
Ch12 Hollywood in Transition
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Nicholas Livanos
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21 Slides • 6 Questions
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Ch12 Hollywood in Transition
ch-ch-ch-changes
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Otto Preminger
protégé of Ernst Lubitsch
instrumental in vanquishing the blacklist by challenging the Code & hiring Dalton Trumbo (one of the "Hollywood Ten")
The Moon is Blue, Anatomy of a Murder, Exodus
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John Huston
moralist with a taste for irony & great literature who lived in the tension between cinematic style & value statements
the winners in his films were those who accept the limits of their humanity & navigate a moral crisis, or are flexible / resourceful enough to modify their projects
the losers (though still captivating characters) are obsessed, inflexible overreachers
Treasure of the Sierra Madre, The African Queen, The Maltese Falcon
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Elia Kazan
Cold War liberal in era of Hollywood blacklisting
had the problem of making social-problem films that would neither offend an audience or cost him his job
solved in public life by cooperating with HUAC; solved in film by turning social problems in "human" problems
sustained his message pictures w/dynamic performances from Method actors
A Streetcar Named Desire, On the Waterfront, East of Eden
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Multiple Choice
Moralist with a taste for irony. Lived in the tension between cinematic style & value statements. The winners in his films were those who accept the limits of their humanity & navigate a moral crisis. Treasure of the Sierra Madre, The African Queen, The Maltese Falcon
Otto Preminger
John Huston
Elia Kazan
Billy Wilder
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Multiple Choice
This director had the problem of making social-problem films that would neither offend an audience or cost him his job. He solved in public life by cooperating with HUAC & naming names. A Streetcar Named Desire, On the Waterfront, East of Eden
Otto Preminger
John Huston
Elia Kazan
Douglas Sirk
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Multiple Choice
This protégé of Ernst Lubitsch was instrumental in vanquishing the blacklist by challenging the Code & hiring Dalton Trumbo (one of the "Hollywood Ten"). The Moon is Blue, Anatomy of a Murder, Exodus
Otto Preminger
John Huston
Elia Kazan
Nicolas Ray
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Billy Wilder
fled Europe when Hitler came to power (Jewish)
started as a screenwriter, would later reject flashy "distracting" cinematography of Hitchcock & Welles
wrote w/specific actors in mind to maximize on their limitations & directed 14 actors to Oscar nominations
opposed HUAC, & was 1 of only 2 directors in the guild to vote against an "oath of allegiance" proposed by anti-communists (the other was John Huston)
comedies & film noirs Sunset Boulevard, Double Indemnity, The Apartment
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Douglas Sirk
melodramas of contradicting qualities
slick depictions of the most tawdry values of materialistic, middle-class life
brutally funny comments on this same tawdriness
"women's weepies" Imitation of Life, All That Heavens Allows
made female audiences fall in love with Thoreau-like man of nature roles in which he ironically cast Rock Hudson
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Nicolas Ray
loner & rebel on the fringes of Hollywood establishment (came to LA as Elia Kazan's assistant)
consistently identified with oddballs who saw themselves as different from everyone else
Rebel Without a Cause
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Multiple Choice
Rejected flashy "distracting" cinematography of Hitchcock & Welles, wrote scripts with specific actors in mind, & opposed HUAC. Sunset Boulevard, Double Indemnity, The Apartment
Otto Preminger
Billy Wilder
Douglas Sirk
Nicolas Ray
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Multiple Choice
Loner & rebel on the fringes of Hollywood establishment that consistently identified with oddballs who saw themselves as different from everyone else. Rebel Without a Cause
Elia Kazan
Billy Wilder
Douglas Sirk
Nicolas Ray
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Multiple Choice
Melodramas of the most tawdry values of materialistic, middle-class life. These "women's weepies" were brutally funny comments on this same tawdriness. Imitation of Life, All That Heavens Allows
John Huston
Billy Wilder
Douglas Sirk
Nicolas Ray
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What are you rebelling against?
Staying awake in this class? That's pretty serious...
Ch12 Hollywood in Transition
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