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German Opera Composers

Total questions: 7

Worksheet time: 4mins

Name
Class
Date
1.

This composer created an operatic tradition that was distinct to Germany, and he exerted enormous influence on the musical style of other composers during the end of the nineteenth century.

a)

Mahler

b)

Beethoven

c)

Robert Schumann

d)

Wagner

e)

Brahms

2.

Exiled from Germany and its opera houses, he lived in Switzerland for twelve years, where he began work on his massive Der Ring des Nibelungen (The Ring of the Nibelung). Publishers were initially reluctant to support the Ring cycle, so he interrupted work on it to compose more manageable dramas such as Tristan und Isolde (1865) and Die Meistersinger von Nürnberg (The Mastersingers of Nuremberg, 1868).

a)

Wagner

b)

Liszt

c)

Berlioz

d)

Brahms

e)

Mahler

3.

The Bayreuth Festival features works by this composer:

a)

Tchaikovsky

b)

Brahms

c)

Wagner

d)

Dvořák

e)

Liszt

4.

Which term did Wagner use to describe compositions for the stage?

a)

verismo

b)

music drama

c)

leitmotif

d)

Sprechstimme

e)

Singspiel

5.

This term, literally meaning “total art work,” describes the unification of all the arts (poetry, music, acting, set design, etc.) for a single dramatic purpose.

a)

Gesamtkunstwerk

b)

verismo

c)

realistic opera

d)

bel canto

e)

all of the above

6.

This operatic term describes a melodic gesture associated with a person, object, or idea.

a)

bel canto

b)

idée fixe

c)

recitativo accompagnato

d)

Risorgimento

e)

leitmotif

7.

Which character sings the Liebestod?

a)

Tristan

b)

Carmen

c)

Isolde

d)

Violetta

e)

Rudolfo