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Thea 120 Module

Total questions: 20

Worksheet time: 25mins

Name
Class
Date
1.

theatre that directly involves the audience in the performance in some manner (no separate auditorium; no passive bystanders)

a)

immersive theatre

b)

environmental performance

c)

site-specific performance

2.

A form of site specific performance that moves the audience from one place to another 

a)

durational performance

b)

installation

c)

promenade piece

d)

devised performance

3.

Janet Cardiff refers to Her Long Black Hair as a _____________. 

a)

walking tour

b)

audio tour

c)

audio play

d)

sound walk

4.

_____________ are curated interactive pieces that rely on the audience to make choices.  Similarly, _______________ are experiences where the audience can interact in the space any way they want to, and how they can influence the action can be limitless. 

a)

guided experiences; interactive worlds

b)

game theatre; interactive worlds

c)

interactive worlds; guided experiences

d)

guided experiences; exploration theatre

5.

True or False: Her Long Black Hair involved photographs that were specifically created for the production. 

a)

True

b)

False

6.

True or False: Illusion and spectacle are only somewhat important to the immersive theatre form. 

a)

True

b)

False

7.

True or False: Some forms of site-specific performance can also be environmental or immersive. 

a)

True

b)

False

8.

__________: narrative performances that take place in a location not usually intended for theatrical performance and are about or informed by the location

a)

environmental performance

b)

immersive theatre

c)

site-specific performance

9.

A production in which the setting actually or implicitly surrounds the spectators, thereby incorporating them into the same physical space as the performers

a)

environmental performance

b)

site-specific performance

c)

installations

d)

durational performance

10.

Her Long Black Hair is which of the following?

a)

A traditional theatre event

b)

A virtual reality experience

c)

Meant to be experienced live

d)

Envionmental, immersive, and site specific

11.

True or False: In VR storytelling, it is not that important that sound surrounds the participant as much as the visual environment does. 

a)

True

b)

False

12.

any delay in the movement of the VR environment as a user moves their head or eyes

a)

vertigo

b)

simulator sickness

c)

latency

d)

kinesthetic dissonance

13.

the level of realism a user experiences in virtual space

a)

agency

b)

presence

c)

immediacy

14.

Which of the following is NOT true of the 19th-century stereoscope?

a)

It is a predecessor to today's Head Mounted Devices for VR

b)

It featured sound as well as images

c)

It held a stereocard and worked by creating the illusion of depth from two flat pictures on the card

15.

True or False: The imaginary 4th wall is an essential component of VR storytelling. 

a)

True

b)

False

16.

What does "verisimilitude," or "being true to life," mean for virtual reality?

a)

The inner lives of the characters are made external.

b)

The stories are about recognizable people and events.

c)

The feeling that you are really there in the virtual environment.

17.

True or False: A panorama painting is an early influence on contemporary virtual reality because it gave the viewer the experience of being physically present in the scene depicted.

a)

True

b)

False

18.

True or False: Although virtual reality technology has been around for a long time, how to tell stories with virtual reality is a relatively new topic. 

a)

True

b)

False

19.

an entire field of computer technology in which environments, individuals, and experiences are replicated and presented for user interaction

a)

mixed reality

b)

virtual reality

c)

augmented reality

20.

Which of the following is unique to VR storytelling, compared to traditional mediums?

a)

Flawless technology is critically essential to its production

b)

The need for stories to be engaging for audiences

c)

The centrality of character to the story

d)

The use of traditional formulas and story structures