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The Power of the Hero’s Journey

Total questions: 17

Worksheet time: 10mins

Name
Class
Date
1.

What central idea is developed in "the call to action?"

a)

Heroes are usually content to remain in their ordinary lives without change.

b)

A hero’s story often begins when an ordinary life is disrupted by a call to action.

c)

Katniss’s choice to protect her sister shows that heroes are always motivated by family.

d)

A hero’s journey must include volunteering for something dangerous.

2.

What central idea does the passage develop about the “Refusal of the Call” stage in a hero’s journey?

a)

Heroes who refuse the call often find that danger and consequences force them to take action anyway.

b)

Heroes who refuse the call are able to return to their ordinary lives without any harm.

c)

Katniss is the only example of a hero who skips this step in her journey.

d)

Frodo’s refusal to leave the Shire proves that heroes are not meant to face change.

3.

What central idea about the “Supernatural Aid” stage is developed in this passage?

a)

Heroes must defeat their mentors before they can face the true enemy.

b)

A mentor figure provides guidance and power that prepare the hero for challenges ahead.

c)

Supernatural aid always appears in the form of magical creatures like dragons.

d)

Without supernatural aid, heroes never attempt to begin their journeys.

4.

What central idea about the “Crossing of the First Threshold” stage is developed in this passage?

a)

Once the hero crosses the threshold, the new world has familiar rules and little real danger.

b)

The threshold guardian is always an enemy who wants to destroy the hero before the journey begins.

c)

The threshold guardian represents a final test of whether the hero is truly ready to leave the ordinary world.

d)

Crossing the threshold allows the hero to stay safe while still learning important lessons.

5.

What central idea about the “Belly of the Whale” stage is developed in this passage?

a)

The hero is completely safe once they pass the first threshold and no longer faces danger.

b)

The hero must physically be swallowed by a monster for this stage to occur.

c)

This stage happens only in stories that take place in outer space, like Star Wars.

d)

Entering the “Belly of the Whale” represents a transformation, where the hero faces the unknown and begins a rebirth.

6.

What central idea about the “Road of Trials” stage is developed in this passage?

a)

The hero completes the journey without difficulty and rarely encounters failure.

b)

The hero faces a series of challenges that reveal weaknesses and help them grow stronger.

c)

The hero’s trials are only exciting if they involve magical creatures or powers.

d)

Success in the trials means the hero no longer needs to learn anything new.

7.

What central idea about the “Meeting with the Goddess” stage is developed in this passage?

a)

The hero only meets a goddess if the story involves romantic love.

b)

The goddess always opposes the hero and prevents them from gaining the boon of love.

c)

The hero encounters a figure who represents the universe and helps the hero become whole.

d)

This stage is unnecessary for the hero’s journey and often skipped in many stories.

8.

What central idea about the “Woman as the Temptress” stage is developed in this passage?

a)

The hero faces temptations, whether material, physical, or symbolic, and must choose to stay on the journey.

b)

Only female characters can tempt the hero, and all heroes fail this stage.

c)

Temptation sometimes causes the hero to abandon the quest completely.

d)

The hero faces temptations but is expected to overcome them without difficulty.

9.

What central idea about the “Atonement with the Father” stage is developed in this passage?

a)

The hero confronts a parent or authority figure, which may or may not lead to progress on the journey.

b)

The hero faces a powerful figure or force but does not always gain understanding from the encounter.

c)

The hero must confront a powerful figure or force and accept the realities of the universe to gain insight or reward.

d)

The hero meets a powerful figure or force but usually avoids learning from the experience.

10.

What central idea about the “Apotheosis” stage is developed in this passage?

a)

The hero achieves enlightenment and discovers new power by learning from previous challenges.

b)

The hero suddenly becomes powerful and fearless.

c)

Enlightenment occurs only when the hero rejects his or her past and finds the strength to move forward.

d)

Harry Potter realizes the wizard within him and became immune to Voldemort's aggression.

11.

What central idea about the “Ultimate Boon” stage is developed in this passage?

a)

The hero gains a specific item as a reward for completing the journey.

b)

The hero completes the journey only if the reward is a physical object, not a personal achievement.

c)

The hero achieves the main goal of the journey, often gaining a powerful object, knowledge, or victory over a significant threat.

d)

The hero sometimes gains rewards, but these rarely reflect the purpose of the journey.

12.

What central idea about the “Refusal of the Return” stage is developed in this passage?

a)

Refusal to return means the hero gains no personal growth or insight from the journey.

b)

The hero always refuses to return and abandons others to live in the new world.

c)

The hero’s journey is complete as soon as the ultimate boon is achieved, with no need to return home.

d)

The hero may hesitate to return to ordinary life, but ultimately feels responsible for sharing the lessons learned.

13.

What central idea about the “Magic Flight” stage is developed in this passage?

a)

Returning home is optional, and the hero rarely faces obstacles after achieving the boon.

b)

The hero must figure out how to return home, often facing danger or challenges along the way.

c)

The hero’s journey is complete once the ultimate boon is obtained, and the return is always easy.

d)

The hero usually avoids danger by relying entirely on luck or other characters to return.

14.

What central idea about the “Rescue from Without” stage is developed in this passage?

a)

If the hero cannot return alone, allies may intervene to help complete the journey.

b)

The hero always returns home without assistance, proving their independence.

c)

Friends and allies only appear after the journey is complete and do not affect the outcome.

d)

The hero’s journey depends entirely on luck rather than help from others.

15.

What central idea about the “Crossing of the Return Threshold” stage is developed in this passage?

a)

The hero must figure out how to use the wisdom he or she gained while returning to normal life.

b)

The hero struggles to reacclimate to the ordinary world.

c)

The hero falls back into his or her old ways and repeats the cycle.

d)

The hero ignores the lessons learned during the journey and resumes life unchanged.

16.

What central idea about the “Master of the Two Worlds” stage is developed in this passage?

a)

The hero only needs to defeat external enemies to complete the journey.

b)

Mastery occurs when the hero ignores internal struggles and focuses on power alone.

c)

The hero achieves balance by mastering both external challenges and internal conflicts.

d)

The hero usually fails to reconcile opposing forces and remains incomplete.

17.

What central idea about the “Freedom to Live” stage is developed in this passage?

a)

The hero only experiences peace if all external enemies are defeated.

b)

The hero is freed from fear and able to live in harmony while sharing wisdom with others.

c)

The hero rarely benefits from the journey and struggles to apply lessons learned.

d)

The hero finds freedom in unlikely places.