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Worksheets

Chapter 10

Total questions: 15

Worksheet time: 8mins

Name
Class
Date
1.

Which is a tonic triad in C minor?

a)

a.

b)

b.

c)

c.

d)

d.

2.

Harmonic rhythm is:

a)

the rate of change of chords.

b)

a type of cadence.

c)

always equal for each kind of chord.

d)

all of the above.

3.

Which is marked by the arrow? (Refer to the diagram of Elvis Presley, “Love Me Tender,” mm. 5-8)

a)

basic phrase

b)

cadence

c)

harmonic rhythm

d)

guitar tab

4.

A cadence:

a)

always ends on the tonic.

b)

marks the end of a musical phrase.

c)

always includes predominant chords.

d)

all of the above.

5.

Half cadences:

a)

always end on a type of dominant chord.

b)

usually end on ^2 or ^5 in the melody.

c)

must continue to another phrase to complete a musical thought.

d)

all of the above.

6.

Authentic cadences:

a)

must continue to another phrase to be complete.

b)

usually end on ^5 in the melody.

c)

always end on a tonic triad.

d)

all of the above.

7.

A half cadence ends on:

a)

I

b)

iii

c)

IV

d)

V

8.

Which represents a deceptive cadence?

a)

IV-I

b)

I-V

c)

I-IV

d)

V-vi

9.

In a perfect authentic cadence, the bass moves from:

a)

^7 to ^5

b)

^5 to ^1

c)

^1 to ^7

d)

^1 to ^5

10.

Label the circled pitch in “Dona Nobis Pacem,” traditional, mm. 1-4.

a)

passing tone

b)

neighbor tone

c)

chord tone

d)

none of the above

11.

Label the circled pitch in William “Smokey” Robinson and Ronald White, “My Girl,” mm. 2-4.

a)

passing tone

b)

neighbor tone

c)

chord tone

d)

none of the above

12.

Label the circled pitch in the music excerpt from John Lennon and Paul McCartney, “Across the Universe,” mm. 4-7.

a)

passing tone

b)

neighbor tone

c)

chord tone

d)

none of the above

13.

Label the circled pitch in J.S. Bach, “Invention No. 8,” mm. 1-4.

a)

passing tone

b)

neighbor tone

c)

chord tone

d)

none of the above

14.

Label the circled pitch in Ludwig von Beethoven, Symphony No. 5, op. 67, movement 4, mm. 7-8 (adapted).

a)

passing tone

b)

neighbor tone

c)

chord tone

15.

Label the circled pitch in the music excerpt from Paul Simon, “The Boxer,” mm. 2-6.

a)

passing tone

b)

neighbor tone

c)

chord tone

d)

none of the above