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MUSIC AND ARTS 3RD QUARTER

Total questions: 133

Worksheet time: 2hrs 31mins

Name
Class
Date
1.

Is a performing art form consisting of purposely selected sequences of human movement.

(a)  

2.

A highly favored dance of the Visayan people especially the Waray people of the Eastern Visayan Region in the Philippines.

a)

Cariñosa

b)

Kuratsa

c)

Maglalatik

d)

Habanera Botolena

e)

Tinikling

3.

Kuratsa was based on the courtship movements between a rooster and hen.

a)

True

b)

False

4.

Which characterizes the amenudo way of Kuratsa?

a)

The couple dances at a time

b)

Another dancer enters as the lady dances

c)

The lady dances the whole time while the man watches

d)

Only one from the couple dances at a time

5.

Kuratsa is what kind of dance?

a)

Wedding

b)

Ceremonial

c)

War

d)

Courtship

6.

A folk dance that originated in Cuba. It is a fusion of Filipino and Spanish techniques usually performed in grand celebrations such as weddings.

(a)  

7.

Habanera Botolena is also known as (a)   or Da'nza Habanera.

8.

Habanera Botolena is strongly influenced by which Spanish dance?

(a)  

9.

Habanera Botolena originated from which Philippine province?

(a)  

10.

What is the step pattern for Habanera Botolena?

a)

Step Step Close

b)

Step Close Step

c)

Close Step Step

d)

Step Close

11.

Habanera Botolena includes a procession of the bride and groom's parents, bridesmaids, groomsmen and a solo performed by the newlyweds.

a)

True

b)

False

12.

A classic form of Filipino love song - or so it seemed to the colonialist forces in the Philippines.

The singer may also express undying love for his beloved country.

(a)  

13.

An ideology based on the premise that the individual's

loyalty and devotion to the nation-state surpass individual or group interests.

(a)  

14.

The period when the country gained full independence

from its American colonizers in 1946 until the 1970s.

(a)  

15.

What is the title of the Philippine National Anthem?

(a)  

16.

What is the title of the music composition

used for the Philippine National Anthem?

(a)  

17.

Who is the composer of Marcha National Filipina?

(a)  

18.

The lyrics of the Philippine National Anthem

were adopted from which Spanish poem?

(a)  

19.

Who wrote the poem "Filipinas"?

(a)  

20.

The Philippines had various historical anthems before.

a)

True

b)

False

21.

When did Jose Palma write the poem "Filipinas"?

a)

1898

b)

1899

c)

1920s

d)

1956

e)

1962

22.

When did Julian Felipe compose Marcha Nacional Filipina?

a)

1898

b)

1899

c)

1920s

d)

1956

e)

1962

23.

When was the lyrics of Lupang Hinirang translated to Filipino?

a)

1898

b)

1899

c)

1920s

d)

1956

e)

1962

24.

When was the lyrics of Lupang Hinirang translated to English?

a)

1898

b)

1899

c)

1920s

d)

1956

e)

1962

25.

When was the last revision of the Philippine National Anthem made?

This is the version now sung publicly.

a)

1898

b)

1899

c)

1920s

d)

1956

e)

1962

26.

The singing and playing of the Philippine National Anthem is governed by the law,

specifically R.A. (a)   or the Flag and Heraldic Code of the Philippines.

(R.A. means Republic Act)

27.

What is R.A. 8491 known as?

(a)  

28.

All other provisions on the national anthem are detailed in

Chapter ____ Sections 35-39 of R.A. 8491.

a)

I

b)

II

c)

III

d)

IV

29.

Which section of R.A. 8491 says:

The rendition of the National Anthem shall be

in accordance with the musical arrangement and composition of Julian Felipe.

a)

Section 37

b)

Section 38

c)

Section 39

30.

Which section of R.A. 8491 says:

The attending public shall sing the national anthem whenever it is played at a public gathering.

a)

Section 37

b)

Section 38

c)

Section 39

31.

Which section of R.A. 8491 says:

The public shall stand at attention facing the Philippine flag as a sign of respect.

a)

Section 37

b)

Section 38

c)

Section 39

32.

What is the original time signature

of the Philippine National Anthem, "Lupang Hinirang"?

a)

2/4

b)

3/4

c)

4/4

d)

6/8

33.

Lupang Hinirang is now commonly performed in 4/4 (quadruple time), especially when sung, to slow the tempo and allow for proper enunciation and a more dignified feel, as per R.A. 8491 which respects Julian Felipe's composition but allows for practical adaptation.

a)

True

b)

False

34.

The height of experimentation of Filipino composers with European styles

started during the American period until after the Japanese occupation.

a)

True

b)

False

35.

Who are the 4 Nationalistic Filipino composers

during the American period until after the Japanese occupation?

a)

Redentor Romero

b)

Francisco Santiago

c)

Antonio Buenaventura

d)

Juan Hernandez

e)

Lucio San Pedro

36.

The Father of Nationalism in Music

a)

Redentor Romero

b)

Francisco Santiago

c)

Antonio Buenaventura

d)

Juan Hernandez

e)

Lucio San Pedro

37.

He composed "Malakas and Maganda Overture".

a)

Redentor Romero

b)

Francisco Santiago

c)

Antonio Buenaventura

d)

Juan Hernandez

e)

Lucio San Pedro

38.

He composed "Mga Katutubong Tanawin".

a)

Redentor Romero

b)

Francisco Santiago

c)

Antonio Buenaventura

d)

Juan Hernandez

e)

Lucio San Pedro

39.

He transformed Kundiman from folk song to art song that requires advanced vocal technique and musical maturity for its performance on the concert stage.

a)

Redentor Romero

b)

Francisco Santiago

c)

Antonio Buenaventura

d)

Juan Hernandez

e)

Lucio San Pedro

40.

He is the conductor of the Royal Philharmonic Orchestra.

a)

Redentor Romero

b)

Francisco Santiago

c)

Antonio Buenaventura

d)

Juan Hernandez

e)

Lucio San Pedro

41.

He used nationalist themes in his compositions from the 1930s - 1940s.

a)

Redentor Romero

b)

Francisco Santiago

c)

Antonio Buenaventura

d)

Juan Hernandez

e)

Lucio San Pedro

42.

What are the two popular compositions of Antonio Buenaventura?

a)

Mga Katutubong Tanawin

b)

Malakas and Maganda Overture

c)

Pandanggo sa Ilaw

d)

Mindanao Sketches

e)

Lupang Hinirang

43.

A composition made in 1947 that are based on the

rhythm of the dances and songs of the Manobo tribe who duel in the hinterland of Bukidnon.

a)

Mga Katutubong Tanawin

b)

Malakas and Maganda Overture

c)

Pandanggo sa Ilaw

d)

Mindanao Sketches

e)

Lupang Hinirang

44.

Which of the following are TRUE about the composition

Mindanao Sketches by Antonio Buenaventura?

a)

It was performed by the Royal Philharmonic Orchestra conducted by Redentor Romero.

b)

It was first performed by the Municipal Symphony Orchestra of Manila on May 15, 1948 at the UST Gymnasium.

c)

It was performed in the USA, Europe, and Soviet Russia.

d)

It's world premiere performance was on August 19, 1948 in Honolulu, Hawaii.

e)

Mindanao Sketches focuses on Western classical music styles.

45.

What are the two movements in the composition Mindanao Sketches?

a)

Malakas and Maganda Overture

b)

Offering to the Gods

c)

Pandanggo sa Ilaw

d)

A Village Festival Dance

46.

Choose the correct conducting pattern or time signature.

6/8

a)

b)

c)

d)

47.

Choose the correct conducting pattern or time signature.

2/4

a)

b)

c)

d)

48.

Choose the correct conducting pattern or time signature.

4/4

a)

b)

c)

d)

49.

Choose the correct conducting pattern or time signature.

3/4

a)

b)

c)

d)

50.

What is the title of Indonesia's National Anthem?

(a)  

51.

Who wrote the Indonesia National Anthem in 1928?

(a)  

52.

Who is the composer (music) of the Indonesia National Anthem?

(a)  

53.

Who performed the first recording of the Indonesia National Anthem

with the Dutch composer Jos Cleber?

a)

the Royal Philharmonic Orchestra

b)

the Municipal Symphony Orchestra of Manila

c)

the Philharmonic Orchestra of Indonesia

d)

the resident symphony orchestra of the Republic of Indonesia Radio (RRI)

54.

When is the the Proclamation of the Indonesian Independence

when they also adapted the Indonesia Raya as their National Anthem?

(Full Date)

(a)  

55.

Indonesia Raya as a national anthem is full of ________.

a)

anger

b)

hope

c)

optimism

d)

regret

56.

Indonesia's founding president who was

involved in the musical arrangement of Indonesia Raya.

He wanted the bridge to be calmer and more textured, less monotonous

so that when it hits the chorus, it soars.

(a)  

57.

The legendary composer and conductor in Indonesia

who said that the Indonesia Raya is memorable for its directness.

He is also known as Addie M.S.

(a)  

58.

A kundiman about the Philippine's struggle for independence during the American regime.

(a)  

59.

Who made the music for Bayan Ko?

(a)  

60.

Who made the Tagalog Lyrics for Bayan Ko in 1929?

(a)  

61.

Jose Corazon de Jesus is also known as:

(a)  

62.

Which of the following are TRUE about the song Bayan Ko?

a)

The song expressed opposition to the American Occupation.

b)

The Spanish lyrics was originally written for the Severino Reyes zarzuela titled Walang Sugat.

c)

It has only one version which was sung to unite all Filipinos.

d)

It was played during the Japanese occupation.

e)

It was played during the protest marches against the Marcos government in the early 80s.

63.

Father of Kundiman Art Song

(a)  

64.

What are the popular music composition of Francisco Santiago?

a)

Anak Dalita

b)

Concerto in B flat minor for pianoforte and orchestra

c)

Pilipinas Kong Mahal

d)

Jocelynang Baliwag

e)

Sariling Bayan

65.

Which of the following are Filipino Patriotic songs?

a)

Anak Dalita

b)

Concerto in B flat minor for pianoforte and orchestra

c)

Pilipinas Kong Mahal

d)

Jocelynang Baliwag

e)

Sariling Bayan

66.

A Filipino composer who does piano accompaniment for kundiman.

a)

Nicanor Abelardo

b)

Redentor Romero

c)

Freddie Aguilar

d)

Lucio D. San Pedro

e)

Felipe de Leon

67.

A composer who also wrote materials and compositions based from Filipino folk songs.

He also wrote publications highlighting the importance of music as an expression of nationalism.

a)

Nicanor Abelardo

b)

Redentor Romero

c)

Freddie Aguilar

d)

Lucio D. San Pedro

e)

Felipe de Leon

68.

He arranged the song Bayan Ko for violin and piano.

a)

Nicanor Abelardo

b)

Redentor Romero

c)

Freddie Aguilar

d)

Lucio D. San Pedro

e)

Felipe de Leon

69.

He arranged the song Bayan Ko for guitar.

a)

Nicanor Abelardo

b)

Redentor Romero

c)

Freddie Aguilar

d)

Lucio D. San Pedro

e)

Felipe de Leon

70.

National Artist for Music who also made a rendition of Bayan Ko.

a)

Nicanor Abelardo

b)

Redentor Romero

c)

Freddie Aguilar

d)

Lucio D. San Pedro

e)

Felipe de Leon

71.

The first Constitutional Republic in Asia.

(a)  

72.

Entertainment including song, dance, magic, and costumes

introduced in the Philippines by the Americans.

(a)  

73.

Nationalistic song from Indonesia created in 1949

which is a story about admiration for the homeland.

This was also the OST of the film 'Soekarno' in 2013.

(a)  

74.

Indonesian National Hero who created the song

Indonesia Pusaka in 1949.

(a)  

75.

While Japanese Imperial Forces occupied Manila from 1941 to 1945, ironically, this was also the same period when Philippine theater flourished and was called “the Golden Age of Philippine theater".

a)

True

b)

False

76.

Why did the Japanese allow the staging of the Bodabil?

(vaudeville or staged show consisting of comic skits, music and dance numbers)

a)

they were convinced it will make the Filipinos busy and not think of rebellion

b)

they were convinced that it was only meant to entertain people

c)

they were convinced it will make the Filipinos like the Japanese government

d)

they were convinced it was a way to compete with the Americans

77.

Anti-Japanese satirical skit produced by Joe Climaco two well-loved comedians of the

period: Togo and Pugo as the latter mocked a Japanese general in Filipino language.

(a)  

78.

A traditional form of passion play that depicts the life, death and resurrection of Jesus Christ performed during Holy week as a religious tradition.

(a)  

79.

Which of the following are TRUE about the Senakulo?

a)

It was named after the Upper Room (Cenacle), which is thought to be the place where the Last Supper was held.

b)

The Filipino version of a Catholic tradition, which is known as Passion Play around the world.

c)

It is performed only inside churches and never in public streets or open spaces.

d)

Relives biblical events pertinent to the life, tribulations and ultimate sacrifice of Jesus Christ.

80.

What is Senakulo called in other countries?

(a)  

81.

Passion Play is also known as:

(a)  

82.

Performance in the streets or in public places

inspired by the stories people get from their surroundings.

(a)  

83.

Which are examples of street theatre in post-war Philippines?

a)

pastores

b)

pusaka

c)

sinakulo

d)

dulansangan

84.

Societal plays during rallies and strikes.

a)

pastores

b)

pusaka

c)

sinakulo

d)

dulansangan

85.

Life and suffering of Jesus

a)

pastores

b)

pusaka

c)

sinakulo

d)

dulansangan

86.

The shepherd’s worship of the Holy Child.

a)

pastores

b)

pusaka

c)

sinakulo

d)

dulansangan

87.

Used as a form of societal commentary and political activism.

a)

Street Theater

b)

Protest Theater

c)

Contemporary Theater

d)

Musical Theater

88.

Theater exploring various themes and styles

a)

Street Theater

b)

Protest Theater

c)

Contemporary Theater

d)

Musical Theater

89.

A growing and vibrant theater genre in the Philippines.

a)

Street Theater

b)

Protest Theater

c)

Contemporary Theater

d)

Musical Theater

90.

A festival devoted to the Santo Niño or Child Jesus

held every January in Kalibo, Aklan.

(a)  

91.

3 businessmen who signed the testament with a Kalibo priest

to institutionalize the holding of the annual Kalibo Santo Niño Ati-atihan Festival.

a)

Jose Gomez

b)

Ramon Barrios

c)

Basilio Gomez

d)

Pedro Fuentes

92.

The gobernadorcillo of Kalibo who signed the testament with a Kalibo priest

to institutionalize the holding of the annual Kalibo Santo Niño Ati-atihan Festival.

a)

Jose Gomez

b)

Ramon Barrios

c)

Basilio Gomez

d)

Pedro Fuentes

93.

The mother of all Philippine festivals.

a)

Ati-atihan Festival

(Kalibo, Aklan)

b)

Sinulog Festival

(Cebu City)

c)

Dinagyang Festival

(Iloilo City)

94.

Blackened skin, simple tribal costumes

a)

Ati-atihan Festival

(Kalibo, Aklan)

b)

Sinulog Festival

(Cebu City)

c)

Dinagyang Festival

(Iloilo City)

95.

Elaborate, warrior-inspired costumes

a)

Ati-atihan Festival

(Kalibo, Aklan)

b)

Sinulog Festival

(Cebu City)

c)

Dinagyang Festival

(Iloilo City)

96.

Bright, festive costumes

a)

Ati-atihan Festival

(Kalibo, Aklan)

b)

Sinulog Festival

(Cebu City)

c)

Dinagyang Festival

(Iloilo City)

97.

Festival in Iloilo City where they wear warrior-inspired costumes

and got inspiration from Ati-Atihan Festival.

(a)  

98.

What are the “Big Four” film companies post-WWII.

a)

FAMAS

b)

Sampaguita Pictures

c)

LVN

d)

Premiere Productions

e)

Lebran

99.

National Artist of the Philippines for Film

a)

Lino Brocka

b)

Manuel Silos

c)

Jose Nepomuceno

d)

Gerardo de Leon

e)

Ishmael Bernal

100.

1952 movie by Manuel Conde

accepted for screening at the Venice Film Festival.

a)

Anak Dalita

b)

Sisa

c)

Genghis Khan

d)

Ifugao

e)

Habambuhay

101.

A film showing the stark tragedy of post-WWII survival

set in Intramuros by Lamberto Avellana.

a)

Anak Dalita

b)

Sisa

c)

Genghis Khan

d)

Ifugao

e)

Habambuhay

102.

1954 movie by Gerardo de Leon

a)

Anak Dalita

b)

Sisa

c)

Genghis Khan

d)

Ifugao

e)

Habambuhay

103.

1951 film based on a character from Jose Rizal's first novel, Noli Me Tangere, by National Artist of the Philippines for film Gerardo “Gerry” de Leon.

It won two Maria Clara Awards (Best Direction and Best Actress).

a)

Anak Dalita

b)

Sisa

c)

Genghis Khan

d)

Ifugao

e)

Habambuhay

104.

Docuseries or Filipino documentary series that features real-life stories of ordinary Filipinos, highlighting their life struggles, values, culture, and perseverance.

a)

Anak Dalita

b)

Sisa

c)

Genghis Khan

d)

Ifugao

e)

Habambuhay

105.

Folk songs using indigenous instruments and regional styles

a)

Traditional music

b)

Modern Music

106.

Refers to Pop, Rock, and Contemporary genres

a)

Traditional music

b)

Modern Music

107.

Bodabil

a)

Theater

b)

Dance

c)

Visual Art

108.

Habambuhay

a)

Theater

b)

Dance

c)

Visual Art

109.

Ati-Atihan

a)

Theater

b)

Dance

c)

Visual Art

110.

Dinagyang

a)

Theater

b)

Dance

c)

Visual Art

111.

Senakulo

a)

Theater

b)

Dance

c)

Visual Art

112.

Sisa

a)

Theater

b)

Dance

c)

Visual Art

113.

Sinulog

a)

Theater

b)

Dance

c)

Visual Art

114.

Street, Protest, and Contemporary

a)

Theater

b)

Dance

c)

Visual Art

115.

Textile, Prints, Painting, Sculpture, Installation, Architecture

a)

Theater

b)

Dance

c)

Visual Art

116.

This is the “what” in a piece of art: the topic, focus, or image.

(a)  

117.

The message that the artist wishes to convey through the artwork.

(a)  

118.

An abstract idea; a general notion.

(a)  

119.

What the artist chooses to work with when creating art.

(a)  

120.

An oral or written discussion strategy used to

analyze, describe, and interpret works of art.

(a)  

121.

The most common subjects of Art:

Art about arrangements of objects.

a)

portraiture

b)

still-life

c)

landscape

d)

non-

objective

122.

The most common subjects of Art:

Art about abstractions.

a)

portraiture

b)

still-life

c)

landscape

d)

non-

objective

123.

The most common subjects of Art:

Art about the natural world.

a)

portraiture

b)

still-life

c)

landscape

d)

non-

objective

124.

The most common subjects of Art:

Art about people.

a)

portraiture

b)

still-life

c)

landscape

d)

non-

objective

125.

What are the Steps in Producing Critique-inspired Creative Work?

a)

PREPARATION PHASE

b)

INCUBATION PHASE

c)

ILLUMINATION PHASE

d)

OBSERVATION PHASE

e)

VERIFICATION PHASE

126.

The first phase of the creative process where an artist

conducts a rigorous study about experience, knowledge, and subject.

a)

PREPARATION PHASE

b)

INCUBATION PHASE

c)

ILLUMINATION PHASE

d)

VERIFICATION PHASE

127.

The second phase of the creative process where an artist ponders on the problem. This may involve thinking, daydreaming, and exploration of ideas, materials, or processes.

a)

PREPARATION PHASE

b)

INCUBATION PHASE

c)

ILLUMINATION PHASE

d)

VERIFICATION PHASE

128.

This is when possibilities crystallize and an artist sees the signs of a solution that meets the requirements. This is the moment when general points are determined.

a)

PREPARATION PHASE

b)

INCUBATION PHASE

c)

ILLUMINATION PHASE

d)

VERIFICATION PHASE

129.

The final stage when an artist works on the production or actually creating,

refining the possibilities that emerge at the illumination stage.

a)

PREPARATION PHASE

b)

INCUBATION PHASE

c)

ILLUMINATION PHASE

d)

VERIFICATION PHASE

130.

A four-step process used to study, understand, and evaluate artworks.

(a)  

131.

What are the 4 Steps in the Feldman’s Model of Art Criticism?

a)

Description

b)

Creation

c)

Analysis

d)

Interpretation

e)

Judgment/Evaluation

132.

Which of the following are considered the main Musical Behaviors?

a)

Active Listening; Describing; Interpreting; Composing; Finding Relations; Performing

b)

Singing; Active Listening; Improvising; Composing; Performing; Memorizing

c)

Listening; Describing; Playing; Interpreting; Creating; Performing

d)

Composing; Performing; Dancing; Listening; Finding Relations; Reciting

133.

Which of the following are considered the main Arts Processes?

a)

Listening; Interpreting; Performing; Creating; Reflecting

b)

Sketching; Painting; Sculpting; Collaging; Designing

c)

Analyzing; Composing; Performing; Interpreting; Evaluating

d)

Describing; Dramatizing; Producing; Creating; Finding Relations

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