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Worksheets

Theatre Jobs, Stages, Stage Directions

Total questions: 52

Worksheet time: 26mins

Name
Class
Date
1.

What is one of the main responsibilities of a Director in a show?

a)

Designing costumes

b)

Providing the guiding creative vision

c)

Performing on stage

d)

Writing the script

2.

What role does the Director play in casting?

a)

The director writes the script

b)

The director casts actors

c)

The director designs the set

d)

The director manages finances

3.

How does the Director help actors during rehearsals?

a)

By designing costumes

b)

By guiding them to deliver their best performance

c)

By writing dialogue

d)

By managing ticket sales

4.

What is a Playwright?

a)

A writer who specializes in telling stories for the stage

b)

A person who directs movies

c)

A novelist who writes fiction

d)

A poet who writes sonnets

5.

What is the role of a Dramaturg in a production?

a)

To act as the main character

b)

To design the costumes

c)

To provide context, research, and feedback

d)

To direct the play

6.

Which of the following is NOT a responsibility of a Dramaturg?

a)

Providing a deeper understanding of a production

b)

Acting on stage

c)

Offering behind-the-scenes support

d)

Conducting research for the production

7.

What is one of the main tasks of an Actor?

a)

Writing scripts for movies

b)

Auditioning to become employed for work

c)

Designing costumes for plays

d)

Directing a film

8.

What does an Actor do to prepare for a performance?

a)

Creates and develops a character

b)

Builds the stage set

c)

Manages the lighting

d)

Sells tickets for the show

9.

What is one of the main responsibilities of a Stage Manager (SM)?

a)

Designing costumes for the performers

b)

Coordinating schedules and information for directors, performers, designers, and tech crew

c)

Writing scripts for the play

d)

Performing on stage

10.

What does a Stage Manager (SM) do during rehearsals?

a)

Directs the actors

b)

Keeps detailed blocking notes

c)

Sings and dances

d)

Designs the set

11.

During performances, what is one of the tasks of a Stage Manager (SM)?

a)

Supervises onstage and backstage activity

b)

Paints the scenery

c)

Acts in the play

d)

Composes music

12.

What does a Stage Manager (SM) often call during performances?

a)

Costume changes

b)

Tech CUES

c)

Lighting designs

d)

Script edits

13.

What is one of the roles of an Assistant Stage Manager (ASM) during rehearsals?

a)

Directing the actors

b)

Assisting the SM in many ways

c)

Designing the set

d)

Writing the script

14.

What might an ASM do for actors during rehearsals?

a)

Stay on-book

b)

Perform on stage

c)

Create costumes

d)

Operate lighting

15.

What is one of the responsibilities of an ASM during shows?

a)

Running the backstage area

b)

Selling tickets

c)

Conducting auditions

d)

Composing music

16.

What is one of the main responsibilities of a Production Manager?

a)

Designing costumes for the show

b)

Directing the actors

c)

Managing the budget and schedule of a show

d)

Writing the script

17.

What is the role of a Technical Director?

a)

Supervises the activities of all tech departments

b)

Manages the marketing team

c)

Designs costumes for theater productions

d)

Directs the actors on stage

18.

Which of the following is a responsibility of a Technical Director?

a)

Writing scripts for plays

b)

Overseeing the use and maintenance of theater equipment

c)

Conducting auditions for actors

d)

Composing music for performances

19.

What is a primary responsibility of a Costume Designer?

a)

Directing the actors

b)

Designing the set

c)

Creating and supervising costumes

d)

Writing the script

20.

Which of the following skills is essential for a Costume Designer?

a)

Knowledge of lighting techniques

b)

Expertise in fashion history

c)

Proficiency in sound editing

d)

Ability to choreograph dances

21.

What additional roles might a Costume Designer take on?

a)

Lighting Technician

b)

Sound Engineer

c)

Makeup Artist or Wig Specialist

d)

Scriptwriter

22.

What is the primary role of a Set/Scenic Designer?

a)

Designs costumes for actors

b)

Directs the stage production

c)

Designs the scenery or artificial environment for a stage production

d)

Manages the lighting for the stage

23.

What is one of the main responsibilities of a Props Master?

a)

Directing the actors

b)

Designing costumes

c)

Researching and fabricating props

d)

Writing the script

24.

What might a Props Master sometimes maintain?

a)

A costume wardrobe

b)

A props facility

c)

A lighting rig

d)

A sound system

25.

What is one of the main responsibilities of a Lighting Designer?

a)

Designing costumes for a show

b)

Creating the lighting concept and equipment requirements for a show

c)

Writing the script for a production

d)

Directing the actors on stage

26.

How does a Lighting Designer, who usually comes in late in the rehearsal process, contribute to a production?

a)

By composing the music for the show

b)

By create lighting that communicates the feeling of a production

c)

By managing the budget for the production

d)

By designing the set for the show

27.

What is one of the main responsibilities of a Sound Designer?

a)

Designing costumes for a production

b)

Designing the audio experience for a production

c)

Designing the lighting for a production

d)

Designing the set for a production

28.

Which of the following tasks is included in the role of a Sound Designer?

a)

Sound playback, sound effects, music, and amplification

b)

Script writing and editing

c)

Choreography and dance routines

d)

Marketing and promotions

29.

What is the primary role of a Choreographer?

a)

Designs costumes for performances

b)

Creates, teaches, and directs dance and complex movement

c)

Manages the financial aspects of a dance company

d)

Writes scripts for theatrical productions

30.

How might a Director and a Set/Scenic Designer collaborate on a production?

a)

The Director might ask the Set Designer to add a window for actors to look out during scenes.

b)

The Set Designer might write the script for the Director.

c)

The Set Designer might tell the Director about their lighting ideas.

d)

The Set Designer might direct the actors' performances.

31.

An Actor and Costume Designer might interact by:

a)

Scheduling a costume fitting

b)

Having the designer tell the actor where to move on stage

c)

Having the actor shop for costume materials and give it to the designer

d)

Scheduling a fight call

32.

Stage directions are always given from whose point of view?

a)

the Director's

b)

the Audience's

c)

the Actor's

d)

the Production Manager's

33.

We use UPSTAGE and DOWNSTAGE in theatre because stages used to be:

a)

raked

b)

on 2 different platforms

c)

on a sliding platform

d)

flat

34.

____________ is when an actor turns their body slightly towards the audience so that they can be seen and heard.

a)

Blocking

b)

Cheating out

c)

Projecting

d)

Directing

35.

_____________ is the pattern of movement an actor makes on stage and the reasons for those movements.

a)

Physicality

b)

Stage directions

c)

Cheating out

d)

Blocking

36.

In a PROSCENIUM stage, when you move towards the audience, you are moving ________

a)

into the wings

b)

downstage

c)

upstage

d)

away from the apron

37.

In a PROSCENIUM stage, when you move away from the audience, you are moving _________

a)

upstage

b)

towards the apron

c)

towards the wings

d)

downstage

38.

What type of stage has the audience on 3 sides?

a)

site specific

b)

thrust

c)

theatre-in-the-round

d)

proscenium

39.

What type of stage can create an "immersive experience" for an audience?

a)

proscenium

b)

site specific

c)

thrust

d)

black box

40.

What is the most common type of stage used in Broadway productions?

a)

thrust

b)

black box

c)

proscenium

d)

outdoor

41.

A stage that allows for flexible seating arrangements is ___________

a)

black box

b)

proscenium

c)

theatre-in-the-round

d)

thrust

42.

A challenge with THEATRE-IN-THE-ROUND is___________

a)

audience seeing an actor's back

b)

costuming restrictions

c)

lighting restrictions

d)

sound limitations

43.

A potential advantage with OUTDOOR theatre is _______

a)

weather

b)

having a backstage area

c)

the natural environment

d)

being able to hear the actors well

44.

An advantage with a THRUST stage is:

a)

seating flexibility

b)

audience proximity to the action

c)

lighting design

d)

set design flexibility

45.

A TRAVERSE stage has the audience seated on ____ sides

a)

1

b)

2

c)

3

d)

4

46.

A disadvantage of OUTDOOR stages is:

a)

seating capacity

b)

weather

c)

you cannot have detailed costumes

d)

seeing an actor's back

47.

Stage areas/directions need to be reworked for what type of stage?

a)

thrust

b)

theatre-in-the-round

c)

proscenium

d)

black box with audience on one side

48.

______________ are like a language used by theatre professionals to communicate about areas of the stage.

a)

Stage directions

b)

Blocking

c)

Cheating out

d)

Cues

49.

An advantage of a THRUST stage could be:

a)

audience is far away from the stage

b)

dynamic staging options

c)

set design flexibility

d)

actors can hide mistakes easily

50.

"Proscenium" means

a)

audience on 2 sides

b)

picture frame

c)

arch

d)

runway

51.

An advantage of site-specific theatre could be:

a)

available tech equipment at the site

b)

creating an immersive experience for the audience

c)

room sound quality

d)

room lighting

52.

A disadvantage of site-specific theatre could be:

a)

requiring certain permissions to perform in the space

b)

poor room acoustics

c)

not having tech equipment at the site

d)

all of the above