Leaning or diagonal shapes suggest falling, running, or climbing.

Elements of art that is a continuous mark made on a surface by a pointed instrument.

The second step of art criticism during which the principles of art are used to learn how an artwork is organized.

Are straight edged.

Outline dialogue or thought of a character in a comic strip panel.

Area of a picture that appears furthest from the viewer.

Decreasing the intensity of hues for objects that appear farther back in a composition.

Principle of art that arranges elements in a work to create a sense of stability.

Creating the illusion of depth for three-dimensional objects on a two-dimensional surface known as a picture plane.

An art style that attempted to reproduce what the eyes see at a specific moment in time, rather than what the mind knows is there.

Decreasing the intensity of hues for objects that appear farther back in a composition.

A balance in which a variety of different objects that have approximately equal visual weight are placed on either side of the central axis.

Use of media to create a finished artwork.

The use of light and shadow to give a feeling of depth.

Group of objects arranged as a subject for drawing.

An artist's representation of a three-dimensional world on a two-dimensional surface.

Works of art painted and drawn directly on walls.

A technique for perspective in which the lines formed by the sides of the road, walk, or track seem to come together at a vanishing point on the horizon.

Work of art that uses natural scenery as subject matter.

Empty space surrounding a shape or form.

Contrasting elements in a work of art to create visual interest.

Elements in a work of art to create a sense of stability.

The point on the horizon.

A quick drawing.

Imaginary line dividing a figure in half vertically.

Appealing to the sense of touch.

Quality of a material that allows some light to pass through.

A technique for perspective that shows different sets of receding lines converging, or meeting, at different vanishing points.

Two or more lines that get closer and closer towards the end.

An early twentieth-century movement. Small squares or cubes.

Rendering light and dark gradations of value in a drawing by making a pattern of dots.

A technique for perspective in which the lines formed by the sides of the road, walk, or track seem to come together at a vanishing point.

Suggested or implied texture.

The elements and principles of art.

A technique in which objects in a drawing have three vanishing points-two on the horizon and one above or below it.

Tool used to draw horizontal lines.

A technique in which objects in a drawing have three vanishing points.

Drawing to shade or hatch (forms, figures, etc) with two or more sets of parallel lines that cross one another.

A technique for a perspective that shows different sets of receding lines converging, or meeting, at different vanishing points.

Two or more lines that get closer and closer towards the end.

The different ways used in the work of art.

Elements in a work of art to create visual interest

The point on the horizon.

Elements in a work of art to create a sense of stability.

Lines are made from a combination of diagonal lines. 

It is a series of points that the viewer’s eyes automatically connect

It can curve gradually or not at all, become wavy, or form spirals

Defines the edges and surface ridges of an object.

It is a mixture of different line types and personalities.

The basic components, or building blocks, used to create works of art.

Repetition of a surface.

Art that emphasizes design, or whose basic character has little visual reference to real or natural things.

It is an expressive movement.

In a perspective drawing is the line that appears at “eye level.”

The part of the artwork that lies between the foreground and the background.

It is the path the viewer's eye takes through the work of art, often to focal areas.

A drawing without tools.

Theory of art that focuses on expressive qualities.

Elements in a work of art to create a sense of stability.

Two-dimensional works of art created with such items as paper, cloth, etc.

Artwork with many lights valued colors.

The different ways the elements of art can be used in a work of art.

Colors that are opposite each other on the color wheel.

Using sets of crisscrossing, parallel, and overlapping lines.

Any materials used to create art.

Either side of a vertical axis is identical.

A large painting that covers a wall or is painted directly onto a wall.

A drawing done without tools.

The surface of a drawing.

Colors that are opposite to each other on the color wheel.

The elements and principles of art.

Colors that are next to each other on the color wheel.

It is a way to create the illusion of depth in an artwork.

Either side of a vertical axis is not identical.

The principle of design repeats elements to create the illusion of movement.

Either side of a vertical axis is identical.

Red, green, and orange.

Orange, blue, and violet.

Green, violet, and red

Green, orange, and violet.

Black, white, and gray.

Black, white, and blue.

Black, gray, and green.

Black, gray, and yellow

Orange, green, red-orange.

Red, orange, and pink.

Blue, yellow, and green.

Red, blue, and yellow.

Blue- green.

orange-yellow.

Purple-red.

Red-orange and blue-violet.

Yellow-orange and red-violent.

Green and blue.

Purple and red.

Yellow-orange and blue green.

Blue and red-orange.

Blue green and blue-violet.

Pink and orange.

Black and white.

Gray and yellow.

Purple and blue.

Red-orange-green.

Yellow-orange and blue-violet.

• Red and green.

• yellow and purple.

• blue and orange.

• red-orange and blue-green.

• yellow-orange and blue-violet

hue, intensity, and value.

Gray, black, and white

Color prism, color wheel, and intensity.

Color spectrum, color triad, and hue.

Elements of art derived from reflected light. Hue, intensity, and value.

Artwork with many lights valued colors.

Refers to the quality of light in a color.

Ray of light separates into individual bands of color.

Drawing technique using sets of crisscrossing, parallel, and overlapping lines.

The surface of a drawing.

Colors that are next to each other on the color wheel.

Appeals to the sense of touch.

To the outer edge of a silhouette, or the line made by the edges of an object.

Are lines that hold a design together.

Element of art that is three-dimensional and encloses space.

To convey a specific mood or feeling.

The basic components, or building blocks used to create works of art.

Distance around, between, above, below, and within an object.

The elements and principles of art.

Elements of art that refers to light and dark areas.

The realistic or lifelike representation of the subject.

When designers and artists use combinations of colors to get certain results.

Distance around, between, above, below, and within an object.

Two or more lines that get closer and closer towards the end.

Principle of art by using a series of gradual changes.

A thoughtful and informed response to a drawing.

Drawing done without measuring tools.

A story told to make people laugh.

Ray of light separates into individual bands of color.

Colors opposite each other on the color wheel.

It is the brightness or dullness of a hue.

The color scheme uses only one hue and the tints and shades of that hue.

A skilled craft person.

Shadows cast by shapes onto other surfaces.

The principle of art creates a sense of stability.

Area of a picture that appears farthest from the viewers.

Drawing that concentrate on design qualities.

Two-dimensional works of art created with such items as paper, cloth, etc.

Shadows on the side of forms away from the light source.

Theory of art that concentrates on design or visual qualities.

Beautiful handwriting.

It is precise and sharply defined.

Artwork with many light-valued colors.

A technique in which objects in a drawing have three vanishing points.

A figure that appears a little taller than life-sized.

The empty space between the shapes or forms.

A story told to make people laugh.

Principle of art that combines in a work of art to stress similarities.

An artist's representation of a three-dimensional world on a two-dimensional surface.

Element of art derived from reflected light.

Elements of art that is an enclosed area determined by line, value, texture, space, or any combination of these elements.

Elements of art that is the distance around, between, above, below, and within an object.

Works with no objects or subjects that can be readily identified.

The principle of art creates the illusion of action.

Work of art that uses natural scenery as subject matter.

Works of art painted and drawn directly on walls.

When designers and artist use combinations of colors to get certain results.

A work that uses mainly dark-valued.

Drawing done without measuring tools.

Drawing done quickly in preparation for a finished artwork.

The realistic or lifelike representation of the subject.

Refers to the quality of light in a color.

Finely ground-colored powders.

Two or more lines that get closer and closer toward the end.

An organized approach for studying, understanding, and judging artworks.

Combine elements in a work of art to create size relationship of elements to the whole artwork and to each other.

The basic components, or building blocks used to create works of art.

Contrasting elements in a work of art to create visual interest

Is the solvent for watercolors and tempera.

The dark value of a hue is created by adding black.

It is a useful tool for organizing color.

A light value of a hue is created by adding white.

A surface of a drawing.

The different ways used in the work of art.

Repetition of a surface.

Are precise and sharply defined.

The liquid controls the thickness or the thinness of the paint.

Finely ground, color powders that form paint when mixed with a binder.

Pigments that dissolve in liquid.

A dark value of a hue is created by adding black.

It is the brightness or dullness of a hue.

The liquid control the thickness or the thinness of the paint.

Are dull hues.

A pure or bright hue.

The second step of art criticism, during which the principles of art are used to learn how an artwork is organized or composed.

Refers to the quality of a light in a color.

A work that uses mainly dark-valued.

The elements and principles of art.

Red, red-orange, orange, yellow-orange, yellow, and yellow-green.

Blue, green, yellow, red, blue-green, and violet.

Blue, blue-green, green, yellow-green, red, and red-orange.

Yellow, yellow-green, red-violent, blue-green, red, and blue.

Illustrations ranging from one panel to a series of panels covering a variety of subjects from the humorous to the political.

When designers and artists use combinations of colors to get certain results.

Adding white to a hue.

Rendering light and dark gradations of value in a drawing by making a pattern of dots.

Surface of a drawing.

Finely ground colored powders.

The use of light and shadow to give a feeling of depth.

Works with no objects or subjects that can be readily identified.

Yellow-green, green, blue-green, blue, blue-violet, and violet.

Blue-violet, red-violet, red-orange, red, yellow-green, and blue.

Green, blue, yellow-orange, yellow-green, blue-violet, and violet.

Red-violet, violet, blue-violet, blue, blue-green, and, green.