The shape and structure of something as distinguished from its substance or material.

The varying degrees of light and shade.

The visual and tactile quality of a surface, apart from its color and form.

It is commonly used in advertising and industrial design and is excellent for rich marker renderings.

It visually enhances drawings, making them more easily understood and allowing for greater visual communication in design presentations.

Stress or prominence given to an element of a composition by means of contrast, anomaly, or counterpoint.

Which of the following terms describes whether the light appears warm, neutral, or cool?

It is used in standard office copying machines, is highly absorbent and can be used for rendering. It can be very messy because it soaks up marker dye, but when used with care it can create rich marker renderings.

They are the markers that last longer and considered to have better color rendition. Disadvantage: it produces fumes that can cause health problems.

It is the most important aspect in rendering.

Lightening a hue’s normal value by adding white creates a tint of that hue.

What are the primary colors of light?

Application of this medium requires the used of brushes, high quality papers, and mounting boards. It can be difficult to manipulate and extremely time consuming.

The method allows for the introduction of color yet only hints at actual materials.

It is another key aspect of color rendering which based on the idea that light and color bounce around the environment.

Who is the well-known New York decorator who was particularly fond of reds? She decorated her own apartment with more than a dozen different shades of red from vermilion to pale pink.

Which of the following terms describes the quality of the light on a scale of 0 (horrible) to 100 (perfect), it also has the ability to reveal an objects’ true color?

Orange, green, and violet.

Blue-green and red-orange

A phenomenon of light and visual perception that may be described in terms of an individual's perception of hue, saturation, and lightness for objects, and hue, saturation, and brightness for light sources

Designating a color having high lightness and low saturation

The decorative design or ornamentation of a surface that is almost always based on the repetition of a design motif.

Designating a color having low lightness and low saturation and reflecting only a small fraction of incident light.

One of the three dimensions of color, the property of light by which the color of an object is classified as being red, yellow, green, or blue, or an intermediate between any contiguous pair of these colors.

The degree by which a color differs from a gray of the same lightness or brightness, corresponding to saturation of the perceived color.

Color seen as warm, even hot, exciting, and stimulating

The exact correspondence in size, form, and arrangement of parts on opposite sides of a dividing line or plane, or about a center or axis.

Share the qualities of reds to a slightly reduced extent.

Mildest of the warm colors, are usually associated with cheerfulness, even humor.

Cool color closest to warm. They have become a favorite for balanced color schemes seeking to be calm and restful, peaceful and constructive.

Red, Red-Orange, Orange

Coolest of the cool colors, suggesting rest and repose, calm and dignity.

Reputation as problematic and unsafe colors suggesting subtlety and sensitivity

Abstract thought or speculation resulting in a system of assumptions or principles used in analyzing, explaining, or predicting phenomena and proposed or followed as the basis of action.

Red-Violet, Yellow Green

Suggests clarity, openness , and brightness

Considered as powerful accent color, depressing if used to excess.

A warm color that appears to move toward an observer, giving an illusion of space.

A color produced by mixing cyan, yellow, and magenta pigments, each of which absorbs certain wavelengths.