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Foundations of Modern Dance

Total questions: 28

Worksheet time: 14mins

Name
Class
Date
1.

Which idea best describes why modern dance emerged as a new form?

a)

Imitation of circus acrobatics for spectacle

b)

Revival of courtly dances from past eras

c)

Desire to perfect rigid ballet footwork

d)

Rebellion against classical ballet conventions

2.

Which pioneer is most associated with dancing barefoot and emphasizing natural movement and self-expression?

a)

Merce Cunningham and his chance procedures

b)

Alvin Ailey and his ballet-infused style

c)

Martha Graham and her codified floor work

d)

Isadora Duncan and her natural movement focus

3.

What core principle defines the Graham Technique founded by Martha Graham?

a)

Contract and release

b)

Turns and leaps as virtuosic displays

c)

Chance operations guiding choreography

d)

Pantomime gestures telling fixed stories

4.

Which statement best contrasts Duncan’s and Graham’s approaches?

a)

Duncan codified strict technique; Graham rejected all training

b)

Duncan focused circus spectacle; Graham revived court dances

c)

Duncan favored natural, flowing expression; Graham explored angular tension

d)

Duncan rejected emotion; Graham celebrated emotionless form

5.

Modern dance was often used to address which kinds of themes?

a)

Purely ornamental costume design

b)

Agricultural techniques and tools

c)

Social and political issues in society

d)

Mathematical puzzles and logic

6.

Which outcome did Isadora Duncan’s work help establish for future dance forms?

a)

Tap was the sole expressive medium

b)

Ballet remained the only concert form

c)

Dance could be more than formal steps

d)

Mime replaced movement in theaters

7.

A choreographer wants to depict inner turmoil using sharp, intense shapes and breath-driven phrases. Which pioneer’s influence is most evident?

a)

Martha Graham with tense, angular storytelling

b)

Isadora Duncan with carefree pastoral gestures

c)

Jose Limón with classical court pageantry

d)

Lester Horton with pure chance improvisation

8.

Which themes are paired correctly with the listed pioneer?

a)

Isadora Duncan — barefoot naturalism

b)

Martha Graham — contract and release

c)

All of the above are correctly matched

d)

Merce Cunningham — chance techniques

9.

A student claims modern dance aimed to perfect ballet’s rigid technique. Which is the best response?

a)

Only in costumes, not in movement

b)

No, it rebelled against ballet’s rigidity

c)

Yes, it tightened ballet’s precision

d)

Partly, it copied courtly ballet steps

10.

Why is Martha Graham considered highly influential today?

a)

She focused solely on social satire

b)

She avoided emotional themes entirely

c)

Her works eliminated all floor movement

d)

Her technique is still taught worldwide

11.

Which organization did Alvin Ailey establish in 1958?

a)

American Contemporary Ballet School

b)

Horton American Movement Project

c)

New York City Ballet Company

d)

Alvin Ailey American Dance Theater

12.

Which statement best describes Ailey’s choreographic approach?

a)

Blended modern, ballet, jazz, and African American influences

b)

Used minimal movement with silent stage environments

c)

Focused strictly on classical ballet vocabulary

d)

Centered only on jazz styles without cultural themes

13.

What theme is central to Ailey’s 1960 work Revelations?

a)

Romantic love, tragedy, and redemption

b)

Nature imagery, seasons, and folklore

c)

Black heritage, faith, and resilience

d)

Industrial labor, machines, and progress

14.

Which belief guided Ailey’s vision for dance access?

a)

Dance should prioritize solos over community pieces

b)

Dance should be accessible and reflect cultural diversity

c)

Dance must avoid cultural themes to stay neutral

d)

Dance should be elite and limited to trained professionals

15.

Which best characterizes the impact of Ailey’s company on modern dance?

a)

Shifted modern dance toward strict classical traditions

b)

Helped make modern and contemporary dance global and inclusive

c)

Reduced the use of jazz and Africanist aesthetics

d)

Encouraged companies to avoid touring internationally

16.

Who created the Horton Technique that emphasizes strength and lateral stretches?

a)

George Balanchine

b)

Martha Graham

c)

Katherine Dunham

d)

Lester Horton

17.

Which aspect is most associated with Horton Technique training?

a)

Partnering lifts focused on romantic narratives

b)

Improvisation without structured exercises

c)

Full‑body, athletic movement and strength conditioning

d)

Light, airy footwork with minimal torso use

18.

What was notable about Lester Horton’s dance company regarding inclusion?

a)

It was among the first racially integrated companies

b)

It accepted only classically trained white dancers

c)

It performed exclusively for private elite audiences

d)

It banned cross‑training and outside influences

19.

Which relationship between the two artists is accurate?

a)

They led competing ballet schools in New York

b)

They collaborated to create Revelations in 1960

c)

Horton learned from Ailey and later joined his troupe

d)

Ailey trained with Horton and became a major artist

20.

Why is Horton Technique significant in US dance education today?

a)

It the foundation for much modern and contemporary training

b)

It is used only in historical reenactment classes

c)

It applies mainly to tap and musical theater forms

d)

It survives in a single company without wider use

21.

Cunningham believed dance did not need to do which of the following?

a)

Tell a story or narrative plot

b)

Use trained professional dancers

c)

Include music performed live

d)

Follow traditional stage directions

22.

Which statement contrasts the central focus of José Limón’s technique with Cunningham’s philosophy?

a)

Limón emphasized human drama and storytelling

b)

Limón rejected gravity and body weight entirely

c)

Limón choreographed strictly by coin flips

d)

Limón avoided emotion in performance completely

23.

Limón Technique is most closely associated with which principle?

a)

Footwork patterns based on tap rhythms

b)

Fall and recovery using weight and breath

c)

Rigid vertical alignment without breath

d)

Continuous turns with spotting technique

24.

Which work is José Limón famously associated with?

a)

Appalachian Spring by Copland

b)

The Rite of Spring by Stravinsky

c)

Moor’s Pavane inspired by Othello

d)

Revelations drawn from spirituals

25.

Which description best captures how Cunningham influenced later dance movements?

a)

Breaking boundaries that shaped postmodern experimentation

b)

Reviving court dances emphasizing decorum

c)

Eliminating collaboration with contemporary composers

d)

Standardizing a universal ballet syllabus

26.

A choreographer wants to change the music right before performance. Which pioneer’s method does this most resemble?

a)

Merce Cunningham’s chance procedures

b)

George Balanchine’s neoclassicism

c)

José Limón’s epic narratives

d)

Martha Graham’s contraction work

27.

A dancer explores breath to let the torso yield, drop, and then suspend into an upright stance, conveying dignity after struggle. Which technique are they applying?

a)

Tap dance’s intricate paddle rolls

b)

Classical ballet’s petit allegro

c)

Cunningham’s detached pure movement

d)

Limón’s fall and recovery dynamics

28.

Which pairing correctly matches choreographer with their idea?

a)

Limón — choreography by random chance

b)

Cunningham — movement for movement’s sake

c)

Limón — strict avoidance of emotional themes

d)

Cunningham — storytelling humanist dramas