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Elementary Fine Arts Methods - D695

Total questions: 132

Worksheet time: 1hrs 16mins

Name
Class
Date
1.

State of strain, conflict, or suspense created with a dramatic narrative opposing forces, unresolved conflicts

a)

Space

b)

Tension

c)

Dramatic Focus

d)

Contrast

2.

Physical and conceptual area where a performance takes place

a)

Symbol

b)

Role

c)

Space

d)

Situation

3.

Circumstances, events, or predicaments in which characters find themselves in

a)

Situation

b)

Movement

c)

Mood

d)

Time

4.

Physical actions and gestures performed on stage

a)

Movement

b)

Character

c)

Role

d)

Relationship

5.

Emotional atmosphere or tone created within in work

a)

Mood

b)

Time

c)

Relationship

d)

Movement

6.

Elements or narrative that highlights both meaning and engagement

a)

Mood

b)

Dramatic focus

c)

Character

d)

Role

7.

Essence of a person

a)

Character

b)

Time

c)

Contrast

d)

Space

8.

Chronological or duration of events

a)

Time

b)

Relationship

c)

Contrast

d)

Situation

9.

Person, object, or concept that means something. Carries a deeper understanding

a)

Role

b)

Symbol

c)

Space

d)

Situation

10.

Part or character by an actor

a)

Relationship

b)

Role

c)

Contrast

d)

Language

11.

Connection or interaction between characters

a)

Language

b)

Contrast

c)

Relationship

d)

Role

12.

Characters express thoughts, emotions, and dialogue. Shapes narrative and conveys meaning.

a)

Tension

b)

Situation

c)

Language

d)

Character

13.

State of being different. Creates emphasis, highlight, differences, change emotions,or reactions

a)

Movement

b)

Contrast

c)

Dramatic focus

d)

Role

14.

Which is the elements of drama?

a)

tension, space, situation, movement, mood, dramatic focus, character, time, symbol, role, relationship, language, contrast

b)

color, value, texture, form, space, shape, line

c)

space, time, body, time, energy, action

d)

none of the above

15.

area which movement occurs including, direction, level, and pathway, and focus. Spatial awareness is important for choreo

a)

body

b)

space

c)

time

d)

action

16.

rhythm, tempo, and duration of movements, manipulation of timing, phrasing, and rhythmical patterns with in choreo.

a)

space

b)

time

c)

body

d)

action

17.

movements or sequences made by dancers, wide range including: gestures, steps, jumps, turns, and balances

a)

energy

b)

body

c)

action

d)

space

18.

dancers use their body to express themselves through movement, includes posture, alignment, flexibility, strength, and coordination

a)

body

b)

energy

c)

space

d)

action

19.

Dynamics or qualities of movement. the intensity, speed, and weight, and flow of motion. Dancers can vary emotions or emphasize certain aspects

a)

Space

b)

Energy

c)

Body

d)

Space

20.

Reflects or emits light, hue, value, and intensity. Evokes emotions, conveys messages, and focal points

a)

Value

b)

Color

c)

Line

d)

Shape

21.

Lightness or darkness of a color

a)

Shape

b)

Line

c)

Value

d)

Color

22.

Surface quality or feel of an object

a)

Shape

b)

Space

c)

Texture

d)

Form

23.

3 dimensional shape, giving an object volume and depth

a)

Form

b)

Shape

c)

Line

d)

Space

24.

Area with in around and between objects in a work of art

a)

Space

b)

Line

c)

Texture

d)

Form

25.

2 dimensional enclosed area defined by lines or contrast, color, or texture

a)

Space

b)

Shape

c)

Line

d)

Color

26.

Moving point and often shapes, creates textures, and convey emotions

a)

Space

b)

Value

c)

Line

d)

Shape

27.

-hiphop duo kid n play

-playful and theatrical footwork

-performed at parties

  • -in music videos

  • -1980s and early 1990s

a)

the twist

b)

kid n play

c)

juba dance

d)

shae shae

28.
  • -african american community

  • -charleston south carolina

  • -20th century

  • -popular during Roaring twenties

  • -jazz age and flopper culture

a)

milly rock

b)

the charleston

c)

cabbage patch

d)

the bop

29.

-1980s hiphop scene

-cabbage patch dolls signature moves

-mimic dolls stiff and jerky moves

a)

cabbage patch

b)

shae shae

c)

the bop

d)

the twist

30.
  • -popular early 2010's

  • -viral on social media

  • -vine and tiktok

  • -young people: fun and playful dance

a)

milly rock

b)

whip/nae nae

c)

running man

d)

juba dance

31.

-late 1980s hiphop culture

-back and forth sliding movement

-popularity and different variations over the years

a)

the bop

b)

the twist

c)

running man

d)

kid n play

32.

-chicago african americans

-1970s

-street dance

-smooth footwork

a)

shae shae

b)

juba dance

c)

running man

d)

the bop

33.

-1960s

-chubby checkers song

-twisting movements

-hip and arms standing in place

-youth culture and rebellion

-during rock 'n' roll era

a)

whip/naenae

b)

the twist

c)

the bop

d)

cabbage patch

34.

-brooklyns rap 2010s

-rhythmic arm and leg

-movement with bouncing motion

hiphop music

a)

whip/naenae

b)

milly rock

c)

running man

d)

shae shae

35.

-jamaican dance

-fluid, swaying movement of hips and arms

-vibrant dance culture

a)

juba dance

b)

running man

c)

shae shae

d)

the bop

36.

-african american dance during the era of slavery

-rhythmic body percussion

-call and response singing

a)

shae shae

b)

juba dance

c)

the bop

d)

the charleston

37.

red, orange, yellow

a)

warm colors

b)

cool colors

c)

primary colors

d)

secondary colors

38.

green, blue, violet

a)

warm colors

b)

cool colors

c)

primary colors

d)

secondary colors

39.

red, blue, yellow

a)

warm colors

b)

cool colors

c)

primary colors

d)

secondary colors

40.

purple, green, orange

a)

warm colors

b)

cool colors

c)

primary colors

d)

secondary colors

41.

Tertiary Colors

a)

red-orange

-yellow-green

-blue-violet

b)

red, orange, yellow

c)

green, blue, violet

d)

red, blue, yellow

42.

Which one?

a)

1D

b)

2D

c)

3D

43.

Which one?

a)

1D

b)

2D

c)

3D

44.

Which one?

a)

1D

b)

2D

c)

3D

45.

single dimension and a single line or axis

a)

1D

b)

2D

c)

3D

46.

length and width but lacks depth, its created on flat surfaces viewed from a single perspective

a)

1D

b)

2D

c)

3D

47.

depth in addition to height and width, occupies physical space, can see from multiple angles

a)

1D

b)

2D

c)

3D

48.

process of leading and guiding a musical performance

a)

directing music

b)

music directing

c)

performing music

d)

reading music

49.

orchestrating the ensembles, tempo, dynamics, and expressions. provide clear cues and guidance

a)

musical performance

b)

performing music

c)

directing music

d)

reading music

50.

acting of presenting a piece of music to an audience

a)

reading music

b)

musical performance

c)

music directing

d)

performing music

51.

interpreting the symbols and notations written on a musical score

a)

music directing

b)

directing music

c)

reading music

d)

performing music

52.

requires students to apply their knowledge of reading and directing, playying instruments and singing needs emotions and meaning

a)

directing music

b)

musical performance

c)

reading music

d)

performing music

53.

-creating and arranging movements

-benefits creativity

a)

ballroom

b)

ballet

c)

choreo

d)

salsa

54.

-hard training, precise, and flowy movements

-extreme technique

-pointe work, turnout, and extensions

a)

jazz

b)

ballet

c)

belly dance

d)

folk dance

55.

-energetic + rhythmic movements

-isolation, syncopation, and improvisation

a)

ballet

b)

waltz

c)

tap

d)

jazz

56.

-middle Eastern dance

-emphasis complex movements of the torso

-fluid and sensuality

a)

folk dance

b)

belly dance

c)

tango

d)

street dance

57.

-culture or region

-passed down through generations

-performed at social events, festivals, and ceremonies

a)

tango

b)

tap

c)

folk dance

d)

waltz

58.

-happens outside the street

-block parties, parks, and schools, and nightclubs

-improve

a)

salsa

b)

waltz

c)

street dance

d)

tango

59.

-partner dance

-both performed socially and competively

-known for elegance, grace, and precise movements

a)

tap

b)

tango

c)

salsa

d)

ballroom

60.

-social dance, originated in the carribean

-lively and energetic dance style

-vibrant rhythms footwork and interactions

a)

waltz

b)

salsa

c)

belly dance

d)

street dance

61.

-ballroom and folk dance

-graceful, flowing movements, and a 3 beat rhythm

a)

tap

b)

tango

c)

waltz

d)

ballroom

62.

-sounds of tap shoes

-striking the floor as a form of percussion

a)

waltz

b)

street dance

c)

tap

d)

jazz

63.

-partner dance in the 19th century along with Rio de la Plata

-passionate, dramatic, and sensual movements

a)

tango

b)

tap

c)

waltz

d)

ballroom

64.

-narrowing down multiple possibilities to find a single correct answer or solution

-linear process

-single answer or solution

EX: Counting # of fish in aquarium only have one answer

a)

Convergent Thinking

b)

Divergent Thinking

65.

-wide range of possible solutions or ideas in response to an open-ended problem or question

-variety approaches and possibillities

-many answers to a questions

a)

Divergent Thinking

b)

Convergent Thinking

66.

intro to music

a)

7-9 yrs

b)

3-6 yrs

c)

10-11 yrs

d)

Infancy-2 yrs

67.

building foundations

a)

Infancy-2 years

b)

7-9 years

c)

3-6 years

d)

10-11 years

68.

Expanding horizons

a)

10-11 years

b)

3-6 years

c)

Infancy- 2 years

d)

7- 9 years

69.

Specialization and exploration

a)

3-6 years

b)

7-9 years

c)

Infancy-2 years

d)

10-11 years

70.

consistent pattern of movement or sound, components like beat, meter, and tempo

a)
rhythm
b)

form

c)
harmony
d)
melody
71.

structure of a musical composition

a)

harmony

b)

form

c)

rhythm

d)

melody

72.

chords by stacking notes together, adding depth and richness to the music

a)

rhythm

b)

form

c)

harmony

d)

melody

73.

sequence of notes, single entity, tune or theme

a)

rhythm

b)

form

c)

harmony

d)

melody

74.

conceptualize, generate, develop, organize, artistic ideas; refines through persistence, reflection, and evaluation

a)

perform/present/produce

b)

connect

c)

respond

d)

create

75.

-analyze, interpret, select artistic work to showcase

-develop techniques

-concepts to refine work

-express meaning through presentation

a)

respond

b)

connect

c)

create

d)

perform/present/produce

76.

-perceive, analyze, interpret, articulate, evaluate work, and process

a)

create

b)

connect

c)

perform/produce/present

d)

respond

77.

synthesize, relate knowledge with personal meaning relating to societal, cultural, and historical contexts to deepen understanding

a)

create

b)

perform/present/produce

c)

respond

d)

connect

78.

4 strands of fine arts

(a)  

79.

standing on the stage facing the audience, your right is stage right and your left is stage left

(a)  

80.

use of clear and distinct pronunciation of vowels and consonants for audience clarity and understanding

(a)  

81.

technique allows actors to speak clearly and powerfully so audience can hear them

(a)  

82.

study of how space and distance between actors on stage influence the meaning and emotional impact of a performace

(a)  

83.

use of tone, pitch, rate to show emotion and create a believable and authentic character

(a)  

84.

-dramatic technique

-actors hold still to pose a scene or picture

-emphasize key moments to visually represent a narrative

(a)  

85.

theatrical performance in which actors use exaggerated physical gestures and expressions without spoken dialogue to convey a story or message

(a)  

86.

-African American community in the late 19th century

-Melancholic lyrics about hardship and loss

a)

soul

b)

blues

c)

disco

d)

classical

87.

-emotive vocals

-gospel influenced harmonies and rhythmic groove

-sings themes about love, heartbreak, and resilience

a)

country

b)

r&b

c)

soul

d)

indie

88.

-diverse range

-alternative rock, indie pop, folk, electronic

-artistic freedom, DIY ethos, and non conformity

a)

jass

b)

disco

c)

indie (independent)

d)

rock and roll

89.

-late 1940s and early 1950s

-strong rhythm and electric guitars and vocals

-youth rebellion and social change

a)

jazz

b)

disco

c)

soul

d)

rock and roll

90.

-1940s soulful vocals, gospel inspired harmony

-rhythmic groove

-soul and funk influential, rock and roll, hiphop, and pop music

a)

R&B

b)

classical

c)

blues

d)

soul

91.

-rural south u.s. in the early 20th century

-storytelling lyrics

-twangy guitars, fiddles, steel guitars

a)

indie

b)

hiphop

c)

country

d)

jazz

92.

-western art music from the 9th century and storytelling lyrics

-orchestras, chamber ensembles, solo instruments, and vocal music

-complexity, structure, adherence, sonata, symphony, concerto

a)

disco

b)

blues

c)

soul

d)

classical

93.

-Bronx NYC 1970s

-Rhythmic break dance, graffiti, and art

-Address social and political issues

a)

disco

b)

hiphop

c)

jazz

d)

country

94.

-mid 1970s and pulsating beat

-bass, lines, and orchestration

-strings and horns

a)

classical

b)

disco

c)

indie

d)

rock and roll

95.

-19th and 20th century

-blend of African and European musical tradition

-range of styles: swing, bebop, fusion, and free jazz

a)

classical

b)

jazz

c)

disco

d)

country

96.

-main theme

-subtheme

-morals

-symbolism

(a)  

97.

-struggle

-tension

-situation

-internal conflict

-external conflict

-conflict resolution

(a)  

98.

-pace and tempo

-pacing

-timing

-repetition

-space

-movement

(a)  

99.

-dialogue

-monologue

-diction

(a)  

100.

-relationship

-role

-protagonist/antagonist

-supporting characters

-character development

(a)  

101.

-location

-time period

-social context

-atmosphere

(a)  

102.

-exposition

-rising action

-climax

-falling action

-resolution

-contrast

-mood

(a)  

103.

principles of drama

a)

theme, conflict, rhythm, language, character, setting, plot structure

b)

pattern, balance, contrast, unity, emphasis, proportion, movement

104.

-flowing

-motif

-repetition

-regular vs irregular

a)

balance

b)

pattern

c)

contrast

d)

propotion

105.

-symmentrical

-asymentrical

-radical

-visual weight

-positioning

a)

movement

b)

contrast

c)

balance

d)

unity

106.

-color

-value

-texture

-scale

-shape

a)

unity

b)

emphasis

c)

proportion

d)

contrast

107.

-consistency

-repetition

-alignment

-harmony

a)

pattern

b)

balance

c)

unity

d)

movement

108.

-isolation

-placement

-color

-size

hierarchy

a)

propotion

b)

emphasis

c)

contrast

d)

pattern

109.

-scale

-relative

-ratio

a)

proportion

b)

movement

c)

contrast

d)

balance

110.

-lines

-shapes

-positioning

-rhythm

-direction

a)

unity

b)

emphasis

c)

propotion

d)

movement

111.

ROTE method of teaching a song

a)

teaching strategy that allows students to learn songs by ear, without reading music and lyrics

b)

teaching strategy that allows students to learn songs by ear, without reading music and lyrics

c)

teaching strategy that allows students to learn songs by ear, without reading music and lyrics

d)

teaching strategy that allows students to learn songs by ear, without reading music and lyrics

112.

-teachers should learn song

-model singing it for the students

a)

#2 Motivate

b)

#3 Model

c)

#1 Prepare & Practice

d)

#5 Repetition

113.

-with energy sing or play whole song

-students get familiar with song

a)

#6 Reflect & Revise

b)

#4 Echo Sing

c)

#3 Model

d)

#2 Motivate

114.

-sing one line to students to students and have them sing it back

-sing first 2 lines

-repeat this for the rest of the song

a)

#2 Motivate

b)

#3 Model

c)

#Repetition

d)

#4 Echo sing

115.

-provide feedback

-ask students for ideas about how to improve their performance

a)

#6 Reflect & Revise

b)

#2 Motivate

c)

#5 Repetition

d)

#3 Model

116.

-spark interest in song

-provide some background or description of the song

a)

#5 Repetition

b)

#1 Prepare and practice

c)

#2 Motivate

d)

#4 Echo sing

117.

-allow students to sing the song several of times

a)

#5 Repetition

b)

#6 Reflect & Revise

c)

#2 Motivate

d)

#3 Model

118.

ability to produce something new unique and original

(a)  

119.

way ideas, art, or projects are developed

(a)  

120.

what is the correct order or the creative process?

a)

reflect, revise, develop, create, prepare

b)

prepare, create, develop, reflect, revise

c)

prepare, develop, create, revise, reflect

d)

prepare, reflect, develop, revise, create

121.

creative process:

-set purpose, gather information, gather materials, brainstorm ideas

(a)  

122.

creative process:

-analyze the experience and insights into thought process

-areas that could be adjusted in future

supports continual growth

a)

revise

b)

reflect

c)

prepare

d)

create

123.

creative process:

-revisit and evaluate the work

-edit, reorganize, refine, and elaborate

a)

#2 develop

b)

#4 revise

c)

#3 create

d)

#1 prepare

124.

creative process:

-explore, experiment, plan, and draft your work

a)

#3 create

b)

#2 develop

c)

#4 revise

d)

#5 reflect

125.

creative process:

-implement your plans and create a work that reflects your research, and ideas into a product

a)

#1 prepare

b)

#2 develop

c)

#3 create

d)

#4 revise

126.

what are the benefits of the creative process?

a)

idea, generation, and problem identification

b)

searching and encoding info

c)

cooperation and knowledge sharing

d)

reflective thinking

e)

knowledge acquistion

127.

phrase referring to the belief that the process that leads to orginality

-exploration and experimentation with materials is more important than the end result

(a)  

128.

-plan

-sketch or storyboard

-develop a schedule

-visualize

-learn about the audience

-discuss and listen

a)

prepare

b)

develop

c)

revise

d)

reflect

129.

-critique

-listen to advice

-ask the audience

-justify choices

a)

reflect

b)

revise

c)

create

d)

develop

130.

creative process:

-gain insight

-reflect the process

-identify areas for growth

-celebrate areas of success

a)

develop

b)

prepare

c)

reflect

d)

revise

131.

creative process:

-research

-searches (internet/library)

-identify audience

-understand

-talk to experts

-reference

-discover context

a)

develop

b)

prepare

c)

create

d)

develop

132.

creative process:

-produce

-gather assets

-create content

-problem solve

-refine

-add and remove content

-explore new visions

a)

revise

b)

reflect

c)

create

d)

develop