Ever since the silent era, commentators have remarked on how “fast” American films are and how “____” European films.

• Typically, many _______films (films that display an oppressed society) explore different styles of filmmaking and test our constant need for uniformity.

According to screenwriting guru, Syd Field, “_____ is character.”

Realists often borrow their structures from the cycles of ______.

• In the 1960s, a movement called “cinema ______” or “direct cinema” which meant the common man could be a filmmaker.

A _____film is a specific type of a movie: a war picture, a gangster film, science fiction, etc.

A _________ film is naive, though powerful in its emotional impact

A ___________ film is generally more symbolic, ambiguous, and stylistically complex.

Great filmmakers understand how __________, especially ideas proposed by Sigmund Freud and Carl Jung, help make a more emotionally effective film.