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Music Section II p. 3 of 3

Total questions: 14

Worksheet time: 7mins

Name
Class
Date
1.

A blues scale may alter which scale degrees?

a)

2 and 7

b)

3 and 6

c)

2 and 6

d)

3 and 7

e)

4 and 7

2.

Whose lively improvisations led to his or her nickname as the “Jazz Wonder Child”?

a)

Joe Oliver

b)

Fletcher Henderson

c)

Lillian Hardin

d)

Louis Armstrong

e)

Bessie Smith

3.

A younger cousin to the country-blues style was an approach known by all of the following nicknames EXCEPT

a)

vaudeville blues

b)

city blues

c)

cast-iron blues

d)

urban blues

e)

classic blues

4.

The New Orleans Creole Jazz Band was led by ___________.

a)

Lillian Hardin

b)

Fletcher Henderson

c)

“Count” Basie

d)

Joe “King” Oliver

e)

“Duke” Ellington

5.

In “Lost Your Head Blues,” the piano and cornet were able to lay out a steady supporting foundation in the key of __________.

a)

A flat

b)

G

c)

B flat

d)

D

e)

E flat

6.

What is “block voicing” as used in early swing writing?

a)

solo improvisation

b)

sections playing the same rhythm and harmonies together

c)

only brass playing

d)

only woodwinds playing

e)

playing without rhythm

7.

What extremely popular Louis Armstrong piece introduced scat-singing to many listeners?

a)

“Skid-Dat-De-Dat”

b)

“When You’re Smiling”

c)

“Heebie Jeebies”

d)

“Potato Head Blues”

e)

“Hotter Than That”

8.

The first known “jazz” recording, , was made by the Original Dixieland Band.

a)

"Tiger Rag"

b)

"At the Jazz Band Ball"

c)

"Arthur’s Tavern"

d)

“Livery Stable Blues”

e)

“Dixieland Jass (Jazz) Band One-step”

9.

All of the following are characteristic of Duke Ellington’s approach to jazz arrangements EXCEPT

a)

his brass players added various mutes to affect their timbre

b)

he asked his clarinet to play in its lowest register

c)

he used sectional or block voicing extensively

d)

he added wordless voice

e)

he was co-founder of “Latin Jazz”

10.

The word “blues” has all of the following meanings EXCEPT

a)

the music of people

b)

a despondent state of mind

c)

a musical form

d)

a string instrument polish

e)

a style of music

11.

The musical, Starlight Express, that spoofed the poetic pattern of blues lyrics was written by

a)

Stephen Sondheim

b)

Jerome Kern

c)

Stephen Schwartz

d)

Irving Berlin

e)

Andrew Lloyd Webber

12.

_______ was a nickname assigned to the lead cornet player in many New Orleans combos.

a)

Bad

b)
Count
c)

King

d)

Duke

e)

Knight

13.

The rock singer ___________________ helped pay for a headstone for Bessie Smith’s grave. It read, “The

greatest blues singer in the world will never stop singing,”

a)

Stevie Nicks

b)

Janis Joplin

c)

Carly Simon

d)

Tina Turner

e)

Etta James

14.

Joe Oliver employs a wah-wah mute in choruses ______________ of “Dippermouth Blues”.

a)

2 and 4

b)

6 and 7

c)

3 and 6

d)

6 and 9

e)

5 and 8