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Weekly Test 2

Total questions: 108

Worksheet time: 2hrs 48mins

Name
Class
Date
1.
The narrative structure of Coolie is most closely aligned with which literary technique?
a)
Stream of consciousness
b)
Social realism
c)
Magic realism
d)
Postmodern metafiction
2.
Sidney describes poetry as being superior to philosophy and history because:
a)
It is more factual
b)
It teaches moral virtue by example
c)
It uses simpler language
d)
It avoids imaginative elements
3.
Sidney uses the term “golden world” to describe:
a)
The utopian society envisioned by Plato
b)
The idealized reality created by the poet’s imagination
c)
The perfect poetic form of the sonnet
d)
The golden age of Elizabethan drama
4.
According to Sidney, the highest kind of poet is:
a)
The religious poet
b)
The moral poet
c)
The philosophical poet
d)
The poet who creates both delight and instruction
5.
In the Book of Job, which figure’s speeches are not answered directly by God in the final chapters?
a)
Eliphaz
b)
Elihu
c)
Bildad
d)
Zophar
6.
The prologue and epilogue of the Book of Job are written in:
a)
Aramaic prose
b)
Hebrew prose
c)
Greek prose
d)
Syriac prose
7.
Ravi’s migration from his village to the city reflects which post-independence Indian literary theme in handful of rice?
a)
Colonial nostalgia
b)
Urban alienation and rural displacement
c)
Partition trauma
d)
Socialist utopianism
8.
Which female character represents the endurance of traditional values amidst poverty in handful of rice ?
a)
Nalini
b)
Savitri
c)
Parvathi
d)
Kamala
9.
Kamala Markandaya’s A Handful of Rice is often compared with which of her other novels for its treatment of hunger and survival?
a)
Nectar in a Sieve
b)
Possession
c)
Some Inner Fury
d)
Two Virgins
10.
In which year was Every Man in His Humour first performed?
a)
1594
b)
1598
c)
1601
d)
1605
11.
The first recorded performance of Every Man in His Humour was staged by:
a)
Lord Chamberlain’s Men
b)
Admiral’s Men
c)
King’s Men
d)
Earl of Leicester’s Men
12.
The “humours” in the play’s title refers to:
a)
The medieval theory of four bodily fluids determining temperament
b)
The comedic style of exaggerated jesting
c)
The Elizabethan taste for satirical wit
d)
The moral flaws of the characters
13.
Every Man in His Humour is often cited as a prime example of:
a)
Revenge tragedy
b)
Comedy of humours
c)
Pastoral comedy
d)
Morality play
14.
Which Renaissance humanist principle is subtly present in Jonson’s use of “humours”?
a)
The belief in innate sinfulness
b)
The importance of balance and moderation
c)
The rejection of classical learning
d)
The supremacy of fate
15.
The play is based on the technique of:
a)
Street theatre
b)
Play-within-a-play
c)
Expressionist montage
d)
Epic theatre
16.
Leela Benare’s character in silence the court is in session is partly inspired by:
a)
A real-life court case in Maharashtra
b)
A teacher Tendulkar once knew
c)
A character in a Marathi folk play
d)
A colonial-era legal precedent
17.
In the climax, Benare’s silent endurance functions as:
a)
A symbol of defeat
b)
An act of passive resistance
c)
A plea for forgiveness
d)
A legal tactic
18.
Bacon opens Of Truth by referring to which ancient philosopher’s skeptical questioning?
a)
Aristotle
b)
Epicurus
c)
Pilate
d)
Seneca
19.
Bacon describes truth as the “naked and open daylight” and falsehood as:
a)
Candlelight
b)
Moonlight
c)
Twilight
d)
Firelight
20.
In Bacon’s view, truth is valuable not only for its moral worth but also because:
a)
It provides stability to society
b)
It allows for artistic beauty
c)
It promotes theological debate
d)
It proves the fallibility of man
21.
In Of Truth, Bacon identifies the “love of lies” as rooted in:
a)
Political advantage
b)
A natural though corrupt love for imagination
c)
Religious heresy
d)
Literary creativity
22.
Bacon identifies three principal fruits of friendship. The first fruit is:
a)
Assistance in action
b)
Ease and discharge of the fullness of the heart
c)
Advice and counsel
d)
Political alliance
23.
Which classical statesman does Bacon mention as an example of someone relying heavily on the counsel of friends?
a)
Alexander the Great
b)
Augustus Caesar
c)
Julius Caesar
d)
Octavius
24.
Bacon compares prosperity and adversity to:
a)
Silver and gold
b)
Day and night
c)
Virtue of the body and virtue of the soul
d)
Fruits of summer and winter
25.
Bacon compares prosperity and adversity to:
a)
Silver and gold
b)
Day and night
c)
Virtue of the body and virtue of the soul
d)
Fruits of summer and winter
26.
In Of Ambition, Bacon describes ambitious men as:
a)
“Hollow reeds that sound loudly”
b)
“Men of the first magnitude”
c)
“Thorns in the side of princes”
d)
“Dangerous, yet necessary instruments”
27.
Which political figure’s name appears in “An Introduction” as part of the poet’s awareness of the outside world?
a)
Mahatma Gandhi
b)
Nehru
c)
Indira Gandhi
d)
Winston Churchill
28.
Kamala Das’s declaration “I am the sinner, I am the saint” reflects:
a)
Biblical allusion
b)
Feminist self-definition
c)
Romantic idealism
d)
Satirical irony
29.
In An Introduction, The speaker first lists the names of politicians “like days of week” beginning with whom?
a)
Gandhi
b)
Nehru
c)
Patel
d)
Shastri
30.
In An Introduction, “I speak three languages, write in two, dream in one.” In sequence, which capability is explicitly tied to one?
a)
Speaking
b)
Writing
c)
Dreaming
d)
Thinking
31.
In An Introduction, Which clothing image marks her refusal of “womanliness” before the chorus orders “Dress in sarees”?
a)
A kurta and dupatta
b)
A sari with a shawl
c)
A shirt and her brother’s trousers
d)
A frock and pinafore
32.
In An Introduction, The censure “Don’t write in English” comes from which cluster the poet names in a single breath?
a)
Teachers and editors
b)
Critics, friends, visiting cousins
c)
Politicians and priests
d)
Neighbours and relatives
33.
In An Introduction, Which name is urged on her as a “role” alongside “Amy” and “Kamala”?
a)
Nalini
b)
Madhavikutty
c)
Sarojini
d)
Mirabai
34.
In An Introduction, Her metaphor for English—“It is as human as I am human”—is immediately justified by likening speech to which animal sounds?
a)
Jackal howls and owl hoots
b)
Caws of crows and roaring of lions
c)
Bull bellowing and horse neighing
d)
Wolf howls and dog barks
35.
In An Introduction, The love-hunger episode specifies the youth’s age as:
a)
Fourteen
b)
Fifteen
c)
Sixteen
d)
Seventeen
36.
In An Introduction, Which paired self-definitions close the confession just before “I too call myself I”?
a)
“I am free, I am caged”
b)
“I am sinner, I am saint”
c)
“I am mute, I am loud”
d)
“I am veiled, I am bare”
37.
The poem "An Introduction" first geographic self-marker is:
a)
“born in Cochin”
b)
“born in Malabar”
c)
“born in Trivandrum”
d)
“born in Calicut”
38.
In An Introduction, Which prohibition is listed among the “categorizers’” orders after clothes and roles?
a)
Don’t climb trees
b)
Don’t peep through lace-draped windows
c)
Don’t sing in public
d)
Don’t walk barefoot
39.
Approximate composition of "Apology for Poetry" and first publication years are:
a)
1579; 1581
b)
1580–82; 1595
c)
1568; 1590
d)
1586; 1600
40.
Sidney’s famous definition of poesy as a “speaking picture” presents its end as:
a)
To purge passions
b)
To teach and delight
c)
To mirror nature
d)
To praise princes
41.
Which anti-poetry tract by Stephen Gosson helped provoke Sidney’s response?
a)
Histriomastix
b)
The School(e) of Abuse
c)
The Theatre of God’s Judgments
d)
The Tears of the Muses
42.
Sidney’s ranking of the poet among disciplines—“our poet the monarch”—argues chiefly that poets:
a)
Are God’s prophets
b)
Show the way and entice us into it
c)
Obey Aristotle’s unities
d)
Are licensed to lie
43.
The three general kinds Sidney names are usually summarized as:
a)
Sacred, civic, comic
b)
Divine, philosophical, “right” (imaginative)
c)
Stoic, skeptical, Platonic
d)
Rhetorical, mimetic, cathartic
44.
Which list matches Sidney’s sub-kinds of the “right” poet most closely?
a)
Heroic, lyric, tragic, comic, satiric, iambic, elegiac, pastoral
b)
Epic, ode, eclogue, masque, interlude, ballad, pastoral, chronicle
c)
Tragic, epic, elegiac, georgic, dithyramb, hymn, ode, ballade
d)
Pastoral, parable, proverb, allegory, dithyramb, encomium, satire, sonnet
45.
Sidney’s least-liar defense rests on which claim?
a)
Poets speak in riddles
b)
Poets “never affirm” literal truth-claims
c)
Poets modify Scripture
d)
Poets mimic historians
46.
In Apology for Poetry, Complete the rhetorical pairing poetry vs.: “combining the liveliness of history with the ethical focus of ___.”
a)
Rhetoric
b)
Philosophy
c)
Theology
d)
Jurisprudence
47.
Sidney treats verse as:
a)
Essential to poetry
b)
Suspicious ornament
c)
Desirable but not essential
d)
A purely Italian innovation
48.
Sidney’s preferred oration structure imitates:
a)
Ciceronian judicial oration
b)
Quintilian’s panegyric
c)
Senecan epistle
d)
Ramist thesis-antithesis
49.
“What is truth? said jesting Pilate, and would not stay for an answer.” This sentence opens which essay?
a)
Of Truth
b)
Of Studies
c)
Of Adversity
d)
Of Friendship
50.
“Studies serve for delight, for ornament, and for ability” pairs “ornament” with which activity?
a)
Counsel
b)
Discourse
c)
Solitude
d)
Worship
51.
“Reading maketh a full man; conference a ready man; and writing an exact man” culminates in:
a)
Memory
b)
Exactness
c)
Readiness
d)
Learning
52.
“Crafty men condemn studies; simple men admire them; and wise men use them.” What vice does Bacon link to too much time in studies?
a)
Affectation
b)
Sloth
c)
Superstition
d)
Pride
53.
Finish: “For a crowd is not company; and faces are but a gallery of pictures; and talk but a tinkling cymbal, where there is no…”
a)
Truth
b)
Reason
c)
Love
d)
Faith
54.
“Prosperity is the blessing of the Old Testament; adversity is the blessing of the New”—Bacon immediately couples temperance with prosperity and ___ with adversity.
a)
Prudence
b)
Fortitude
c)
Justice
d)
Faith
55.
The essay "Of Truth" contrasts “mixture of a lie” with what sensory metaphor for truth?
a)
A white light that dazzles
b)
A naked daylight that does not show the masks
c)
A burning glass that scorches
d)
A polished mirror that flatters
56.
Which medical image matches Bacon’s counsel that “histories make men wise; poets, witty…; bowling is good for the stone”?
a)
Exercise as antidote to melancholy
b)
Dictons as purgatives
c)
Specific studies “cure” defects of mind
d)
Temperance as regimen
57.
The essay "Of Friendship" cites the adage “Magna civitas, magna solitudo.” Its context is:
a)
Great cities scatter friends
b)
Great states breed pride
c)
Great wealth buys false counsel
d)
Great empires erase memory
58.
The Old Testament/New Testament contrast is reinforced by which biblical pair?
a)
Moses and Aaron
b)
Job’s afflictions vs. Solomon’s felicities
c)
David and Goliath
d)
Elijah and Elisha
59.
Original Marathi title and first staging year of " Silence! The Court is in session"
a)
Shantata! Court Chalu Aahe, 1967
b)
Nishabd Nyayalaya, 1965
c)
Adalat Nirodha!, 1968
d)
Moun! Adalat Chalu Aahe, 1966
60.
Standard English translator credited on OUP edition of " Silence! The Court is in session"
a)
Girish Karnad
b)
Priya Adarkar
c)
Usha Ganguli
d)
Arvind Deshpande
61.
In the mock trial of "Silence! The Court is in session", who plays the judge?
a)
Sukhatme
b)
Mr. Kashikar
c)
Karnik
d)
Samant
62.
Which absent intellectual is implicated in Benare’s pregnancy?
a)
Ponkshe
b)
Prof. Damle
c)
Karnik
d)
Mr. Kashikar
63.
In Silence! The Court is in session The group’s factotum/ward who ferries luggage and errands is:
a)
Balu Rokde
b)
Samant
c)
Ponkshe
d)
Karnik
64.
The charge framed against Benare during rehearsal escalates to IPC 302 (murder/infanticide) in some stagings; which character gleefully legalizes the cruelty?
a)
Samant
b)
Sukhatme
c)
Mrs. Kashikar
d)
Ponkshe
65.
In Silence! The Court is in session The very first stage picture in Act One is an empty:
a)
Courtroom with dock and bench
b)
School hall with two doors
c)
Railway platform
d)
Panchayat verandah
66.
In Silence! The Court is in session Which outsider is co-opted as witness and straight-man for the troupe’s malice?
a)
A local constable
b)
Samant
c)
A court peon
d)
A vendor
67.
In Silence! The Court is in session The play’s structure pastiches which legal genre inside theatre?
a)
Chancery appeal
b)
Judicial review
c)
Mock criminal trial
d)
Habeas corpus hearing
68.
Which recognition came early in its reception history for " Silence! The Court is in session"?
a)
Jnanpith Award
b)
Kamladevi Chattopadhyay Prize for Drama (1970)
c)
Sahitya Akademi Fellowship (lifetime)
d)
Padma Shri (author)
69.
In A Handful of Rice Ravi marries:
a)
Thangam
b)
Nalini
c)
Jayamma
d)
Meera
70.
In A Handful of Rice Apu’s trade when Ravi first attaches himself to the household is:
a)
Rice broker
b)
Tailor
c)
Sari-shop owner only
d)
Moneylender
71.
In A Handful of Rice The old tailor’s wife is:
a)
Thangam
b)
Jayamma
c)
Puttana
d)
Kannan
72.
In A Handful of Rice Which industrial shift threatens Apu’s artisanal work?
a)
Jute mechanization
b)
Synthetic dyes
c)
Textile mills & machine production
d)
Power-loom silk imports
73.
In A Handful of Rice Ravi’s temptations toward the underworld appear via:
a)
Damodar
b)
Ratan
c)
Prabha Dayal
d)
Ganpat
74.
In A Handful of Rice The emblematic final crowd movement toward a godown centers upon:
a)
Lentils
b)
Jaggery
c)
Rice
d)
Cloth
75.
In A Handful of Rice Apu’s daughter other than Nalini is:
a)
Lata
b)
Thangam
c)
Rekha
d)
Valli
76.
In A Handful of Rice Which smith admonishes Ravi at the godown—“The rice is for all…this way is wrong”?
a)
Kannan
b)
Puttana
c)
Ramu
d)
Raghav
77.
In A Handful of Rice City predominantly depicted (1960s, south-Indian urban poverty):
a)
Bangalore
b)
Hyderabad
c)
Madras
d)
Coimbatore
78.
In A Handful of Rice The novel’s core symbol that compresses hunger, dignity, and survival is:
a)
A wedding sari
b)
A tailor’s tape
c)
A handful of rice
d)
A ledger book
79.
Every Man in His Humour First performance and company/site:
a)
1598; Lord Chamberlain’s Men at the Curtain
b)
1601; Admiral’s Men at the Rose
c)
1597; Pembroke’s Men at the Swan
d)
1603; King’s Men at Blackfriars
80.
Every Man in His Humour The 1598 Quarto set the action in Florence, but Jonson’s 1616 Folio reset it to:
a)
Rome
b)
Paris
c)
London
d)
Antwerp
81.
Every Man in His Humour, The Folio’s original cast list includes:
a)
Marlowe
b)
Shakespeare
c)
Jonson
d)
Alleyn
82.
In Every Man in His Humour The braggart “Paul’s man” is:
a)
Brainworm
b)
Captain Bobadill
c)
Master Matthew
d)
Wellbred
83.
In Every Man in His Humour The jealous merchant whose subplot Garrick later amplified is:
a)
Downright
b)
Kitely
c)
Edward Knowell
d)
Cob
84.
In Every Man in His Humour The clever servant who outmaneuvers his betters is:
a)
Brainworm
b)
Thomas Cash
c)
Oliver Cob
d)
Roger Formal
85.
In Every Man in His Humour The water-bearer and his wife are:
a)
Cash & Tib
b)
Cob & Tib
c)
Formal & Bridget
d)
Cob & Mary
86.
In Every Man in His Humour The magisterial arbiter in the concluding scene is:
a)
Justice Clement
b)
Justice Shallow
c)
Justice Hieronimo
d)
Justice Arden
87.
In Every Man in His Humour Jonson’s Folio prologue famously promises “deeds, and language, such as men do use” rather than:
a)
Fancy and masque
b)
Crimes
c)
Chorus and dumb-show
d)
Miracle and marvel
88.
In Every Man in His Humour The Stationers’ Register entries date the play’s publication steps to:
a)
1595, 1596
b)
1600 (August 4 and August 14)
c)
1603 and 1604
d)
1616 and 1617
89.
In Coolie Munoo’s first employer in Shamnagar is:
a)
Babu Nathoo Ram
b)
Prabha Dayal
c)
Jimmie Thomas
d)
Sir Todar Mal
90.
In Coolie The kindly pickle/chutney-factory owner at Daulatpur is:
a)
Ganpat Seth
b)
Prabha Dayal
c)
Ratan
d)
Edward Marjoribanks
91.
In Coolie Prabha’s ruin is hastened by his partner:
a)
Jimmie Thomas
b)
Ganpat
c)
Ram Nath
d)
Dutt Brothers
92.
In Coolie, who exploits new arrivals through “commissions” and rack-rents in Bombay?
a)
Jimmie Thomas
b)
Ratan
c)
Sir Todar Mal
d)
Bonga
93.
The Anglo-Indian lady Munoo serves in Simla is:
a)
Lady Todar Mal
b)
Mrs. Mainwaring
c)
Mrs. Beryls
d)
Mrs. Marjoribanks
94.
Munoo finally dies of:
a)
Cholera
b)
Tuberculosis
c)
Plague
d)
Typhus
95.
The Rai Bahadur who bullies Prabha is:
a)
Todar Mal
b)
Nathoo Ram
c)
Marjoribanks
d)
Dutt
96.
The loyal head worker in Prabha’s factory is:
a)
Tulsi
b)
Hari
c)
Bonga
d)
Maharaj
97.
The union-linked wrestler who briefly protects coolies in Bombay is:
a)
Ratan
b)
Hari
c)
Ganpat
d)
Jumman
98.
Munoo’s age at the start is typically given as:
a)
12
b)
13
c)
14
d)
15
99.
In Book of Job, Opening locale:
a)
Uz
b)
Ur
c)
Edom
d)
Midian
100.
In Book of Job The prose frame (prologue/epilogue) encloses chiefly:
a)
Genealogies
b)
Poetic dialogues and monologues
c)
Historical annals
d)
Apocalyptic visions
101.
Job’s original listed livestock includes “seven thousand sheep, three thousand camels, five hundred yoke of oxen, and five hundred…”
a)
Rams
b)
Goats
c)
She-asses (donkeys)
d)
Dromedaries
102.
In Book of Job,The first three friends are:
a)
Eliphaz, Bildad, Zophar
b)
Elihu, Nahum, Habakkuk
c)
Daniel, Ezra, Nehemiah
d)
Heman, Ethan, Asaph
103.
In Book of Job, The younger speaker who enters in chs. 32–37 is:
a)
Zophar
b)
Elihu
c)
Eliphaz
d)
Bildad
104.
In Book of Job God’s theophany “out of the whirlwind” spans roughly:
a)
Job 12–14
b)
Job 28–31
c)
Job 38–41
d)
Job 42–45
105.
In Book of Job, Two mythical creatures interrogated by God are:
a)
Rahab and Lilith
b)
Leviathan and Behemoth
c)
Beelzebub and Azazel
d)
Tannin and Dagon
106.
After restoration, Job’s daughters are named:
a)
Jemimah, Keziah, Keren-happuch
b)
Tamar, Dinah, Keziah
c)
Kezia, Abihail, Susannah
d)
Keturah, Rizpah, Michal
107.
Job’s post-trial lifespan given in the epilogue is:
a)
70 years
b)
100 years
c)
120 years
d)
140 years
108.
In Book of Job, The heavenly dialogues with “the Satan” occur in:
a)
Job 1–2
b)
Job 3–4
c)
Job 6–7
d)
Job 10–11