIGN CONFERENCE IN TOKYO 1960, BY THE JAPANESE WHICH CONCENTRATED ON THE ORDER OF RELATIONSHIPS BETWEEN MAN AND ENVIRONMENT.

BASED ON THE NOTION THAT THE FORM OF THE OBJECT SHOULD LAST AND IMPLICITY THERE ARE FORMS WHICH HAVE EXTERNAL VALIDITY.

A RADICAL SHIFT IN EMPHASIS FROM THE BLDG IN THE PAST, TO DESIGN OF THOSE WHICH MET THE DEMANDS OF THE MODERN LIFE

INTEREST IN EXPLAINING THINGS AS THE NATURE OF THE HOUSE IN THE CITY AND ARE CONCERNED WITH INTRICATE DESIGNS ON SMALL HOUSES AND POTENTIAL SCHEMES, HAS A LARGE CONTEXT OF THE RELATIONSHIP BETWEEN HOUSE WITH SOCIETY.

THEORY OF PURE PLASTIC ART; CONSIST OF EXCLUSIVE USE OF THE RIGHT ANGLE IN HORIZONTAL POSITION (PLAN) AND THE USE OF 3 PRIMARY COLORS CONTRASTED WITH.

STYLE FED ON PARTICULAR HISTORICAL MOTIFS AND DEVICES AS WELL AS THE ASSOCIATIVE ASPECTS OF THE GREAT HISTORICAL PERIODS OF ARCHITECTURE.

REFERS TO LOW COST HOUSING. IN ENGLAND THIS REFERES TO PRE-FABROCATED UNITS