In Measure for Measure, the Duke’s disguise assumes a friar’s name; which is correct?

In Measure for Measure, the deputy first empowered to govern in the Duke’s absence is which figure?

In Measure for Measure, the line “We must not make a scarecrow of the law” belongs to whom?

In Measure for Measure, Isabella’s maxim “More than our brother is our chastity” is addressed to which character?

In Measure for Measure, Claudio’s offence that triggers sentence under revived statute is best described as which?

In Measure for Measure, the specific ceremony that Claudio says he and Juliet “lack” is which?

In Measure for Measure, the constable who first hauls Pompey and Froth before the bench is which malaprop-prone character?

In Measure for Measure, the aphorism “Some rise by sin, and some by virtue fall” is uttered by whom?

In Measure for Measure, the counsel “Be absolute for death” is given to Claudio by which speaker?

In Measure for Measure, the meditation beginning “Ay, but to die, and go we know not where” is spoken by which character?

In Measure for Measure, the intended “assay” of Angelo’s rigor is first framed by the Duke using which phrase?

In Measure for Measure, the “bed-trick” is staged at which precise locale repeatedly named in the play?

In Measure for Measure, Mariana’s broken betrothal to Angelo follows loss of her dowry and which kinsman at sea?

In Measure for Measure, the lyric “Take, O take those lips away” is heard in the grange scene; who actually sings it onstage?

In Measure for Measure, the text “Like doth quit like, and measure still for measure” is spoken by which character and in which part of the play?

In Measure for Measure, the “head-trick” that saves Claudio uses the head of which conveniently deceased prisoner?

In Measure for Measure, the Provost notes that the substitute head is convincing for which specific reason?

In Measure for Measure, the recalcitrant prisoner who refuses execution on the ground of being unprepared is which?

In Measure for Measure, Barnardine’s nationality as stated by the Provost is which?

In Measure for Measure, the three men denounced by the harpy-like rebuke “You are three men of sin” — a different play’s device — apply where?

In Measure for Measure, the brothels “in the suburbs” are ordered to be pulled down under whose authority?

In Measure for Measure, Isabella is explicitly associated with which religious order?

In Measure for Measure, Lucio’s libel of the ruler includes nicknaming him which?

In Measure for Measure, the bawd’s name is given as what, along with a detail of her marital tally?

In Measure for Measure, Lucio describes Angelo as “a man whose blood is very snow-broth”; who is he speaking to?

In Measure for Measure, the phrase “But man, proud man, / Drest in a little brief authority” is part of which character’s plea?

In Measure for Measure, the first public accusation against Angelo in the final scene is made by whom and with whose clerical escort?

In Measure for Measure, the officer who supervises executions and receives the Duke’s clandestine instructions is which?

In Measure for Measure, the two execution-room functionaries are named what?

In Measure for Measure, the Duke pretends to depart to which foreign destination as cover for his disguise?

In Measure for Measure, the earliest recorded court performance (by the King’s Men) is traditionally dated to which day and year?

In Measure for Measure, first publication in print occurs in which volume and year?

In Measure for Measure, the friar who acts as the Duke’s public agent in the last act (distinct from his disguise) is whom?

In Measure for Measure, the Duke’s clemency formula to Angelo is ultimately triggered by which double petition?

In Measure for Measure, the punishment laid upon Lucio at the end includes which notorious remedy?

In Measure for Measure, the Duke first reveals to whom that Claudio is actually alive, before the final public revelation?

In Measure for Measure, which comic professional does Pompey become when licensed by the Provost?

In Measure for Measure, Juliet’s name is printed in the Folio in which form most often?

In Measure for Measure, the concluding proposal to Isabella is made by whom, and how does she answer onstage?

In Sonnet 129, the opening line “Th’ expense of spirit in a waste of shame” defines the theme as which?

In Sonnet 129, the cluster “Savage, extreme, rude, cruel, not to trust” exemplifies which device?

In Sonnet 129, the pair “Enjoyed no sooner but despised straight” and “Past reason hunted, and no sooner had / Past reason hated” chiefly exploit which figure?

In Sonnet 129, the phrase “Had, having, and in quest to have” displays what rhythmic/structural pattern?

In Sonnet 129, “A bliss in proof, and proved, a very woe” hinges on which key word’s double status?

In Sonnet 129, the spatial adverbs “before” and “behind” in “Before, a joy proposed; behind, a dream” contrast what?

In Sonnet 129, the line “On purpose laid to make the taker mad” most directly characterizes lust as which?

In Sonnet 129, the sequence of denunciations intensifies toward what final theological polarity?

In Sonnet 129, the word “spirit” in context most plausibly bears which layered meaning?

In Sonnet 129, the repeated “Past reason …” construction functions as what kind of modifier?

In Sonnet 129, “Mad in pursuit and in possession so” balances which two states?

In Sonnet 129, the volta is most naturally heard at which point?

In Sonnet 129, the final couplet “All this the world well knows; yet none knows well / To shun the heaven that leads men to this hell” asserts which paradox?

In Sonnet 129, the meter of the opening “Th’ expense of spirit…” is best scanned as which?

In Sonnet 130, the very first comparison the poet rejects is which?

In Sonnet 130, the phrase “If snow be white, why then her breasts are dun” employs which rhetorical move?

In Sonnet 130, the diction “black wires grow on her head” most directly overturns which conventional compliment?

In Sonnet 130, the line “I have seen roses damasked, red and white” prepares for which negation?

In Sonnet 130, the word “reeks” in “And in some perfumes is there more delight / Than in the breath that from my mistress reeks” should be glossed principally as which?

In Sonnet 130, “music hath a far more pleasing sound” contrasts the mistress’s voice with music; what figure governs this and the previous denials?

In Sonnet 130, the admission “I grant I never saw a goddess go” prepares for which assertion?

In Sonnet 130, the poet’s valuation in the couplet claims what about his love?

In Sonnet 130, the figures “If hairs be wires” and “damasked roses” are primarily references to what literary fashion?

In Sonnet 130, which of the following exact words does not occur in the poem?

In Sonnet 130, the tonal stance is best characterized as which?

In Sonnet 130, which sense is not explicitly invoked among the poet’s comparisons?

In Sonnet 130, the meter overall is which, with typical allowances for initial inversions?

In Sonnet 130, the chief argumentative strategy compared with Sonnet 18 is which of the following?

In Voice — choose the best passive for “People say that the artist is ill.”

In Voice — choose the correct passive for “They made him captain.”

In Voice — choose the correct passive for “Someone has stolen my watch.”

In Voice — choose the correct passive for “They are building a new bridge here.”

In Voice — choose the correct passive for “We must obey the rules.”

In Voice — choose the passive focusing on the indirect object for “They gave me a prize.”

In Voice — choose the correct prepositional passive for “People will laugh at you.”

In Voice — choose the correct passive for “The noise frightened the child.”

In Voice — choose the correct active for the passive “They are said to have finished the work.”

In Voice — choose the correct passive imperative for “Let someone open the door.”

In Voice — choose the correct passive for “They considered him honest.”

In Voice — choose the correct passive for the catenative verb “They saw her cross the road.”

In Voice — choose the correct passive for “Someone has to do it.”

In Voice — choose the correct active for the passive “They are known to be efficient.”

In Voice — choose the correct passive for the prepositional verb “The committee approved of the plan.”

In Articles and Determiners — choose the correct article: “He is ___ honest man.”

In Articles and Determiners — choose the correct articles: “___ Ganges flows into ___ Bay of Bengal.”

In Articles and Determiners — choose the correct article with initial /j/: “She is ___ European.”

In Articles and Determiners — choose the correct article with silent h: “He arrived after ___ hour.”

In Articles and Determiners — choose the correct article with /juː/: “He is ___ university student.”

In Articles and Determiners — choose the quantifier that implies insufficiency: “I had ___ money, so I couldn’t buy it.”

In Articles and Determiners — choose the correct emphasized quantifier: “___ few friends I have are loyal.”

In Articles and Determiners — choose the correct quantifier for negative ability: “He has ___ knowledge of Sanskrit, so he can’t translate this.”

In Articles and Determiners — choose the correct verb agreement: “Either of the answers ___ acceptable.”

In Articles and Determiners — choose the correct verb agreement: “Each of the players ___ a jersey.”

In Articles and Determiners — choose the correct article: “This is ___ unique opportunity.”

In Articles and Determiners — choose the fixed expression: “This is ___ same book that I lost.”

In Articles and Determiners — choose the idiomatic expression of transport: “She goes to school by ___ bus.”

In Articles and Determiners — choose the correct article with a plural country name: “___ United States has fifty states.”

In Articles and Determiners — choose the natural determiner: “___ students have submitted the forms.”

In Sentence patterns — identify the pattern: “The baby slept soundly.”

In Sentence patterns — identify the pattern: “They elected him president.”

In Sentence patterns — identify the pattern: “She gave me a pen.”

In Sentence patterns — identify the pattern: “The sky grew dark.”

In Sentence patterns — identify the pattern: “Ramesh is in the garden.”

In Sentence patterns — identify the pattern: “Honesty is the best policy.”

In Sentence patterns — identify the pattern: “The teacher praised the boy.”

In Sentence patterns — identify the pattern: “We consider him trustworthy.”

In Sentence patterns — identify the pattern: “There are fifty students in the hall.”

In Sentence patterns — identify the pattern: “They made her into a star.”

In Compound words — choose the correct plural form of the compound: “mother-in-law.”

In Compound words — choose the correct plural form of the compound: “runner-up.”

In Compound words — choose the correct attributive form: “a ___ job.”

In Compound words — choose the correct predicative form: “The job is ___.”

In Compound words — choose the correct verb form: “Please ___ the text before printing.”

In Compound words — choose the correct phrasal verb vs noun: “Please ___ to the system.”

In Compound words — choose the correct noun: “I like your ___.”

In Compound words — choose the correct form of the preposition vs compound: “He walked ___ the room.”

In Compound words — choose the correct indefinite pronoun: “___ can answer this riddle.”

In Compound words — choose the correct hyphenation before a noun: “a ___ author.”