THE WAY YOU AS THE PERFORMER LISTENS, LOOKS,

MOVES, AND REACTS TO TELL A PERSON YOU ARE COMMUNICATING WHETHER OR NOT YOU

CARE.

A PERFORMER’S POSTURE AND STANCE TO HELP COMMUNICATE A CHARACTER’S FEELINGS OR PERSONALITY.

Emotion

Non-Verbal Cue

THE WAY YOU AS THE PERFORMER, LISTENS, LOOKS,

MOVES, AND REACTS TO TELL A PERSON YOU ARE COMMUNICATING WHETHER OR NOT YOU

CARE. YOU WILL CARRY THIS OUT WITH NO VOICE.

ANY MOVEMENT MADE BY YOUR HEAD, SHOULDERS,

ARMS, HANDS, LEGS, OR FEET TO COMMUNICATE MEANING.

Gesture

Status

HAVING AN INITIAL OFFER FOR A SCENE FOR EXAMPLE "LET'S GO TO THE SHOPPING MALL"

ANY MOVEMENT MADE BY YOUR HEAD, SHOULDERS,

ARMS, HANDS, LEGS, OR FEET TO COMMUNICATE MEANING. 

Facial Expression

Emotion

Both

EMOTIONS OR FACIAL EXPRESSIONS HELP US TO REPRESENT REACTIONS TO OTHER ACTORS/CHARACTERS’ BEHAVIOUR AND/ OR ACTIONS.

HAVING AN INITIAL OFFER FOR A SCENE FOR EXAMPLE "LET'S GO TO THE SHOPPING MALL"

Making an Offer

Blocking an Offer

HAVING AN INITIAL OFFER FOR A SCENE FOR EXAMPLE "LET'S GO TO THE SHOPPING MALL"

REJECTING THE SCENE IDEA (NOT ADVISED)

Hand Gesture

Accepting an Offer

WHEN AN ACTOR PERFORM AN ACTION ON STAGE IN ATTEMPT TO PROVOKE A THOUGHT FOR ANOTHER ACTOR.

CHOOSING TO CONTINUE WITH THE INITIAL OFFER FOR THE SCENE FOR EXAMPLE, "YES, LETS, AND MAYBE WE COULD BUY A MUMS BIRTHDAY GIFT"

Blocking an Offer

High Five Gesture

REJECTING THE SCENE IDEA (ALWAYS ADVISED)

REJECTING THE SCENE IDEA (NOT ADVISED)