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Modern Ans Contemporary Theatre

Total questions: 15

Worksheet time: 8mins

Name
Class
Date
1.

Which intellectual work challenged religious views of human origins in the 19th century?

a)

Freud’s Interpretation of Dreams

b)

Darwin’s Origin of Species

c)

Marx’s Das Kapital

d)

Einstein’s Theory of Relativity

2.

How did the Industrial Revolution influence theatre audiences?

a)

They declined due to factory labor

b)

They became limited to elites

c)

They expanded, as urban working classes sought escapism

d)

They only preferred religious drama

3.

What best defines melodrama?

a)

Experimental, dreamlike distortions

b)

Poetic theatre with symbolic characters

c)

Episodic scope, outsider heroes

d)

Music drama with clear moral contrasts

4.

Vaudeville shows were significant because they:

a)

Rejected all music and dance

b)

Offered variety acts blending song, dance, comedy, acrobatics

c)

Focused only on elite audiences

d)

Were banned in America

5.

Which feature best distinguishes realism in theatre?

a)

Stylized movement and ritual chant

b)

Episodic scenes spanning centuries

c)

Everyday settings and psychologically credible dialogue

d)

Direct address to prevent emotional identification

6.

Naturalism differs from realism primarily because it…

a)

Seeks “slice-of-life” extremity and lower-class focus with minimal contrivance

b)

Uses poetic symbolism to evoke mood

c)

Depends on historical pageantry

d)

Requires audience participation

7.

Which pairing is correct?

a)

Symbolism — photographic sets and everyday speech

b)

Expressionism — distorted perspectives to reveal inner truth

c)

Naturalism — dreamscapes and archetypes

d)

Epic Theatre — hypnotic identification and catharsis

8.

Henrik Ibsen is considered the "founder of modern realistic drama" because he:

a)

Developed the first acting training system

b)

Invented the three-act play structure

c)

Confronted taboo subjects like unhappy marriages and religious hypocrisy

d)

Introduced electric lighting to the theatre

9.

Melodrama often relied on exaggerated plots. What purpose did scenes like this serve?

a)

To explore philosophical ideas of realism

b)

To create suspense and moral polarization between good and evil

c)

To teach audiences about industrial safety regulations

d)

To imitate Greek tragedy’s chorus

10.

Symbolist theatre rejected realism by insisting that drama should evoke:

a)

Political revolution and social change

b)

Historical accuracy and documentary truth

c)

The mystery of being and infinite qualities of the human spirit

d)

Economic inequality and class struggle

11.

Under authoritarian regimes, theatre has often been…

a)

Repurposed for propaganda or suppressed, pushing artists toward coded critique

b)

Free from political pressure

c)

Banned globally without exception

d)

Replaced by sports completely

12.

Performance art (late 20th c.) typically differs from traditional scripted drama by…

a)

Requiring a five-act structure

b)

Favoring live, body-centered actions, mixed media, and blurred boundaries between art and life

c)

Using only classical verse

d)

Avoiding audience interaction at all costs

13.

Why do AIDS activist dramas like Tony Kushner’s Angels in America matter in theatre history?

a)

They avoided social issues to focus on timeless myths

b)

They reinforced traditional religious perspectives

c)

They reflected the cultural and political crises of their time

d)

They marked the end of queer theatre movements

14.

Postmodern theatre distinguishes itself by:

a)

Rejecting all experimentation in favor of realism

b)

Blending collage, intertextuality, and high/popular culture

c)

Maintaining linear storytelling and classical rules

d)

Avoiding global and diverse perspectives

15.

According to Schechner (2013), theatre endures in the digital age because:

a)

It's cheaper to produce than films or television

b)

It requires no technology or special equipment

c)

It appeals primarily to older audiences

d)

It offers live, reciprocal presence between performers and audiences