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Neo-classicism

Total questions: 15

Worksheet time: 10mins

Name
Class
Date
1.

About Neo-Classicism is TRUE that

a)

Arose partly as a reaction against the sensuous and frivolously decorative Rococo style

b)

Because of the Age of Enlightenment, people wanted their artwork and architecture to mirror, and carry the same set of standards, as the idealised works of the Greeks and Romans.

c)

In painting it generally took the form of an emphasis on austere linear design in the depiction of Classical themes and subject matter, using archaeologically correct settings and clothing

d)

Is characterised by lightness, elegance, and an exuberant use of curving natural forms in ornamentation.

2.

The Neoclassicists differed strikingly from their academic predecessors in their admiration of Gothic and Quattrocento art in general, and they contributed notably to the positive reevaluation of such art.

a)

True

b)

False

3.

Neo-classicism in painting was initially not so distinct from Rococo and other styles that had preceded it. Partly because, whereas it was possible for architecture and sculpture to be modelled on prototypes that had survived from Classical antiquity, those few Classical paintings that had survived were minor or merely ornamental works.

The archeological findings in which Roman city were important to change the game for Neo-Classicist paintings?

a)

Pompeii

b)

Rome

c)

Milan

d)

Venice

4.

Select which of the following are Neo-Classical paintings.

a)

Oath of the Horatii, Jacques-Louis David

b)

The Death of Marat, Jacques-Louis David

c)

Achilles Receiving the Ambassadors of Agamemnon, Jean-Auguste-Dominique Ingres

d)

Jupiter, in the Guise of Diana, and Callisto by Francois Boucher

5.

About Jacques-Louis David's style of Neo-Classical painting is TRUE that

a)

This and other painters adopted stirring moral subject matter from Roman history

b)

Celebrated the values of simplicity, austerity, heroism, and stoic virtue that were traditionally associated with the Roman Republic

c)

Drew parallels between that time and the contemporary struggle for liberty in France

d)

Painted sensuous Romantic female nudes while also turning out precisely linear and rather lifeless historical paintings

6.

What are the main difference between Jean-Auguste-Dominique Ingres' style of Neo-Classical painting?

a)

This and other painters adopted stirring moral subject matter from Roman history

b)

Celebrated the values of simplicity, austerity, heroism, and stoic virtue that were traditionally associated with the Roman Republic

c)

Drew parallels between that time and the contemporary struggle for liberty in France

d)

Painted sensuous Romantic female nudes while also turning out precisely linear and rather lifeless historical paintings

7.

Select examples of Neo-Classical sculptures

a)

Psyche Revived by Cupid's Kiss, Antonio Canova

c)

Triumph of Alexander the Great, Thorvaldsen

d)

Mercury, Jean-Baptiste Pigalle

8.

About Neo-Classical sculptors, which statements are CORRECT?

a)

Jean-Antoine Houdon, renowned for his portrait busts

b)

Antonio Canova was considered to be the leading exponent of Neoclassicism as his works were compared in their beauty and grace to those of the ancient Greek sculptor Praxiteles

c)

Thorvaldsen’s most characteristic sculptures are reinterpretations of the figures or themes of classical antiquity

d)

Jean-Baptiste Pigalle's Mercury was acclaimed by Voltaire as comparable to the best Greek sculpture

9.

Select the CORRECT statements about Neo-Classical architecture.

a)

Drew inspiration from the designs of Classical Roman public buildings, notable residences, and urban planning

b)

Represented a general reaction to the excesses of the Rococo style

c)

These buildings are known for a grandeur of scale, but having the simplicity of geometric forms

d)

The style is marked by the usage of Greek, especially Doric, and Roman details

e)

Dramatic use of columns, and a preference for blank walls are also characteristics of Neo-Classical buildings

10.

Select examples of Neo-Classical buildings.

a)

Arc de triomphe du Carrousel, Charles Percier and Pierre Fontaine

b)

The Grange, Northington; William Wilkins

d)

The British Museum, Robert Smirke

11.

Select the options the contain items related to the French Empire style, part of Neo-Classical Art.

a)

The Empire style was encouraged by Napoleon’s desire for a style inspired by the grandeur of ancient Egypt and imperial Rome

b)

Arc de Triomphe, Jean-François-Thérèse Chalgrin

c)

"turned to the florid opulence of Imperial Rome. The abstemious severity of Doric was replaced by Corinthian richness and splendour"

d)

Napoleon Crossing the Alps, Jacques-Louis David

12.

Which of the following artists was active during the Neo-Classical period, but artworks don't carry any resemblance with the mentioned style?

a)

Francisco Goya

b)

Caravaggio

c)

Jean-Auguste-Dominique Ingres

d)

Jacques-Louis David

13.

Francisco Goya's art

a)

responded directly to the tumultuous events of his day, from the liberations of the Enlightenment, to the suppressions of the Inquisition, to the horrors of war following the Napoleonic invasion

b)

explored bizarre and dreamlike subjects in the Caprichos series, which laid the foundation for Surrealists like Salvador Dalí

c)

embodies Romanticism's emphasis on subjectivity, imagination, and emotion

d)

can't be categorised as Neo-Classical, thus can only be Romantic

14.

Which of the following are paintings done by Francisco Goya?

a)

Saturn Devouring His Son

b)

Witches' Sabbath

c)

The Third of May 1808

d)

Carlos IV of Spain and His Family

15.

Goya's formal portraits of the Spanish Court are painted in a lavish virtuoso style, and highlight the wealth and power of the royal household. On the other hand, the works have been seen to contain veiled, even sly, criticisms of the ineffectual rulers and their circle.

a)

True

b)

False