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Kapadia's Amy - Retrieval Quiz

Total questions: 15

Worksheet time: 8mins

Name
Class
Date
1.

What are Bill Nichols' 6 modes of documentary?

a)

Expository, Observational, Participatory, Reflexive, Performative,

Poetic

b)
Static, Dynamic, Interactive, Traditional
c)
Descriptive, Analytical, Critical, Historical
d)
Documentary, Narrative, Fictional, Experimental
2.

What is actuality footage?

a)
Actuality footage is a fictional film genre.
b)
Actuality footage is a type of documentary that uses only voiceovers.
c)
Actuality footage refers to animated cartoons.
d)
Actuality footage is real-life video recordings of events.
3.

What is archival footage or stock footage?

a)
Archival footage is live-streamed content from events.
b)
Stock footage is always free to use without permission.
c)
Archival footage is only used for documentaries.
d)
Archival footage is previously recorded video material used for historical context, while stock footage is licensed video available for various projects.
4.

What is a re-enactment or reconstruction?

a)
A re-enactment is a type of historical document.
b)
A re-enactment or reconstruction is a recreation of a past event or scenario.
c)
A re-enactment is a form of modern art performance.
d)
A reconstruction is a method of scientific analysis.
5.

In the exam you compare Kapadia's approach in Amy to one of the filmmakers we have studied. Which 3 documentarians have we studied?

a)

Kim Longinotto

Michael Moore

Werner Herzog

b)

Kim Longinotto

Michael Moore

Nick Broomfield

c)

Michael Moore

Nick Broomfield

Amy J. Berg

d)

Nick Broomfield

Amy J. Berg

Kim Longinotto

6.

What is Kim Longinotto's style of documentary filmmaking?

a)

Kim Longinotto's style is observational

b)
Kim Longinotto primarily uses a narrative style with fictional elements.
c)

Her documentaries are reflexive

d)

Kim Longinotto's style is participatory

7.

What is direct cinema?

a)
A type of narrative filmmaking that relies heavily on scripted dialogue.
b)
A genre of horror films that uses real-life events as inspiration.
c)
A style of animation that incorporates live-action elements.
d)
Direct cinema is a style of documentary filmmaking that captures reality as it happens, with minimal intervention.
8.

How can we describe Michael Moore's style of documentary filmmaking?

a)
Documentary style focused on personal anecdotes.
b)

Participatory and performative

c)
Confrontational, humorous, and politically charged.
d)

Observational

9.

Nick Broomfield's approach to documentary filmmaking is....

a)

Investigative. immersive and personal, often involving direct engagement with subjects

b)
detached and observational, focusing on external perspectives
c)
strictly factual and analytical, avoiding personal narratives
d)
highly scripted and staged, lacking real interactions with subjects
10.

What are the 5 stages of Freytag's pyramid approach to drama?

a)

1. Exposition

2. Rising Action,

3. Climax,

. Falling Action,

5. Catastrophe

b)

  1. 1.Beginning,

  2. 2. Middle,

  3. 3. Peak,

  4. 4.Decline,

  5. 5.Resolution

c)

1.Introduction,

2.Development,

  1. 3.Climax,

  2. 4.Resolution,

  3. 5.Conclusion

d)

1.Setting,

2.Conflict,

3.Climax,

4.Resolution,

5.Epilogue

11.

What is the main technique Kapadia uses in his film 'Amy'?

a)
Static interviews
b)
Voiceover narration
c)
Animated reenactments
d)

Archival footage

12.

Who are presented as Propp's villians in Kapadia's 'Amy'?

a)
The record labels and concert promoters
b)
The government and law enforcement
c)

The media and exploitative figures

d)
The fans and social media influencers
13.

What impact does Pinto's non-diegetic score have in Kapadia's 'Amy'?

a)
Pinto's music is primarily used for comedic relief throughout the film.
b)
Pinto's score distracts from the visuals and weakens the narrative.
c)
The score has no significant effect on the audience's perception.
d)

Pinto's non-diegetic score deepens emotional engagement and creates nostalgia in a melancholic way.

14.

What impact does the editing of archival footage in Kapadia's Amy have on how the audience read Amy?

a)
The editing portrays Amy as a troubled celebrity without depth.
b)
The editing focuses solely on Amy's music career, ignoring her personal life.
c)
The editing presents Amy as a one-dimensional figure, lacking emotional complexity.
d)
The editing humanizes Amy Winehouse, fostering empathy and a nuanced understanding of her struggles.
15.

How can we interpret the closing sequence of Kapadia's 'Amy'?

a)

It focuses on the positive aspects of Amy's life and career.

b)

The closing sequence provides a positive image of Amy but emphasizes her emotional struggles and the tragic consequences of her fame - loss of youth and possibility

c)
The sequence is a celebration of Amy's musical achievements.
d)

The closing sequence highlights and celebrates Amy's rise to fame and success.

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